Best Baroque

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

119 * March in D Major, BWV 122 * Minuet in G Major from Overture in G minor, BWV 822 * Minuet in G minor from Overture in G minor, BWV 822 * Minuet in G minor (II) from Overture in G minor, BWV 822 * March in G Major, BWV App. 121 * Gavotte in G minor from Overture in G minor, BWV 822 * March in E-flat Major, BWV App. 6, BWV 811 * Polonaise in G Major, BWV App. 3, BWV 808 * Minuet in F Major from Overture in F Major, BWV 820 * Polonaise in G minor, BWV App. 2 in C minor, BWV 813 * Prelude in F minor from Suite in F minor, BWV 823.

This edition collects in one volume all four concertos that make up "The Four Seasons."

It is the first book to explore in detail the historical context of Purcell's music, dealing fully with the institutions he worked for, the origin and development of the various genres to which he contributed, and the sources of his music. -- Observer Review "The great merits of the book derive from the fact that the author knows the music well both as scholar and as performer and similarly knows the music by Purcell's predecessors and contemporaries....It is as clear as its subject allows and perserverence is rewarding. -- Early Music Review "A balanced study of Pucell's music...his discussion of music is insightful, and his observations concerning instrumental developments are particularly valuable."

This long-awaited re-release of a Music Minus One classic features a completely new edition of 17 famous solo cello works, complete with helpful tips for cellists playing them for the first time. Includes an authoritative, newly engraved music score printed on high-quality ivory paper, complete with performance suggestions from Mr. Thomas, and a compact disc containing a complete version with soloist; then a second version in digital stereo of the orchestral accompaniment, minus the soloist. Helping educate musicians since 1950, Music Minus One provides performers at every skill level, an easy way to study, rehearse and perform with professional musicians in the comfort of their own homes. Offering compact discs with accompanying solo music parts from world-renowned soloists, Music Minus One albums offer a superb practice experience.

Includes: 1812 Overture. A Little Night Music. The Blue Danube. Bourre from Lute Suite BWV 996. Bridal Chorus. Canon in D. La Donna é Mobile. Dance of the Flowers. Für Elise. Greensleeves. In the Hall of the Mountain King. Jesu, Joy of Man Desiring. Land of Hope and Glory. Lullaby. Minuet in G. Ode to Joy. Spring - Four Seasons.

Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment. The triumphant genius of Ludwig van Beethoven (1770–1827) casts a long shadow over classical music — no other composer of the past two centuries has exercised an influence more profound than his.

This new volume in Schirmer's Library of Musical Classics presents 26 preludes, 21 nocturnes and 19 waltzes a large amount of music at a value price.

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat , giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work. The handsomely designed book, like the first volume, contains illuminating reproductions of pages from the author's beloved legal pads on which he works out rhyme schemes, as well as annotated scripts and pages of musical notations. A” —Lisa Schwarzbaum, Entertainment Weekly “While the book technically covers Mr. Sondheim’s output from 1981 to the present, aficionados will delight in all the bits and bobs from early in his career that Mr. Sondheim didn’t make room for in the first volume .

A firm favourite with choirs for many years, this is a classic collection of traditional carols. His searching and visionary imagination, combined with a flexibility in writing for all levels of music-making, has meant that his music is as popular today as it ever has been.

Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement.