Best African-American & Black Biographies

Relive the extraordinary Presidency of Barack Obama through White House photographer Pete Souza's behind-the-scenes images and stories in this #1 New York Times bestseller--with a foreword from the President himself. During Barack Obama's two terms, Pete Souza was with the President during more crucial moments than anyone else--and he photographed them all. "The book, which distills the 1.9 million photographs that Souza took of Obama's eight years in the White House down to about 300 images, it as once warm and nostalgic, worshipful and respectful, sad and wistful-in a sense, not so different from the framed JFK portraits that everyday Americans hung in living rooms, right through the Nixon administration. "Here are the qualities that radiate from these photos of the former President and his family, all taken by Souza during his eight years as official White House photographer: intelligence, kindness, warmth, integrity. "Souza, chief official White House photographer for Obama's two terms, was on hand for history--documenting our first black president, and a pretty photogenic one at that. Souza's book, an instant best seller, includes many iconic images we've seen before, but its most poignant moments are the least public--like one of the president and his daughters frolicking in the snow at the White House. "The 300 photographs in the book are a remarkable account of President Obama's eight years in the White House, from events of historic significance to quiet moments with his wife and daughters and the family dogs.

NEW YORK TIMES BESTSELLER From stand-up comedian, actress, and breakout star of Girls Trip , Tiffany Haddish, comes The Last Black Unicorn , a sidesplitting, hysterical, edgy, and unflinching collection of (extremely) personal essays, as fearless as the author herself. Whatever God gave her in the energy department needs to be bottled up and sold so everybody can instantly feel good. "Tiffany Haddish has become known for her unabashed honesty, and continues to keep it 100 in new memoir, The Last Black Unicorn. ". "It’s 100% in her voice and feels like her telling you these stories, many heartbreaking, at a bar." "Haddish is a hilarious, badass, and magical woman, and her memoir, The Last Black Unicorn , is further proof of it. This book will have you ugly-crying with laughter as the actress delves deep into the ( very ) intimate details of her personal life, using the same incredible sense of humor and fierce, unflinching honesty that won our hearts in the first place."

Now an HBO® Film starring Oprah Winfrey and Rose Byrne #1 NEW YORK TIMES BESTSELLER. Her name was Henrietta Lacks, but scientists know her as HeLa. #1 NEW YORK TIMES BESTSELLER Entertainment Weekly #1 Nonfiction Book of the Year New Yorker Reviewers’ Favorite. American Library Association Notable Book People Top Ten Book of the Year Washington Post Book World Top Ten Book of the Year. Salon.com Best Book of the Year USA Today Ten Books We Loved Reading O, The Oprah Magazine Top Ten Book of the Year. National Public Radio Best of the Bestsellers Boston Globe Best Nonfiction Book of the Year Financial Times Nonfiction Favorite Los Angeles Times Critics’ Pick Bloomberg Top Nonfiction New York magazine Top Ten Book of the Year. Slate.com Favorite Book of the Year. TheRoot.com Top Ten Book of the Year Discover magazine 2010 Must-Read Publishers Weekly Best Book of the Year Library Journal Top Ten Book of the Year Kirkus Reviews Best Nonfiction Book of the Year U.S. News & World Report Top Debate-Worthy Book Booklist Top of the List—Best Nonfiction Book New York Times /Science Bestseller list “I could not put the book down . “Science writing is often just about ‘the facts.’ Skloot’s book, her first, is far deeper, braver, and more wonderful.” —New York Times Book Review “ The Immortal Life of Henrietta Lacks is a triumph of science writing...one of the best nonfiction books I have ever read.” —Wired.com “ A deftly crafted investigation of a social wrong committed by the medical establishment, as well as the scientific and medical miracles to which it led.” —Washington Post “ Riveting...a tour-de-force debut.” —Chicago Sun-Times “A real-life detective story, The Immortal Life of Henrietta Lacks probes deeply into racial and ethical issues in medicine . an inspiring tale for all ages.” — Essence “This extraordinary account shows us that miracle workers, believers, and con artists populate hospitals as well as churches, and that even a science writer may find herself playing a central role in someone else’s mythology.” — The New Yorker “Has the epic scope of Greek drama, and a corresponding inability to be easily. explained away.” — SF Weekly “One of the great medical biographies of our time.” — The Financial Times “Like any good scientific research, this beautifully crafted and painstakingly researched book raises nearly as many questions as it answers . The Immortal Life of Henrietta Lacks is a heroic work of cultural and medical journalism.” —Laura Miller, Salon.com “No dead woman has done more for the living . a fascinating, harrowing, necessary book.” —Hilary Mantel, The Guardian (U.K.) “ The Immortal Life of Henrietta Lacks does more than one book ought to be able to do.” — Dallas Morning News “Above all it is a human story of redemption for a family, torn by loss, and for a writer with a vision that would not let go.” — Boston Globe “This remarkable story of how the cervical cells of the late Henrietta Lacks, a poor black woman, enabled subsequent discoveries from the polio vaccine to in vitro fertilization is extraordinary in itself; the added portrayal of Lacks's full life makes the story come alive with her humanity and the palpable relationship between race, science, and exploitation." If science has exploited Henrietta Lacks [Skloot] is determined not to. gives Henrietta Lacks another kind of immortality—this one through the discipline of good writing.” — Baltimore Sun “A work of both heart and mind, driven by the author’s passion for the story, which is as endlessly renewable as HeLa cells.” — Los Angeles Times “In this gripping, vibrant book, Rebecca Skloot looks beyond the scientific marvels to explore the ethical issues behind a discovery that may have saved your life.” — Mother Jones “More than ten years in the making, it feels like the book Ms. Skloot was born to write . Skloot, a young science journalist and an indefatigable researcher, writes about Henrietta Lacks and her impact on modern medicine from almost every conceivable angle and manages to make all of them fascinating . packed with memorable characters.” —Dwight Garner, New York Times , Top Ten Book of 2010 “Astonishing . .” — The Economist “Journalist Rebecca Skloot’s history of the miraculous cells reveals deep injustices in U.S. medical research.” — TIME “ The Immortal Life of Henrietta Lacks is a fascinating look at the woman whose cultured cells—the first to grow and survive indefinitely, harvested without compensation or consent—have become essential to modern medicine.” — Vogue “ The Immortal Life of Henrietta Lacks is a remarkable feat of investigative journalism and a moving work of narrative nonfiction that reads with the vividness and urgency of fiction. It also raises sometimes uncomfortable questions with no clear-cut answers about whether people should be remunerated for their physical, genetic contributions to research and about the role of profit in science.” — National Public Radio “An indelible, marvelous story as powerful as those cells.” — Philadelphia Inquirer “As much an act of justice as one of journalism.” — Seattle Times “A stunning book . I highly recommend this book.” —Jad Abumrad, Radiolab “Skloot is a terrific popularizer of medical science, guiding readers through this dense material with a light and entertaining touch.” — The Globe and Mail (Canada) “A rare and powerful combination of race, class, gender,medicine, bioethics, and intellectual property; far more rare is the writer that can so clearly fuse those disparate threads into a personal story so rich and compelling.” — Seed “Powerful story . Thank you for writing this important book.” —Kali-AhsetAmen, Radio Diaspora “Skloot has written an important work of immersive nonfiction that brings not only the stories of Henrietta Lacks and HeLa once more into line, but also catharsis to a family in sore need of it.” — The Times Literary Supplement “A masterful work of nonfiction . a real page turner.” —Hanna Rosin, Slate “Skloot explores human consequences of the intersection of science and business, rescuing one of modern medicine’s inadvertent pioneers from an unmarked grave.” — US News & World Report “Remarkably balanced and nonjudgmental . It reads like a novel but has the intellectual substance of a science textbook or a historical biography.” — The Daily Nebraskan “Illuminates what happens when medical research is conducted within an unequal health-care system and delivers an American narrative fraught with intrigue, tragedy, triumph, pathos, and redemption.” — MS. “ A tremendous accomplishment —a tale of important science history that reads like a terrific novel.” — Kansas City Star “Good science writing isn’t easy, but Skloot makes it appear so.” —The Wichita Eagle “Encompasses nearly every hot-button issue currently surrounding the practice of medicine.” — Madison Capital Times “Defies easy categorization . navigates both the technical and deeply personal sides of the HeLa story with clarity and care.” — The Portland Mercury “[A] remarkable book.” — London Review of Books “An essential reminder that all human cells grown in labs across the world, HeLa or otherwise, came from individuals with fears, desires, and stories to tell.” — Chemical & Engineering News “Blows away the notion that science writing must be the literary equivalent to Ambien.” — Chicago Tribune “Seldom do you read a book that is science, social history, and a page turner.” —British Medical Journal “Thrilling and original nonfiction that refuses to be shoehorned into anything as trivial as a genre. It is equal parts popular science, historical biography, and detective novel.” —Ed Yong, DISCOVER.COM “Best book I’ve read in years.” —Brian Sullivan, Fox Business Network “Thanks to Rebecca Skloot, we may now remember Henrietta—who she was, how she lived, how she died.” — The New Republic “We need more writers like Rebecca Skloot.” —E.O.Wilson.

His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. Novelist Morrison's editing of this omnibus, which includes a chronology and notes, should help rekindle interest in Baldwin, whose recurrent themes?the African American search for identity, the hypocrisy of white America, the urgent necessity for love?make his work timely and challenging.

INSTANT NEW YORK TIMES BESTSELLER At the one-year anniversary of his death, legendary musician Prince's first wife shares a uniquely intimate, candid, and revelatory look inside the personal and professional life of one of the world's most beloved icons. "Garcia's memoir raises complex issues about the nature and the value of privacy, whether between celebrities and their fans, or two people in their intimate lives together....given all of her book's revelations, Garcia never comes across as vindictive...."― Maclean's.

Be sure to check out IRON AMBITION: My Life with Cus D’Amato by Mike Tyson “Raw, powerful and disturbing—a head-spinning take on Mr. Tyson's life.”— Wall Street Journal Philosopher, Broadway headliner, fighter, felon—Mike Tyson has defied stereotypes, expectations, and a lot of conventional wisdom during his three decades in the public eye. “ Undisputed Truth is raw, powerful and disturbing—a head-spinning take on Mr. Tyson's life…Unlike other sports memoirists, he doesn't pull punches, offering up slashing comments on people who were once close to him. “A hefty autobiography that might be the most soul baring book of its genre ever written … a fascinating look into a life that up until now had already been well chronicled … It’s raw and profane … but it is also quite funny.”— Associated Press “ Undisputed Truth , which is, without a doubt, one of the grittiest and most harrowing memoirs I’ve ever read.” –Flavorwire. “Tyson was ever practised at delivering the early killer blow; and so it is with this gripping and indecently enthralling autobiography….Tyson always had a way with words – although much of the credit for this book must go to his ghostwriter Larry “Ratso” Sloman, who not only makes Tyson’s life read like an Elmore Leonard thriller, but gifts him with considerable self-awareness and a memorably pithy turn of phrase….recounted in gripping, punch-by-punch detail in prose pungent with the reek of blood, sweat and petroleum jelly.” –Mick Brown, The Telegraph (UK).

"To the readers of this book you need to know that EW&F is simply the greatest living group in my lifetime. White reflects on the great blessings music has brought to his life and the struggles he’s endured: his mother leaving him behind in Memphis when he was four; learning to play the drums with Booker T. Jones; moving to Chicago at eighteen and later Los Angeles after leaving the Ramsey Lewis Trio; forming EWF, only to have the original group fall apart; working with Barbra Streisand and Neil Diamond; his diagnosis of Parkinson’s; and his final public performance with the group at the 2006 Grammy Awards. The band’s performances were no less forgettable than their perennial hits: “Shining Star,” “Reasons,” “Got to Get You into My Life,” “September,” “Boogie Wonderland,” and “Let’s Groove.” Maurice also produced music for Deniece Williams, the Emotions, Neil Diamond, James Ingram, Barbra Streisand, and Jennifer Holliday. Maurice White’s story illuminates Earth, Wind & Fire’s position as a band essential to American culture, and offers an intimate look at his final days, from his diagnosis of Parkinson’s disease to his faith, which helped him not only to cope, but also to savor every single moment.

Formatted in an easy-to use A-to-Z layout, this guide is packed with information and thrilling comic book art and features more than 1,100 characters including Batman, Superman, Wonder Woman, The Joker, and much more.

Relive the extraordinary Presidency of Barack Obama through White House photographer Pete Souza's behind-the-scenes images and stories in this #1 New York Times bestseller--with a foreword from the President himself. During Barack Obama's two terms, Pete Souza was with the President during more crucial moments than anyone else--and he photographed them all. "The book, which distills the 1.9 million photographs that Souza took of Obama's eight years in the White House down to about 300 images, it as once warm and nostalgic, worshipful and respectful, sad and wistful-in a sense, not so different from the framed JFK portraits that everyday Americans hung in living rooms, right through the Nixon administration. "Here are the qualities that radiate from these photos of the former President and his family, all taken by Souza during his eight years as official White House photographer: intelligence, kindness, warmth, integrity. "Souza, chief official White House photographer for Obama's two terms, was on hand for history--documenting our first black president, and a pretty photogenic one at that. Souza's book, an instant best seller, includes many iconic images we've seen before, but its most poignant moments are the least public--like one of the president and his daughters frolicking in the snow at the White House. "The 300 photographs in the book are a remarkable account of President Obama's eight years in the White House, from events of historic significance to quiet moments with his wife and daughters and the family dogs.

Relive the extraordinary Presidency of Barack Obama through White House photographer Pete Souza's behind-the-scenes images and stories in this #1 New York Times bestseller--with a foreword from the President himself. During Barack Obama's two terms, Pete Souza was with the President during more crucial moments than anyone else--and he photographed them all. "The book, which distills the 1.9 million photographs that Souza took of Obama's eight years in the White House down to about 300 images, it as once warm and nostalgic, worshipful and respectful, sad and wistful-in a sense, not so different from the framed JFK portraits that everyday Americans hung in living rooms, right through the Nixon administration. "Here are the qualities that radiate from these photos of the former President and his family, all taken by Souza during his eight years as official White House photographer: intelligence, kindness, warmth, integrity. "Souza, chief official White House photographer for Obama's two terms, was on hand for history--documenting our first black president, and a pretty photogenic one at that. Souza's book, an instant best seller, includes many iconic images we've seen before, but its most poignant moments are the least public--like one of the president and his daughters frolicking in the snow at the White House. "The 300 photographs in the book are a remarkable account of President Obama's eight years in the White House, from events of historic significance to quiet moments with his wife and daughters and the family dogs.

A stunning celebration of movement and dance in hundreds of breathtaking photographs of more than 70 dancers from American Ballet Theater, New York City Ballet, Alvin Ailey American Dance Theater, Martha Graham Dance Company, Boston Ballet, Royal Danish Ballet, the Royal Ballet, and many more. Here they are frozen in time in the most exquisite poses, and yet there's a feeling of movement in every photograph that makes the appear to be dancing across the pages. Accompanying the photographs are intimate and inspiring words from the dancers, as well as from choreographers and artistic directors, on what dance means to them. "In The Art of Movement: NYC Dance Project , stars from the world of dance are captured in evocative poses that sometime suggest weightlessness or even flight. ". The book's title is a modest one, because the art of movement comes from not just from their subjects, but it is the art of the photographer which captures it so vividly. "Ken Browar and Deborah Ory have selected some ravishing images for the forthcoming book, which contains hundreds of incredible photographs of over 70 dancers from American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theatre and more." "An elegant exploration of movement, The Art of Movement presents the beauty and grace of dance.

You can't even begin to answer those questions until you hear the charming story of Dewey Readmore Books, the beloved library cat of. Spencer. , Iowa. . As his fame grew from town to town, then state to state, and finally, amazingly, worldwide, Dewey became more than just a friend; he became a source of pride for an extraordinary Heartland farming town pulling its way slowly back from the greatest crisis in its long history. She lives in. Spencer. , Iowa. .

But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. Mendelsohn weaves his basket with many wands; the complexity seems natural, an account of the quality of life itself, a route to revelation. The book partakes of at least four genres: classroom drama; travel writing; biographical memoir; literary criticism. Mendelsohn makes Homer’s epic shine in your mind.” —Dwight Garner, The New York Times “My favorite classicist once again combines meticulous literary investigation with warm and wrenching human emotion—books like these are why I love reading.” —Lee Child “Poignant, tender, affecting. “When Daniel Mendelsohn’s mathematician father lands in his son’s Homer seminar at Bard, the older man sets in motion an odyssey both hilarious and heartfelt. Father and son start in the pages of an epic, board a ship to follow the hero’s path through the Mediterranean, and finally end where all our stories do. Dread of the alien thrums through [Homer’s] Odyssey ; for Mendelsohn, the ancient tale becomes an occasion not only to explore his relationship with his father, but to transform it. The recognition leaves Mendelsohn free to see through his father’s hardness—his ‘exacting standards for everything’—to the vulnerable fighter within: a scrappy, strategizing Odysseus from the Bronx. What solace or despair resides in the unexpected relevance of this ancient poem, its encounters with Otherness thrown into high relief by the xenophobia of our time? [But] it dives deeper, excavating a portrait of Mendelsohn’s special student, his father: his lonely childhood, his early brilliance, his forfeiture of Latin for a life of numbers. There is but one ending to the book; within a year, Jay would die, and so Mendelsohn’s journey—indeed like Homer’s—would be undertaken after the fact, when something remained to be learned. In An Odyssey, he reels us in with a storyteller’s strongest gifts: passion, clarity, and timing.” —Willard Spiegelman, Wall Street Journal. Mendelsohn’s exploration is [both] a personal family memoir and a critical report on Homer’s epic, and the two facets illuminate each other. The Mediterranean cruise that father and son take pays off in surprising ways; we get a haunting glimpse of the fear that the end of your journey means finis , the hope residual in permanent postponement. This is an honest, and loving, account of the improbable odyssey that gave them this one last deeply satisfying adventure together.” —Peter Green, The New York Review of Books “Heartfelt, touching . The course, and the cruise retracing Odyssey’s voyage to Ithaca a few months later, set in motion an emotional journey neither man could have anticipated. Mendelsohn expertly examines the Odyssey with depth and classical acumen, extracting meaning from even its most subtle moments. He details his own relationship with the ancient poem, and he culls from the narrative many insights into his own familial bonds, specifically with his father. a surprising piece of art—a masterful memoir of reading, teaching and learning; a book as full of twists and turns as its subject, often beautiful too. This is a story of reconciling a scientist and an artist; Jay, the man of calculus, comes to influence both his son and his fellow pupils. As well as a contribution to the art of memoir, An Odyssey is a vivid defence of the close rereading of a classical text, the tiny questions from which bigger pictures become clear.” —Peter Stothard, The Financial Times ★ “Enlightening—engaging, gripping and deeply moving . Mendelsohn explores the enduring relevance of Homer’s Odyssey through a memoir tracing the complex relationship between father and son.” —Library Journal (starred review) “Beguiling. in this memoir, Mendelsohn recounts a freshman class on the Odyssey he taught at Bard College with his father, an 81-year-old computer scientist, sitting in. … Mendelsohn gradually unwraps layers of timeless meaning in the ancient Greek poem; Homeric heroes offer resonant psychological parallels to a modern family. His father, a retired mathematician, had been interested in the classics during his school days and decided to continue his education by studying with his son . The author uses a close reading of the epic to illuminate the mysteries of the human condition; he skillfully, subtly interweaves textual analysis [with] the lessons of life outside it . At the book’s center is [Mendelsohn’s father] Jay, whose presence in the classroom bewilders and charms the other students and his son . With this graceful and searching memoir, we all drink from the cup of knowledge proffered by one of our leading philosopher-writers.” —Hamilton Cain, Star Tribune. A meditation on filial love as candid, tender and in its own way ruthless as its counterparts in the Bible, Shakespeare and Homer . both dense and fleet, and wholly captivating.” —Tim Pfaff, The Bay Area Reporter “It’s hard to pierce a legend, even when it’s just generation-old family lore . As author-professor, Mendelsohn doesn’t lecture; his storytelling leaves room for other teachers — including his current students, his former professors and relatives who decode multi-layered family myths. Classroom discussions of Odysseus’ long, wandering journey home to Ithaca led father and son to undertake a real-life Mediterranean cruise retracing the Greek warrior’s travels. Mendelsohn begins to see his father in a new light even while the older man challenges the basic tenets of Homer’s epic. A noted memoirist and venerable contributor to a myriad of respected periodicals, Daniel Mendelsohn doesn’t hold back. An Odyssey carefully unpacks details from Homer’s epic poem, with the author taking the stance of a vigilant observer. Witnessing his father’s guileless rediscovery of the ancient text, Mendelsohn’s life’s work as a classicist is turned on its head. The revelations and thoughts of the central characters of Homer’s Odyssey serve as portals to deeper understanding of contemporary relationships. Studying (and essentially mirroring) Homer’s legendary work allowed both the Mendelsohn father and son to find new dimensions for their love of one another. While the events of An Odyssey conclude with Jay passing away, the vibrant stamp he left behind on his son is evidenced by the profundity of the memoir’s pages. It’s an epic reconciliation, albeit a quiet one, focused on all that he’d been given by his father, celebrating their mutual love and respect.” —Michael Raver, The Huffington Post “Family memoirs are often chronicles of estrangement and rapprochement, typically seeking to wring meaning from the haze of grief or regret. As the memoir unspools, Mendelsohn’s narrative grip tightens, and the son’s search for his father becomes poignant and powerful.” —Julia M. Klein, The Forward “Compelling . As I read Mendelsohn’s wonderfully precise textual analysis of Homer, I couldn’t help but think how similar his interpretative method is to the ways in which Biblical scholars parse the Torah for deeper understanding. Through Homer, Mendelsohn has created a memorial his father: an extraordinary act of ­filial love.” —Helen Morales, Times Literary Supplement (UK). In this insightful, tender book, Mendelsohn gracefully marries literary criticism and memoir to describe an intellectual and personal journey that becomes one of profound discovery for both [father and son]. Most impressive are his transitions from scholarly con­sideration of ‘The Odyssey’ to intimate stories of his family life, as when the class discussion flows effortlessly into a magical moment, witnessing [his father] Jay as he offers a heartbreakingly beautiful tribute to his wife… [There are] many wise lessons to be gleaned from this lovely book.” —Harvey Freedenberg, BookPage. Mendelsohn has achieved an enviable renown as essayist, literary critic and author of autobiographical explorations undergirded by insights from classic texts. It’s clear that Mendelsohn’s Socratic method of teaching (via dialogue rather than lecture) forces everyone, including himself, to see things with fresh eyes. Every step of the way, An Odyssey charts a remarkable journey made indelible by Mendelsohn’s elegant prose. Mendelsohn is perhaps the most accessible contemporary ambassador of the classics; An Odyssey makes his most convincing case to date for their vital necessity. Mendelsohn takes us through the Odyssey alongside his class, meanwhile drawing comparisons between his and his father’s journeys, and those of Odysseus and Telemachus. Mendelsohn has honed a method of mixing memoir and criticism to reflect on the problems of contemporary life through the lens of the Greek classics. An Odyssey is a stellar contribution to the genre of memoirs about reading—literary analysis and the personal stories are woven together in a way that feels both artful and natural. “A marvellously entertaining and wise chronicle of [Mendelsohn’s and his father’s] odyssey, first in the classroom and then on a tour of the seas around Greece. This is powerfully true of this moving new odyssey as well.” —Alberto Manguel, Literary Review (UK) “A gentle, at times almost nostalgic, work: Mendelsohn’s lithe prose flits seamlessly across intervals and registers, switching from erudite exposition one minute to emotion-filled reminiscence the next. An accomplished, brave book that testifies to what is perhaps the Odyssey ’s most abiding message: that intelligence has little value if it isn’t allied to love.” —William Skidelsky, The Observer (UK). Besides creating page-turning narrative tension, Mendelsohn’s father Jay’s skepticism raises a question: What good are classics to a modern life? .Mendelsohn is the closest thing American classicists have to a hometown celebrity; his nonpareil prose has been recognized in wide literary circles. Even as Mendelsohn lights up hidden meanings in the Odyssey and universal resonances for the reader, he is not only conveying his knowledge about the epic, but about the little things, too, those details that make a person who they are. The book thus enacts a truth that has long been central to Mendelsohn’s writing and teaching, which is that the great works of antiquity remain relevant today. This is a gentle, at times almost nostalgic, work; Mendelsohn’s lithe prose flits seamlessly across intervals and registers, switching from erudite exposition one minute to emotion-filled reminiscence the next. This accomplished book testifies to what is perhaps the Odyssey ’s most abiding message: that intelligence has little value if it isn’t allied to love.” —William Skidelsky, The Guardian (UK) “Brilliant . The ancient story’s leaving and coming back to shared memories is also a strength of a son’s tribute to his father. Reading The Odyssey , the great book, with your failing old man, and keeping each other company in the parallel epic known as life [is] a memory that will last longer than anything on your cellphone.” —Ian Brown, The Globe and Mail (Canada).

" Go the F*** to Sleep challenges stereotypes, opens up prototypes, and acknowledges that shared sense of failure that comes to all parents who weary of ever getting their darling(s) to sleep and briefly resuming the illusion of a life of their own." Seriously, Just Go to Sleep, a children's book inspired by Go the F*** to Sleep and appropriate for kids of all ages, is also available, as well as Seriously, You Have to Eat for finicky ones everywhere! Adam Mansbach's novels include The End of the Jews, winner of the California Book Award, and the best-selling Angry Black White Boy, a San Francisco Chronicle Best Book of 2005.

From the creator of the wildly popular webcomic xkcd, hilarious and informative answers to important questions you probably never thought to ask. In pursuit of answers, Munroe runs computer simulations, pores over stacks of declassified military research memos, solves differential equations, and consults with nuclear reactor operators. Fortunately, such people can turn to Randall Munroe, the author of the XKCD comic strip loved by fans of internet culture. For Munroe, who writes with a clarity and wit honed over eight years of writing captions for his webcomic, the fact that a question might be impossible to solve is no deterrent to pursuing it.” —Wall Street Journal Speakeasy blog. while dealing with relationships and the meaning of a computer-centric life, xkcd has become required reading for techies across the world….The Internet has also created a bond between Mr. Munroe and his readers that is exceptional. "With his steady regimen of math jokes, physics jokes, and antisocial optimism, xkcd creator Randall Munroe, a former NASA roboticist, scores traffic numbers in NBC.com or Oprah.com territory. [A]t its best [xkcd] isn’t a strip comic so much as an idea factory and a shared experience."

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The Oprah. Magazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. “An affecting memoir, Born a Crime [is] a love letter to his mother.” — The. Washington Post. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review).