Best Ancient & Classical Poetry
A lean, fleet-footed translation that recaptures Homer’s “nimble gallop” and brings an ancient epic to new life. “A staggeringly superior translation―true, poetic, lively and readable, and always closely engaged with the original Greek―that brings to life the fascinating variety of voices in Homer’s great epic.”. - Richard F. Thomas, Harvard University. “Emily Wilson has produced a clear, vigorous, sensitive Odyssey that conveys both the grand scale and the individual pathos of this foundational story. Emily Wilson has convincingly answered this call: hers is a vital Odyssey for the twenty-first century that brings into rhythmic English the power, dignity, variety, and immediacy of this great poem.”. - Laura Slatkin, New York University.
Reviews
Find Best Price at Amazon"More than in other translations, the Odyssey comes across here strongly as a historical document, the product of a culture from a particular time and place. Muse, tell me how he wandered and was lost. when he had wrecked the holy town of Troy, and where he went, and who he met, the pain. he suffered in the storms at sea, and how. he worked to save his life and bring his men. back home. Compare Wilson's language with that of the opening of Robert Fitzgerald's translation: "Sing in me, Muse, and through me tell the story. of that man skilled in all ways of contending, the wanderer, harried for years on end, after he plundered the stronghold. on the proud height of Troy. He saw the townlands. and learned the minds of many distant men, and weathered many bitter nights and days. in his deep heart at sea, while he fought only. to save his life, to bring his shipmates home. Fitzgerald translates it as "skilled in all ways of contending," and Fagles as "the man of twists and turns.""
"I have read and taught the Odyssey at least five times over the past twenty years. And Emily Wilson's version is a godsend."
"The first stanzas will make you perk up and realize that this is the most interesting translation of the Odyssey for our time."
"but at age 81 I consider The Odyssey the greatest book I have ever read, for itself and for its influence on my ways of thinking and of living. The main reason is that, in comparison to the others, it is best at creating the mood of an ancient, epic, poem. I love it when he repeats, for the nth time, "Son of Laertes and the Gods of old, Odysseus, master of land ways and sea ways..." and other such formulaic hints that we are not reading a James Bond or even a Scott Fitzgerald, nor Salinger, nor McEwan, nor certainly a Hemingway novel -- the content should perhaps be enough to distinguish Odyssey as the great epic it is, but I like the complementing embellishments of Fitzgerald's version. For a more important difference, compare the climax, as Odysseus is about to slaughter the suitors: Fitzgerald has him say: "You yellow dogs, you thought I'd never make it. home from the land of Troy. But Fitzgerald focuses on breaking the rules, on disrespecting the mores of their time: the suitors were contemptuous of both the gods, and the opinions of their fellow men."
"I was struck by how this version lays out the moral ambiguity of Odysseus, the haplessness of Telemachus, the decadence of the suitors and the extreme violence of the conclusion (Peckinpah came to mind as I read)."
"The introduction was informative, the translation compellingly lyrical."
A lean, fleet-footed translation that recaptures Homer’s “nimble gallop” and brings an ancient epic to new life. “A staggeringly superior translation―true, poetic, lively and readable, and always closely engaged with the original Greek―that brings to life the fascinating variety of voices in Homer’s great epic.”. - Richard F. Thomas, Harvard University. Emily Wilson has convincingly answered this call: hers is a vital Odyssey for the twenty-first century that brings into rhythmic English the power, dignity, variety, and immediacy of this great poem.”. - Laura Slatkin, New York University. Ever readable but endlessly surprising, this translation redefines the terms of modern engagement with Homer’s poetry.”. - Tim Whitmarsh, author of Battling the Gods.
Reviews
Find Best Price at Amazon"More than in other translations, the Odyssey comes across here strongly as a historical document, the product of a culture from a particular time and place. Muse, tell me how he wandered and was lost. when he had wrecked the holy town of Troy, and where he went, and who he met, the pain. he suffered in the storms at sea, and how. he worked to save his life and bring his men. back home. Compare Wilson's language with that of the opening of Robert Fitzgerald's translation: "Sing in me, Muse, and through me tell the story. of that man skilled in all ways of contending, the wanderer, harried for years on end, after he plundered the stronghold. on the proud height of Troy. He saw the townlands. and learned the minds of many distant men, and weathered many bitter nights and days. in his deep heart at sea, while he fought only. to save his life, to bring his shipmates home. Fitzgerald translates it as "skilled in all ways of contending," and Fagles as "the man of twists and turns.""
"I have read and taught the Odyssey at least five times over the past twenty years. And Emily Wilson's version is a godsend."
"The first stanzas will make you perk up and realize that this is the most interesting translation of the Odyssey for our time."
"but at age 81 I consider The Odyssey the greatest book I have ever read, for itself and for its influence on my ways of thinking and of living. The main reason is that, in comparison to the others, it is best at creating the mood of an ancient, epic, poem. I love it when he repeats, for the nth time, "Son of Laertes and the Gods of old, Odysseus, master of land ways and sea ways..." and other such formulaic hints that we are not reading a James Bond or even a Scott Fitzgerald, nor Salinger, nor McEwan, nor certainly a Hemingway novel -- the content should perhaps be enough to distinguish Odyssey as the great epic it is, but I like the complementing embellishments of Fitzgerald's version. For a more important difference, compare the climax, as Odysseus is about to slaughter the suitors: Fitzgerald has him say: "You yellow dogs, you thought I'd never make it. home from the land of Troy. But Fitzgerald focuses on breaking the rules, on disrespecting the mores of their time: the suitors were contemptuous of both the gods, and the opinions of their fellow men."
"I was struck by how this version lays out the moral ambiguity of Odysseus, the haplessness of Telemachus, the decadence of the suitors and the extreme violence of the conclusion (Peckinpah came to mind as I read)."
"The introduction was informative, the translation compellingly lyrical."
The great epic of Western literature, translated by the acclaimed classicist Robert Fagles Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning modern-verse translation. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces during his ten-year voyage home to Ithaca after the Trojan War is at once a timeless human story and an individual test of moral endurance. Odysseus, on his way home from the Trojan War, encounters all kinds of marvels from one-eyed giants to witches and beautiful temptresses. His adventures are many and memorable before he gets back to Ithaca and his faithful wife Penelope. His translations include Sophocles’s Three Theban Plays , Aeschylus’s Oresteia (nominated for a National Book Award), Homer’s Iliad (winner of the 1991 Harold Morton Landon Translation Award by The Academy of American Poets), Homer’s Odyssey , and Virgil's Aeneid . His works include The Heroic Temper: Studies in Sophoclean Tragedy, Oedipus at Thebes: Sophocles’ Tragic Hero and His Time and Essays Ancient and Modern (awarded the 1989 PEN/Spielvogel-Diamonstein Award).
Reviews
Find Best Price at Amazon"Peter Green states in the introduction that he is following in the footsteps of Lattimore, to preserve as much of the poem in Greek--wording, sentence structure, meter, and so on--in English, but to also make it declaimable. There is the Fagles translation, in modern free verse, is wonderful to read aloud. The Fagles Odyssey was on Selected Shorts once, and for a long time after I insisted that there was no other worthwhile contemporary translation of Homer. Lombardo's translation is pretty common in colleges because of the price and the slangy presentation. In the Greek, the Iliad has "μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος" Quite literally, "Rage! The first word is the theme of the poem, the way it is directed first against Agamemnon, then toward the Trojans, and then tempered for a common moment of humanity, is the internal trajectory of the whole epic. Make it into readable English, and you wind up with a host of compromises where thousands of close translations might do. Go far enough you wind up with Girardoux's "The Trojan War Will Not Take Place," worthwhile on its own, but not really a "translation." The introduction includes a plot summary of the whole Trojan War, of which the Iliad only covers a small portion. There is also a synopsis of the poem keyed to the poem in the back matter to help find your place, an enlightening glossary of names and concepts to help you through your first read, and footnotes to inform the reader of context that has since been lost."
"With many books, translations are negligible, with two obvious exceptions, one is the Bible, and surprisingly the other is The Iliad. -Translated by Robert Fagles, 1990. “Sing, O Goddess, the anger of Achilles, son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a heroes did it yield a prey to dogs and vultures for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles first fell out with one another.”. -Translated by Samuel Butler, 1888. “Rage: Sing, Goddess, Achilles’ rage, Black and murderous, that cost the Greeks. Incalculable pain pitched countless souls. Of heroes into Hades’ dark, And let their bodies rot as feasts. For dogs and birds, as Zeus’ will was done. Begin with the clash between Agamemnon—. The Greek Warlord—and godlike Achilles.”. -Translated by Stanley Lombardo, 1997. “Anger be now your song, immortal one, Akhilleus’ anger, doomed and ruinous, that caused the Akhaians loss on bitter loss. and crowded brave souls into the undergloom, leaving so many dead men—carrion. for dogs and birds; and the will of Zeus was done. Begin it when the two men first contending. broke with one another—. the Lord Marshal Agamémnon, Atreus’ son, and Prince Akhilleus.”. -Translated by Translated by Robert Fitzgerald, 1963. “Sing, goddess, the anger of Peleus’ son of Achilleus and its devastation, which puts pains thousandfold upon the Achains, hurled in the multitudes to the house of Hades strong souls of heroes, but gave their bodies to be the delicate feasting of dogs, of all birds, and the will of Zeus was accomplished since that time when first there stood the division of conflict Atrecus’ son the lord of men and brilliant Achilleus.”. –Translated by Richmond Lattimore, 1951. “Sing, goddess, of Peleus’ son Achilles’ anger, ruinous, that caused the Greeks untold ordeals, consigned to Hades countless valiant souls, heroes, and left their bodies prey for dogs or feast for vultures. Zeus’s will was done from when those two first quarreled and split apart, the king, Agamemnon, and matchless Achilles.”. -Translated by Herbert Jordan, 2008. “An angry man-there is my story: the bitter rancor of Achillês, prince of the house of Peleus, which brought a thousand troubles upon the Achaian host. Many a strong soul it sent down to Hadês, and left the heroes themselves a prey to the dogs and carrion birds, while the will of God moved on to fulfillment.”. -Translated and transliterated by W.H.D. Rouse, 1950. “Achilles’ wrath, to Greece the direful spring. Of woes unnumber’d, heavenly goddess, sing! That wrath which hurl’d to Pluto’s gloomy reign. The souls of mighty chiefs untimely slain; Whose limbs unburied on the naked shore, Devouring dogs and hungry vultures tore. Peleus’ son; His wrath pernicious, who ten thousand woes. Caused to Achaia’s host, sent many a soul. Illustrious into Ades premature, And Heroes gave (so stood the will of Jove). To dogs and to all ravening fowls a prey, When fierce dispute had separated once. The noble Chief Achilles from the son. Of Atreus, Agamemnon, King of men.”. -Translated by William Cowper, London 1791. “Achilles’ baneful wrath – resound, O goddess – that impos’d. Infinite sorrow on the Greeks, and the brave souls loos’d. From beasts heroic; sent them far, to that invisible cave*. That no light comforts; and their limbs to dogs and vultures gave: To all which Jove’s will give effect; from whom the first strife begun. Betwixt Atrides, king of men, and Thetis’ godlike son*”. -Translated by George Chapman, 1616. “The Rage of Achilles—sing it now, goddess, sing through me. the deadly rage that caused the Achaeans such grief. and hurled down to Hades the souls of so many fighters, leaving their naked flesh to be eaten by dogs. and carrion birds, as the will of Zeus was accomplished. Begin at the time when bitter words first divided. that king of men, Agamemnon, and godlike Achilles.”. -Translated by Stephen Mitchell. “Sing now, goddess, the wrath of Achilles the scion of Peleus, ruinous rage which brought the Achaians uncounted afflictions; many of the powerful souls it sent to the dwelling of Hades, those of the heroes, and spoil for the dogs it made it their bodies, plunder for the birds, and the purpose of Zeus was accomplished__”. -Translated by Rodney Merrill. “Sing, goddess, the anger of Achilles, Peleus’ son, the accused anger which brought the Achaeans countless. agonies and hurled many mighty shades of heroes into Hades, causing them to become the prey of dogs. and all kinds of birds; and the plan of Zeus was fulfilled.”. -Translated by Anthony Verity. Antony does not attempt to be poetic. “Of Peleus’ son, Achilles, sing, O Muse, The vengeance, deep and deadly; whence to Greece. Unnumbered ills arose; which many a soul. Of mighty warriors to the viewless shades. Ultimately sent; they on the battle plain. Unburied lay, to rav’ning dogs, And carrion birds; but had Jove decreed,”. -Translated by Edward Smith-Stanly 1862. “Sing, Goddess of the rage of Achilles, son of Peleus-. that murderous anger witch condemned Achaeans. to countless agonies and threw many warrior souls. deep into Hades, leaving their dead bodies. carrion food for dogs and birds-. all in the fulfillment of the will of Zeus”. - Translated by Professor Ian Johnston, British Columbia 2006. “The rage, sing O goddess, of Achilles, son of Peleus, The destructive anger that brought ten-thousand pains to the. Achaeans and sent many brave souls of fighting men to the house. of Hades and made their bodies a feast for dogs. and all kinds of birds. For such was the will of Zeus.”. - Translated by Barry B. Powell. “Wrath, goddess, sing of Achilles Pēleus’s son’s calamitous wrath, which hit the Achaians countless ills many the valiant souls it saw off down to Hādēs, souls of heroes, their selves left as carrion for dogs and all birds of prey, and the plan of Zeus was fulfilled from the first moment those two men parted in fury, Atreus’s son, king of men, and the godlike Achilles.”. -Translated by Peter Green. “Sing, goddess, the wrath of Achilles Peleus' son, the ruinous wrath that brought on the Achaians woes innumerable, and hurled down into Hades many strong souls of heroes, and gave their bodies to be a prey to dogs and all winged fowls; and so the counsel of Zeus wrought out its accomplishment from the day when first strife parted Atreides king of men and noble Achilles.”. - Translated by Andrew Lang, M.A., Walter Leaf, Litt.D., And Ernest Myers, M.A. --------. Wrath–sing, goddess, of the ruinous wrath of Peleus’ son Achilles, that inflicted woes without number upon the Achaeans, hurled fourth to Hades many strong souls of warriors. and rendered their bodies prey for the dogs, for all birds, and the will of Zeus was accomplished; sing from when they to first stood in conflict-. Ateus’ son, lord of men, and godlike Achilles. We have the wide conflict between the Trojans and Achaeans over a matter of pride; the gods get to take sides and many times direct spears and shields. That of Achilles, son of Peleus and the greatest individual warrior and that of Agamemnon, lord of men, whose power comes form position."
Best Ancient Greek History
It's a rollicking good read' The Independent. _________ No one loves and quarrels, desires and deceives as boldly and brilliantly as Greek gods and goddesses. From the birth of the universe to the creation of humankind, Stephen Fry - who fell in love with these stories as a child - retells these myths for our tragic, comic, fateful age. Experience the terrible and endless fate of Prometheus after his betrayal of Zeus and shiver as Pandora opens her jar of evil torments. Arguably the greatest living Englishman * Independent on Sunday * The patron saint of British intelligence * Daily Telegraph * National Treasure: noun - someone or something regarded as emblematic of a nation's cultural heritage, such as Stephen Fry * Oxford English Dictionary * Stephen Fry is an award-winning comedian, actor, presenter and director.
Reviews
Find Best Price at Amazon"It's been a very long time since I've enjoyed a book as much I have this one."
"Stephen Fry never disappoints."
"It's very exciting and suspenseful, watching the world come into being."
"Love the book."
"Easy reading of many slightly familiar stories."
"Highly recommend."
"Well, now that I've read it - and you have read this threadbare review - you and I can say it, too, but believing in fair play, we should always credit Stephen Fry."
Best Humanities
A lean, fleet-footed translation that recaptures Homer’s “nimble gallop” and brings an ancient epic to new life. “A staggeringly superior translation―true, poetic, lively and readable, and always closely engaged with the original Greek―that brings to life the fascinating variety of voices in Homer’s great epic.”. - Richard F. Thomas, Harvard University. “Emily Wilson has produced a clear, vigorous, sensitive Odyssey that conveys both the grand scale and the individual pathos of this foundational story. Emily Wilson has convincingly answered this call: hers is a vital Odyssey for the twenty-first century that brings into rhythmic English the power, dignity, variety, and immediacy of this great poem.”. - Laura Slatkin, New York University.
Reviews
Find Best Price at Amazon"More than in other translations, the Odyssey comes across here strongly as a historical document, the product of a culture from a particular time and place. Muse, tell me how he wandered and was lost. when he had wrecked the holy town of Troy, and where he went, and who he met, the pain. he suffered in the storms at sea, and how. he worked to save his life and bring his men. back home. Compare Wilson's language with that of the opening of Robert Fitzgerald's translation: "Sing in me, Muse, and through me tell the story. of that man skilled in all ways of contending, the wanderer, harried for years on end, after he plundered the stronghold. on the proud height of Troy. He saw the townlands. and learned the minds of many distant men, and weathered many bitter nights and days. in his deep heart at sea, while he fought only. to save his life, to bring his shipmates home. Fitzgerald translates it as "skilled in all ways of contending," and Fagles as "the man of twists and turns.""
"I have read and taught the Odyssey at least five times over the past twenty years. And Emily Wilson's version is a godsend."
"The first stanzas will make you perk up and realize that this is the most interesting translation of the Odyssey for our time."
"but at age 81 I consider The Odyssey the greatest book I have ever read, for itself and for its influence on my ways of thinking and of living. The main reason is that, in comparison to the others, it is best at creating the mood of an ancient, epic, poem. I love it when he repeats, for the nth time, "Son of Laertes and the Gods of old, Odysseus, master of land ways and sea ways..." and other such formulaic hints that we are not reading a James Bond or even a Scott Fitzgerald, nor Salinger, nor McEwan, nor certainly a Hemingway novel -- the content should perhaps be enough to distinguish Odyssey as the great epic it is, but I like the complementing embellishments of Fitzgerald's version. For a more important difference, compare the climax, as Odysseus is about to slaughter the suitors: Fitzgerald has him say: "You yellow dogs, you thought I'd never make it. home from the land of Troy. But Fitzgerald focuses on breaking the rules, on disrespecting the mores of their time: the suitors were contemptuous of both the gods, and the opinions of their fellow men."
"A view of Odysseus more complicated and less favorable than in other texts. And still confusing. Penelope is clearer, and better. A great read."
Best Medieval Poetry
Comprised of three books - Inferno, Purgatorio, Paradiso - Dante's Divine Comedy follows Dante Alighieri's epic poems follows Dante through the different sections of the afterlife; hell, purgatory, and heaven. Dante Alighieri (c. 1265-1321) was an Italian poet, writer, and political thinker.
Reviews
Find Best Price at Amazon"I'm happy to report that Clive James has made even this abstract exploration of light and doctrine (and, I might add, occasionally smug self-righteousness on Dante's part) a fascinating journey. James has chosen an unusual verse form - quatrains, with an abab rhyme scheme - to translate this, but it works well: it moves quickly and smoothly, each line pulling you forward to the next. For example, the "one who made the great refusal" is identified in the verse as Pope Celestine: if you have to pick one among many, that IS the closest to a scholarly consensus; but purists would argue against closing off other possibilities."
"One of the best; I always enjoyed reading it; over and over."
"I wish the verses were numbered as well, but with the Kindle you can search by word and the results give you ample clues as to which canto the word on which the search was performed is located."
"His style is both poetic and dramatic, and while he strives to make the text accessible to a modern reader, he does not make the mistake of cheapening the genius of Dante by making a "modern" translation. And, of course, all the various characters and personalities that Dante encounters in his journey toward and into Heaven are explained (if the reader does not have an extremely solid grasp of Medieval European politics (and how many of us do?"
"I read a different version that had extensive use of very fancy words which made keeping up with the story line a bit difficult."
"But while the architecture of the work was amazing, line by line it was often a hard slog."
"I bought these 3 volumes for a course, which was then postponed indefinitely."
"I buy these books for the cover--the goal is to have all of them--exquisite cloth bound covers by Coralie Bickford Smith--she was featured years ago in Fine Books and her books are worth collecting."