Koncocoo

Best Authorship Reference

The Chicago Manual of Style, 17th Edition
This seventeenth edition of The Chicago Manual of Style has been prepared with an eye toward how we find, create, and cite information that readers are as likely to access from their pockets as from a bookshelf. It offers updated guidelines on electronic workflows and publication formats, tools for PDF annotation and citation management, web accessibility standards, and effective use of metadata, abstracts, and keywords. The citation chapters reflect the ever-expanding universe of electronic sources—including social media posts and comments, private messages, and app content—and also offer updated guidelines on such issues as DOIs, time stamps, and e-book locators. ( Washington Post ). “This manual stands as an indispensable and thoughtfully constructed English language and style resource for those compelled, by enthusiasm or responsibility, to attend to the minutiae of written expression.”. ( Publishers Weekly ). “As it incorporates contemporary examples (e.g., NOOK, Lady Gaga), CMS, as expected, offers sensible, clear advice on matters great and small for authors’ guidance—such as the treatment of names of ships and spaceships, use of the en dash, how to edit electronic manuscripts, and the ins and outs of documenting and citing works of many kinds.
Reviews
"I bought CMOS 17 primarily for two reasons: (1) my CMOS 16 was battered and torn, beaten down by years of abuse and page-cornering; (2) I like to keep up with the changes, even if Bowie is dead. The biggest changes in content in CMOS 17, compared with CMOS 16, are an added subsection on syntax and expansion of the discussions of copyright and permissions. Another change one may not notice without CMOS 16 in hand, unless one happens to be a publisher/typographer, is with fonts. If so, I recommend GARNER'S MODERN ENGLISH USAGE by Bryan Garner (still weighty and not quite as comprehensive, but a bit more entertaining—and Garner is the contributor of the Usage chapter in CMOS, so the information in his book is consistent with that provided in CMOS) and EDITOR-PROOF YOUR WRITING by Don McNair (nice and short but absolutely loaded with information that can make a subpar writer an above-average one—maybe). Given the number of discordant reviews of his book by obviously failed writers (and because I've read it cover to cover and can attest to its quality), I'd say McNair has a live one."
"Even so, this is a very good resource to clarify some rules of usage that we can forget or we never learned in school. It would be lovely if folks who bought a copy of this pricey tome also got access to more examples at the CMOS site and ongoing notifications of revisions of rules before the next edition released. Some changes to hyphenation-- head hunting becomes head-hunting; e-mail is now email--and some differences in certain uses of commas are also included in the new edition."
"Briefly, I like the organization and I love the index--a real old-fashioned index done by a professional indexer that means if it's in the book you can find it However, I simply haven't used it was much as I though I would."
"What's to like or not like: it's a guide that one needs for one's professional life."
"The Chicago Manual of Style is the gold standard."
"The best style manual in print."
"The gold standard of English usage."
"Sure, Turabian distills this book (and the sin of the latest Turabian is that in a misguided attempt to appeal to more people, they've added a parenthetical reference system to the footnote system she popularized), but sometimes you must turn to the Chicago for more information."
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On Writing Well: The Classic Guide to Writing Nonfiction
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. He began his career on the New York Herald Tribune and has since written regularly for leading magazines.
Reviews
"For instance, if you skip the travel writing chapter, or if you read it thinking that it only applies to travel writing, then you will miss two golden and persuasive arguments that ought to apply to *any* writer: 1) The things that come to the writer easiest -- cliché, excessive detail, syrupy and vague language -- are the things that keep the reader bored/detached/passive. It's excruciatingly hard to do, but once you realize that that's the goal, and once you realize that the parts that come easiest are what's getting in the way of that goal, then you can start writing well."
"This book is one of the finest books ever written on the subject of nonfiction writing. And more than anything else, I learned to trust myself and the concept that, in the end, people don't love a book because they are in love with the subject, they love a book (and stick with it regardless of topic) because they like the author."
"I am a non-fiction writer and this is the best book I have read regarding what I hope to accomplish."
"This is a second book I purchased because my old book I purchased tattered and some contents are outdated."
"Where many books could read like a textbook, Zinsser's conversational tone and relaxed style feels like a personal discussion with the author. When you read this book, you will experience the same realization, and I will guarantee that your writing will improve - if only through self-awareness."
"Copy the writers you like until one day you break free - or that's what I told myself. Sometimes I feel jargon will make me a little more with it - a few extra adverbs for good measure.). Once you have written a zillion articles, it's tempting for someone like me to think "Well, now I can just knock them out - I shouldn't have to be tweaking this thing twenty times.""
"Certainly not the most entertaining book ive ever read but ive learned from it, i would recommend for learning, just know that it is not entertaining."
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Draft No. 4: On the Writing Process
In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. "Followers of John McPhee, perhaps the most revered nonfiction narrative journalist of our time, will luxuriate in the ship-shape prose of "Draft No. .interspersed with observations every writer should remember ... the last three chapters will be assigned and reassigned by grateful writing teachers .... I savored every word"― Corby Kummer, New York Times Book Review. 4 ]'s combination of shop talk, war stories, slices of autobiography, and priceless insights and lessons suggests what it must be like to occupy a seat in the McPhee classroom . ―Ben Yagoda, The Wall Street Journal "A sunny tribute to the gloomy side of the writing life . ―Parul Sehgal, The New York Times "A book that any writer, aspiring or accomplished, could profitably read, study and argue with . For over half a century, John McPhee―now 86―has been writing profiles of scientists, eccentrics and specialists of every stripe. The book's ostensible focus of imparting the wisdom accumulated over a lifetime of writing blurs often and very enjoyably with reminiscences about McPhee's own long apprenticeship in the craft . The star attraction here isn't the method but the man; readers who go in knowing that will be endlessly fascinated ― and may learn a good deal." 4 lies partly in our watching a master deconstruct the nearly invisible habits of his work. "Reading [these essays] consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. 4 is] not a general how-to-do-it manual but a personal how-I-did-it of richer depth―not bouillon cubes, but rich stock . McPhee lays it all out with the wit of one who believes that 'writing has to be fun at least once in a pale blue moon.'". ― Publishers Weekly "McPhee has set the standard for the genre of creative nonfiction . With humor and aplomb, he recalls anecdotes about how he approached a story: from interviewing and reporting to drafting and revising, to working with editors and publishers . 4 is] a well-wrought road map to navigating the twists and turns, thrills and pitfalls, and joys and sorrows of the writer's journey." ―Donna Marie Smith, Library Journal "Eight crisply instructive and drolly self-deprecating essays [are] gathered here in this exceptionally entertaining and illuminating book . "McPhee taught us to revere language, to care about every word, and to abjure the loose synonym . Some people joke about lashing themselves to the chair to get a piece of writing done, but McPhee actually has done it, with the belt of his bathrobe . "McPhee’s sentences are born of patience and attention: he seems to possess a pair of eyes with the swivel, zoom and reach of a peregrine falcon’s, and a pair of ears with the recording ability of a dictaphone.
Reviews
"I had to write first and then write the outline last. Don't tell McPhee this, but I am writing a SPEECH using his writing book as guidance."
"Their are eight chapters, each formerly published in The New Yorker, on topics like Structure, Frame of Reference, and Omission, Many of these contain useful technical advice about writing creative non-fiction."
"I have written two non-fiction books and am looking to write more and his book has motivated me to pursue my projects with more vigor. I thought as a new writer that I was in a minority being overcome with self-doubt. In spots the book has a little bit of an inside baseball feel, although delightfully so if you love the written word, as he gives insights into what makes The New Yorker such an esteemed publication and the neverending tussle between a writer and copy editor. For me, the lasting parts of the book are the truisms that he identifies: even though you may write for only 2-3 hours a day, your mind is working 24 hours a day: while you are sleeping, driving, and puttering around your subconscious mind is looking for words or phrases to help your prose."
"Admirers of John McPhee -- that is, admirers of great writing and reporting -- will love "Draft No. But McPhee has a lifetime project to understand the craft and structure of narrative. More than anything else, McPhee is a great reporter."
"Mr McPhee deals with the subject of writing in terms that are appropriate to the nature of the task: with complex metaphors and lengthy examples."
"These are 3 of the most delightful pieces of non-fiction I've read and I make it a point to re-read them at least once a year."
"Very interesting series of essays on the writing process by one of our great non-fiction writers."
"A classic."
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Best Catalogs & Directories

Cool Tools: A Catalog of Possibilities
Cool Tools is a highly curated selection of the best tools available for individuals and small groups. It's a habit he learned while editing and publishing the Whole Earth Catalog , the bible of counterculture do-it-yourselfers who wanted in 'tools and ideas for the 21st century.'". "Stewart Brand said that Cool Tools had captured the spirit of the Whole Earth Catalog but without taking on a counterculture and back-to-the-land philosophy. "Jeff Bezos is a fan of e-mail newsletters such as Cool Tools , a compendium of technology tips and product reviews written by Kevin Kelly, a co-founder of Wired ."
Reviews
"So in addition to hand jacks that can raise 7000 lbs., the Teeny Turner (a pocket sized driver), portable band saws, and laser measuring tools, you can find the best source on how to buy a car cheaply, make a low-budget movies, brew your own beer, rear an optimistic child, design a logo, win a fight, soak in feral (!). hot springs, learn to swim efficiently, prepare for a natural disaster, vagabond the world, do something dangerous (and live to tell about it), run for local office and win, go solar on your roof, or (a great boon to Boomers) remember anything."
"This carries me back to my childhood pouring over electronics magazines or the Aircraft Spruce and Specialty catalog imagining what I could do if I combined and use the right parts and tools."
"The categories are wide ranging, from cooking, crafts, learning, music, family, electronics and more. There's certain to be some area of immediate interest, but half the fun is the insight into the tools of the trade of some activity you may never have considered like beekeeping or world travel on a shoestring budget. (Disclosure--I received an early copy because a review I contributed years ago to the site was included in the book, but I'll be ordering more copies."
"I've learned about many 'cool tools' I've never heard about and I've bought several items based upon the recommendations in this book, " Veganomicon" "Glorious One- Pot Meals" "FitBit" and " Ultimate Fit or Fat"- and this is the part that makes this catalog so much fun to read and look at - You'll see many reviews on items you've never heard of before, such as, (for me) "Ideo Method cards" , used for brainstorming or "Making Books that Fly, Fold, Wrap, Hide, Pop up, Twist and Turn" or find reviews for an item you would like to purchase, but haven't had the time to do the research to find out which one is the best."
"I've was considering getting this book as a gift for my father as he and I both love this kind of stuff, but he's not the type of person to check out a website regularly."
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Best Bibliography & Index Reference

Cool Tools: A Catalog of Possibilities
Cool Tools is a highly curated selection of the best tools available for individuals and small groups. It's a habit he learned while editing and publishing the Whole Earth Catalog , the bible of counterculture do-it-yourselfers who wanted in 'tools and ideas for the 21st century.'". "Stewart Brand said that Cool Tools had captured the spirit of the Whole Earth Catalog but without taking on a counterculture and back-to-the-land philosophy. "Jeff Bezos is a fan of e-mail newsletters such as Cool Tools , a compendium of technology tips and product reviews written by Kevin Kelly, a co-founder of Wired ."
Reviews
"So in addition to hand jacks that can raise 7000 lbs., the Teeny Turner (a pocket sized driver), portable band saws, and laser measuring tools, you can find the best source on how to buy a car cheaply, make a low-budget movies, brew your own beer, rear an optimistic child, design a logo, win a fight, soak in feral (!). hot springs, learn to swim efficiently, prepare for a natural disaster, vagabond the world, do something dangerous (and live to tell about it), run for local office and win, go solar on your roof, or (a great boon to Boomers) remember anything."
"When I first opened the original Whole Earth Catalog, I found myself standing in a clearing, looking at the partially built geodesic dome I was going to live in the rest of my life."
"This carries me back to my childhood pouring over electronics magazines or the Aircraft Spruce and Specialty catalog imagining what I could do if I combined and use the right parts and tools."
"The categories are wide ranging, from cooking, crafts, learning, music, family, electronics and more. There's certain to be some area of immediate interest, but half the fun is the insight into the tools of the trade of some activity you may never have considered like beekeeping or world travel on a shoestring budget. (Disclosure--I received an early copy because a review I contributed years ago to the site was included in the book, but I'll be ordering more copies."
"I've learned about many 'cool tools' I've never heard about and I've bought several items based upon the recommendations in this book, " Veganomicon" "Glorious One- Pot Meals" "FitBit" and " Ultimate Fit or Fat"- and this is the part that makes this catalog so much fun to read and look at - You'll see many reviews on items you've never heard of before, such as, (for me) "Ideo Method cards" , used for brainstorming or "Making Books that Fly, Fold, Wrap, Hide, Pop up, Twist and Turn" or find reviews for an item you would like to purchase, but haven't had the time to do the research to find out which one is the best."
"I've was considering getting this book as a gift for my father as he and I both love this kind of stuff, but he's not the type of person to check out a website regularly."
Find Best Price at Amazon

Best Book Publishing Industry

The Chicago Manual of Style, 17th Edition
This seventeenth edition of The Chicago Manual of Style has been prepared with an eye toward how we find, create, and cite information that readers are as likely to access from their pockets as from a bookshelf. It offers updated guidelines on electronic workflows and publication formats, tools for PDF annotation and citation management, web accessibility standards, and effective use of metadata, abstracts, and keywords. The citation chapters reflect the ever-expanding universe of electronic sources—including social media posts and comments, private messages, and app content—and also offer updated guidelines on such issues as DOIs, time stamps, and e-book locators. ( Washington Post ). “This manual stands as an indispensable and thoughtfully constructed English language and style resource for those compelled, by enthusiasm or responsibility, to attend to the minutiae of written expression.”. ( Publishers Weekly ). “As it incorporates contemporary examples (e.g., NOOK, Lady Gaga), CMS, as expected, offers sensible, clear advice on matters great and small for authors’ guidance—such as the treatment of names of ships and spaceships, use of the en dash, how to edit electronic manuscripts, and the ins and outs of documenting and citing works of many kinds.
Reviews
"I bought CMOS 17 primarily for two reasons: (1) my CMOS 16 was battered and torn, beaten down by years of abuse and page-cornering; (2) I like to keep up with the changes, even if Bowie is dead. The biggest changes in content in CMOS 17, compared with CMOS 16, are an added subsection on syntax and expansion of the discussions of copyright and permissions. Another change one may not notice without CMOS 16 in hand, unless one happens to be a publisher/typographer, is with fonts. If so, I recommend GARNER'S MODERN ENGLISH USAGE by Bryan Garner (still weighty and not quite as comprehensive, but a bit more entertaining—and Garner is the contributor of the Usage chapter in CMOS, so the information in his book is consistent with that provided in CMOS) and EDITOR-PROOF YOUR WRITING by Don McNair (nice and short but absolutely loaded with information that can make a subpar writer an above-average one—maybe). Given the number of discordant reviews of his book by obviously failed writers (and because I've read it cover to cover and can attest to its quality), I'd say McNair has a live one."
"Even so, this is a very good resource to clarify some rules of usage that we can forget or we never learned in school. It would be lovely if folks who bought a copy of this pricey tome also got access to more examples at the CMOS site and ongoing notifications of revisions of rules before the next edition released. Some changes to hyphenation-- head hunting becomes head-hunting; e-mail is now email--and some differences in certain uses of commas are also included in the new edition."
"Briefly, I like the organization and I love the index--a real old-fashioned index done by a professional indexer that means if it's in the book you can find it However, I simply haven't used it was much as I though I would."
"What's to like or not like: it's a guide that one needs for one's professional life."
"The Chicago Manual of Style is the gold standard."
"The best style manual in print."
"The gold standard of English usage."
"Sure, Turabian distills this book (and the sin of the latest Turabian is that in a misguided attempt to appeal to more people, they've added a parenthetical reference system to the footnote system she popularized), but sometimes you must turn to the Chicago for more information."
Find Best Price at Amazon