Best African American Dramas & Plays

Denzel Washington’s film adaptation received nominations for awards from the Academy Awards, African-American Film Critics Association, American Film Institute, Critics' Choice Movie Awards, Golden Globe Awards, and NAACP Image Awards, among others. His second play, Fences , won numerous awards for best play of the year, 1987, including the Tony Award, the New York Drama Critics' Circle Award, the Drama Desk Award, and the Pulitzer Prize.

"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. A work of theatrical magic in which the usual barrier between audience and stage disappears. --Journal American This new recording of Lorraine Hansberry's classic play chronicles a working-class African American family struggling to maintain dignity in a harsh world. With her late husband's insurance money finally in hand, Mama Lena dreams of moving to a better home. However, her children have other plans: Walter Lee wants to buy a liquor store, and Beneatha wants to go to medical school. What happens when family dreams drastically diverge? Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Handsome casino mogul Reno Gabrini is a man who loves hard and works hard. NOW AVAILABLE:

Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages--"since before this was even a show," according to Miranda--traces its development from an improbable perfor­mance at the White House to its landmark opening night on Broadway six years later. This glorious, oversize testament to the multiple Tony Award-winning musical Hamilton is a joy to anyone who loves the sound track or who has been lucky enough to score tickets to the show.

Relationships, love, pain, and fortitude are powerfully rendered in his poetry, and his message of perseverance in the face of emotional turmoil cuts to the heart of modern-day life. After returning to the northeast and moving to New York in pursuit of love, the young modern poet found that and much more.

With her beautiful face, full hips and round backside, nothing stands in the way of her confidence. He often wonders if Pita is good enough to settle down with or should he forgive the woman who caused him heartache and pain. Tyshae Owens, is a beautiful and smart nail technician at Luxury Tea. The saying is true, “what glitters isn’t gold.” Will she stay or will she move on to someone who can offer her the love she deserves?

With her beautiful face, full hips and round backside, nothing stands in the way of her confidence. He often wonders if Pita is good enough to settle down with or should he forgive the woman who caused him heartache and pain. Tyshae Owens, is a beautiful and smart nail technician at Luxury Tea. The saying is true, “what glitters isn’t gold.” Will she stay or will she move on to someone who can offer her the love she deserves?

Rakia, was left to die in the bathroom at her grandmother’s repast by none other than her evil cousin, Cara. Find out in this explosive FINALE if Zaire succeeds in avenging the death of his brother.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. It's a must-read for anyone whoenjoys Antebellum historical fiction or is looking for a compellingstory to add to their book club reading list." Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms.

When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders--a black lawyer from Chicago and a local white woman--have stirred up a hornet's nest of resentment. Darren must solve the crimes--and save himself in the process--before Lark's long-simmering racial fault lines erupt. A New York Times Book Review Editors' Choice. Best book of the year from Vulture, The Strand Magazine, Southern Living, Bolo Books, Publisher's Weekly, Book Riot, The Guardian , Lit Hub , The Boston Globe , Dallas News , Milwaukee Journal Sentinel , Minnesota Public Radio, Texas Monthly, The Daily Beast , and the South Florida Sun Sentinel. "Locke writes in a blues-infused idiom that lends a strain of melancholy and a sense of loss to her lyrical style. "― Marilyn Stasio , New York Times Book Review. A rich sense of place and relentless feeling of dread permeate Attica Locke's heartbreakingly resonant new novel about race and justice in America. It rises above "left and right" and "black and white" and follows the threads that inevitably bind us together, even as we rip them apart. This is a layered portrait of a black man confronting his own racial ambivalence and ambition told with a pointed and poignant bluesy lyricism. a story told with Locke's crystal-clear vision and pleasurably elemental prose. Ranger Darren Mathews is tough, honor-bound, and profoundly alive in corrupt world. "Few contemporary writers have portrayed black Southern life with as much wit and heart-pounding drama as Attica Locke. A dazzling work of rural noir that throws into question whether justice can be equally served on both sides of the race line. "Locke pens a poignant love letter to the lazy red-dirt roads and Piney Woods that serve as a backdrop to a noir thriller as murky as the bayous and bloodlines that thread through the region. She is adept at crafting characters who don't easily fit the archetypes of good and evil, but exist in the thick grayness of humanness, the knotty demands of loyalties and the baseness of survival. Locke holds up the mirror of the racial debate in America and shows us how the light bends and fractures what is right, wrong and what simply is the way it is--but perhaps not as it should be.