Best Book Making & Binding

Culled from the author's best-selling books Creating Handmade Books , Unique Handmade Books , and Expressive Handmade Books , these projects will fuel bookbinding adventures for years to come. Alisa Golden's work is collected by such institutions as the New York Public Library; the Museum of Modern Art, the San Francisco Museum of Modern Art and the V&A.
Reviews
Find Best Price at Amazon"A good book containing a large number of styles, many of which I would describe as cards or pamphlets but not books."
"Many conceptual books with additional meaning attached - you could spend a lot of time assembling words and images into some kind of book with all of these examples - inspiration throughout."
"Great book!"
"This book has very detailed instructions for many different types of books."
"This is probably the most helpful book that is needed to anyone who is remotely interested in making a book."
"wonderful creative ideas."
"I had hoped to learn how to make handmade books when I purchased this, but the author seems to have focused on adding a large number of TYPES of books to the repertoire while not really spending enough effort to describe any of them in detail. It's great (I guess) that there are 100 types of bindings, but the descriptions and diagrams for even the most simple ones are quite difficult to follow."

In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today. “A lovingly designed and illustrated deep history of the book.”. - John Williams, New York Times. As befits its subject, The Book is pleasingly designed―with an offbeat self-consciousness about its sturdy appearance―and Mr. Houston’s unapologetic nerdiness is matched by a jaunty style. Mr. Houston is an eager, affable guide, and his detailed history is a welcome reminder that this ‘unrepentantly analog contraption’ is one of the truly great pieces of technology.”. - Henry Hitchings, Wall Street Journal. “Keith Houston's deft history of the object wraps entire civilizations into the telling, propelling us through the evolution of writing, printing, binding and illustration with gusto.”. - Barbara Kiser, books and arts editor of Nature magazine. He's an enthusiast if not an obsessive, with a voracious appetite for details, from the daily grind in a medieval scriptorium to the intricate workings of a modern offset press. Houston is both witty and intensely detailed, thus appealing both to general readers and to bibliophiles who will wish to know the specifics of making papyrus, of stitching together pages, and of learning how we arrived at today's paper sizes. “Houston’s fixation with this object is a delight, and his understanding of how history is written and his clear delineation between speculation and established fact are very refreshing.”. - Publishers Weekly (starred review). “This engaging volume should satisfy a wide cross-section of book lovers, history buffs, and those interested in the dynamic relationship among language, the written word, and human ingenuity.”. - Rebecca Brody, Library Journal. “[A] masterful and overwhelmingly entertaining volume, both an homage to the book and one itself to be cherished by readers everywhere.”. - Clea Simon, The Boston Globe. It’s an optimistic ode to one of mankind’s greatest inventions, which continues to thrive even against the onslaught of e-readers.”. “Everybody who has ever read a book will benefit from the way Keith Houston explores the most powerful object of our time. And everybody who has read it will agree that reports of the book’s death have been greatly exaggerated.”. - Erik Spiekermann, Professor at University of the Arts Bremen.
Reviews
Find Best Price at Amazon"Interesting read, especially for someone who loves history and books in general."
"This is an excellent book!"
"Very interesting book and the design for the production is cool."
"It is a great gift for that person you know who loves books and documentaries."
"One of the most beautifully produced books I have seen in a long time."
"Everything you wanted to know about the book as an artifact!"
"Fabulous if you have any interest in how paper, printing, books from Egyptian papyri to computer generated words are collected."

Vintage aprons help us remember home and family the way they used to be, while bright and sassy contemporary aprons confirm that nesting is all the rage. The Apron Book provides full-color photos of new and vintage aprons from the author's collection, patterns for four basic apron styles and myriad variations, recipes, tips on collecting and preserving vintage aprons, and heart-tugging stories from the author's traveling apron exhibit. EllynAnne Geisel, who lives in Pueblo, Colorado, is the author of The Apron Book and the creator of Apron Chronicles , the traveling exhibit.
Reviews
Find Best Price at Amazon"There is a brief history of the apron (not boring at all I swear), the evolution of the apron, from utility aprons, to the fancy organza hostess aprons and everything in between."
"If you love aprons, enjoy making them and are interested in a brief history, you will enjoy this book as much as I did."
"There is a "no frills" commercial type pattern for Mom on the back cover and the book gives good details for the patterns she describes in the book. To me the strenght of her book is in her pictures for ideas, and you can pick up patterns that are exactly like what is pictured in her books commercially."
"Grandma in pearls and stockings with a brightly colored hand-sewn apron over her dress, my mom with that same apron tied over her work clothes at the end of the day, and finally me--you guessed it, in Grandma's apron--cooking away in junior high home economics class."
"I me this author in a antique store in a little town called Post, Texas looking for antique aprons."
"Purchased this book for a young girl as a birthday gift."
"The Apron Book: Making, Wearing, and Sharing a Bit of Cloth and Comfort. This book arrived promptly and is an excellent read with inspirational stories behind Ms Geisel's apron collection."
"I have had The Apron Book for years."
Best Book Making & Binding

Want to ignite your creativity, boost your gratitude, and skyrocket your happiness in ten minutes a day? This creative and motivational book invites you along as I discovered the Happy Journal method. A happy journal's premise is you drawing images to describe what brings you joy, so you end up illustrating your life. - Notice the little things that make up your beautiful life. - Combat negative mindsets that will kill your happy journal before it starts. - Start your own happy journal with a couple of supplies. - Pass on the gift of a happy journal to your children and friends.
Reviews
Find Best Price at Amazon"I have fine tip pens, gelatos, colored pencils and watercolors that are languishing in their cases."
"This particularly stood out for me since I’ve struggled with how to help my kids focus on the positive, if they had a bad day at school and are only focusing on the negative."
"Wonderful book."
"If you're looking for one simple thing to do to increase your gratitude and awareness of the good in each day, Jennie gives you exactly that."
"It always brings a smile to her face, even though she sometimes chuckles at my drawings :-) If you have ever struggled with finding joy and happiness in your life, you NEED to read this book!"
"And, along the way, you'll begin to notice how seeking out and jotting down these moments changes the way you think about your day to day life, ultimately resulting in your own "happy life"!"
Best Antique & Collectible Textiles & Costumes

Grand in scope and handsomely produced, Four Centuries of Quilts: The Colonial Williamsburg Collection is sure to be one of the most useful and beloved references on quilts and quilting for years to come. "The book Four Centuries of Quilts: The Colonial Williamsburg Collection , by the curators Linda Baumgarten and Kimberly Smith Ivey, . delves into the genealogies of craftswomen, including a Maine blueberry farmer, a Brooklyn philanthropist and an Alabama housekeeper. As historical documents, for example, they show the ways women reacted to the Civil War and how far-flung countries traded with each other at an early date. The book catalogs nearly 180 quilts from the museum’s collection, dating back more than 400 years, and tells the stories of the quilt-makers . "[ Four Centuries of Quilts ] is a joint publication by the Colonial Williamsburg Foundation and the Yale University Press. With those credentials you know that this big, attractive book is the word on quilt making in America. "Each quilt in the book is both a work of art as well as a historic document offering revealing clues to the past. "An important addition to any decorative arts library, for it contains the most recent quilt scholarship, carefully footnoted. This volume highlights scads of exquisite eye candy, but it's those lovely 'Baltimore album quilts' that made me gasp. In Four Centuries of Quilts , an expansive new survey published by Yale University Press, authors Linda Baumgarten and Kimberly Smith Ivey say yes. "The substance and breadth of this lavishly illustrated museum collection catalog make it a worthy addition to the well-established scholarly literature on the history and significance of quilts and quilt making in American culture. Book design is first-rate, with period photographs, portraits, related artifacts, detail close-ups, and black-and-white diagrams providing context for 130-plus full-page color plates." "A wonderful book, an enormous, fabulous overview devoted to the world-famous collection of Colonial Williamsburg. The two textile conservators responsible for the collection offer us in this book a fabulous journey to a land of richly documented quilts and hundreds of photos of extraordinary pieces. The book’s historical references are supplemented with spectacular full-page photos as well as close-up detail photograph.
Reviews
Find Best Price at Amazon"good information, inspiration."
"Bought for my wife who was very impressed."
"Organized chronologically, it begins where bed quilts seem to have begun, in India, where by 1609 the word “quilt” had already become a common term among English traders who brought both white and exotic painted, printed, and embroidered bedcovers back from India to a people newly alive to the world beyond their own chilly terrain. It ends with the work of African-American quiltmakers from Gee’s Bend, Alabama, whose bold, primitive designs created a similar excitement among sophisticated urban audiences. Even now, after a month with this book, when I turn to the photograph on page 91, a border fragment from a pieced and figural quilt circa 1700 and 1730, my hand involuntarily moves to touch the shattering silk backing. It is the language of writers long familiar with their subject and accustomed to communicating even complex details in the limited format of museum displays and exhibitions. Baumgarten and Ivey consistently raise questions, note limitations of current conclusions, call attention to an aspect of a well-known quilt that many ignore. Instead of treating the early motif of the tree in a garden as purely Indian in cultural origin, for example, they point to the close relationship between the exotic trees found in English crewel embroidery and the flowering branches of chintzes and suggest that established taste in needlework motifs might have influenced the Indian products, rather than the reverse. Except for the earliest, traders did not simply purchase what had been produced by Indian artisans and then market those textiles to their clients in Europe. Examining Renaissance iconography and the politics of the late 1500s, the authors end by noting the possibility of an eastern European origin for two stunning silk pieces and others mentioned in trade accounts and correspondence. I’ve encountered no book on quilts that goes to greater lengths than this to identify makers, fabrics, origins, donors, milieu, and so much more than is strictly required to support conclusions. A woman in an intricately designed dress holds a parasol in the center of a block constructed of multitudinous tiny pieces of silk arranged in what would one day be called the Broken Dishes pattern. Looking at this extraordinary piece with a magnifying glass, one marvels, both at the skill and accomplishment of the makers, but also at the variety of designs that emerged in larger form in the 1840s. One side of it consists of fifty-six blocks, set on point and constructed in the color combination of a blue-green, oxblood, and cheddar that was so popular in the South at this time. As a backing, the maker used a much older American hand block-printed bedcover that reflects in its design the patriotism of an earlier era. The printed top was slightly smaller than the pieced front of the quilt and was not perfectly squared, so the maker added strips of gingham to make up the difference. I have but one caveat about the book---it neglects quilts from the cultures south and west of the original English colonies’ borders. Cut off from close interaction with the East and Mid-Atlantic regions by space, early settlers of the South adapted their inherited customs and worldviews to dramatically different circumstances. From Kentucky to the 31st parallel, Southerners were defined and united by their relationship to the land, but most lived in relative isolation from their neighbors. The evacuation and removal of Indians from the South in the late 1820s brought new waves of settlers into the region and increased the competition for land. Cattle and hog herding dominated the economy along the arc of the coastal plain with its pine barrens dotted with cowpens, producing a steady pattern of movement westward to fresh grazing areas. Planters were accutely conscious of the independence of the small farmers or owners of cowpens and took considerable pains to curry the favor of their yeoman neighbors. And when, early in the next century, the sons of these elites failed to honor their needs, men with names like Folsom, Long, and Talmadge would remind them of the power of the common man. Included in a section titled “Make Do” is a paper-pieced quilt top from Fort Worth, Texas, presumed to be the work of a white quiltmaker. It is made by a white woman from western North Carolina, but had it been included in a Gee’s Bend exhibition, no one would have questioned its placement. I am personally familiar with the Field of Diamonds quilt shown on page 128, made by Mrs. Emma Russell, who lived in nearby Jackson Parish, Louisiana. Her second choice was to repeat patterns she had made previously, especially the Double Wedding Ring, which she held to be the apex of quilt design. In other words, most of Mrs. Russell’s quilts were strongly influenced by commercial motives and printed patterns and photographs found in contemporary publications. To answer these requires a careful, dispassionate study of the ways in which black and white women interacted in general. I think of the late eighteenth century with its literary hoaxes like James MacPherson’s Ossian papers, the many “rough geniuses” discovered or reported in craggy Scottish caves and their odd ballads."
"Wonderful historical quilt book filled with color photos."
"I really appreciated learning about the history of textiles, dyes, and especially about early quilting."
"Beautiful book."
"If you like history you will love it."
"Very nice "table top" book."
Best Stenciling

This farting animal coloring book for kids (of all ages) is just what you've been looking for, even though you probably didn't know it! Be sure to check out his FARTING MAGICAL CREATURES COLORING BOOK too!
Reviews
Find Best Price at Amazon"My daughter-in-law wanted adult coloring books for Christmas, so I got her a couple of nice ones....then when looking around for one with animals, this one came up."
"The coloring pages or very simple and non-detailed, but it's more for the laughs than the coloring."
"A great addition to my two daughter’s stockings this Christmas."
"This was a gift for my mother-in-law."
"Bought this for my mom because she likes to color to relax."
"Gave this to my teenage son at Christmas."
"Bought this for a white elephant party."
"This coloring book is a perfect gift for silly people in your life."
Best Rubber Stamping

These 20 beautiful projects--including cards, an embellished journal and tote, and decorative wall pieces--provide the keys to Geninne's creative process and image-making process. From tags, stationery, wrapping paper to a garden journal and more, this book teaches you how easy and empowering the art of carving rubber can be." "(Geninne's) passion for nature and color seeps through every page, instantly grabbing the reader's attention, and her straightforward writing style encourages even the non-crafter to pick up a carving block and simple cutting tools.
Reviews
Find Best Price at Amazon"I LOVE this book and am enamored with making my own rubber stamps for use on paper, fabric and ceramic ware!"
"The only thing that would have been helpful is a list of suppliers that carry the rubber carving blocks, but I looked around at my local art stores and was able to find them!"
"First off...if you are the least bit interested in making your own stamps, order this book right now! Geninne's book has so many tips, motifs and templates that you won't know where to start first!"
"Packed full of great info which you'll always use!"
"Really nice book."
"I LOVE her art work, I love her imagination, I love her darling birds."
"I love the idea of making my own rubber stamps. She shows how to trace a picture and burnish it to the white rubber eraser block."
"Although never a "stamper" per say- the idea of using your own inspiration to create stamps that can spice up a package or letter is exciting!"
Best Origami

The epic story that takes us through the three novels is not only a spellbinding adventure featuring armored polar bears, magical devices, witches, and daemons, it is also an audacious and profound reimagining of Milton's Paradise Lost that has already inspired a number of serious books of literary criticism. I began to write this novel with little sense of the plot, even less notion of the theme, and only the vaguest idea of the characters. I suppose these things are partly temperamental; I know that some excellent writers make a great thing of planning every book before they write it; but it doesn't work for me. One thing such a technique prevents is what I think every long book must have if I'm not to go mad writing it, and that's the element of surprise. A book, especially a long book like His Dark Materials , has to have some sort of theme, or else you'll be working for a long time (this story took me seven years) in a moral vacuum. If you're working as seriously as you know how to, for a matter of years, then a theme will emerge whether you want it to or not. Next time I shall remember: the story should lead, and the theme will emerge in its own time and its own way.
Reviews
Find Best Price at Amazon"Indeed as I was reading through the entire series (The Golden Compass, The Subtle Knife, The Amber Spyglass) I had thoughts and feelings which I have only experienced when reading books of supreme quality and worth such as Arthur C. Clarke's 2001: A Space Odyssey series, or Stephen Baxter's Xeelee Sequence."
"Favorite childhood series. A fantastical adventure series that challenges concepts of innocence, experience, and antiquated belief systems."
"The author seems to have researched a bit on what he describes throughout the book, and whoever has read books like "The Tao of Physics (Ftitijoff Kapra), the Bible or the Tao Te King (Lao Tzu) will be familiar with at least some developments."
"Awesome series, I really enjoyed it!"
"A great read, somewhat disheartened to learn that some people see it as 'young adult reading' ... while I understand that the main characters are young .. the themes running through the books are valid to all and still relevant today."
"There are two kinds of great stories -- those that fit seamlessly into the body of thought and make you wonder why no one thought of it before, and those that are remarkably imaginative and compelling and make you wonder how the author thought it up at all. Pullman's trilogy fits into the latter category."
"Each chapter of book 3 is preface with poetry that reveals the writers knowledge of biblical truths and vastly diversed types of writings."
Best Paper Craft

Here is a collection of 32 simple projects for novice origami hobbyists — clearly illustrated and with easy-to-follow instructions that even beginning papercrafters can follow with success. Internationally renowned author John Montroll has significantly increased the origami repertoire with his original designs.
Reviews
Find Best Price at Amazon"I bought this for my 13 year old daughter because she constantly complains about being bored."
"Easy Origami is just that....EASY."
"My son loves this book."
"My almost 7 year old loves this easy to use book!"
"This is a really good book with some very simple ones towards the beginning."
"This book is perfect for young kids just getting into origami."
"I thought it came with paper, but it is just instructions."
"Given as part of a gift set, so I can't say anything else except they liked it."