Best Cinematography

Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century. As design historian Pat Kirkham shows in his forthcoming book on Bass. (co-authored with Bass' daughter Jennifer), the legendary "visual communicator" also applied his graphic wizardry to album and book covers, typefaces, packaging, retail displays, a hi-fi system, toys and a postage stamp. Possibly the most famous graphic designer of all time....yet no definitive monograph of his prolific, monumental work has existed--until now."

Newly updated and revised, How to Shoot Video That Doesn’t Suck is a quick and easy guide that will make your video better instantly—whether you read it cover to cover or just skim a few chapters. Written by Steve Stockman, the director of the award-winning feature Two Weeks , plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn’t Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. MORE EXPERIENCED VIDEOGRAPHERS will find chapters on critical principles like storytelling, structure, emotion and composition-- plus exercises you can practice to improve your video skills.

Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and new digital formats. Billed as the authoritative guide to filmmaking from fundraising to distribution, the book achieves this in clear, accessible language using current up-to-date information. A gilt-edged investment for aspiring and beginning filmmakers and it would not be out of place in the libraries of experienced professionals either.”—James MacGregor, Netribution.co.uk. No matter what corner of the subject I poked into, looking for cogent explanations, the Handbook passed with flying colors. So please accept my admiration, appreciation and thanks.”—Pat Jackson, Associate Professor, San Francisco State University; Emmy-winning Supervising Sound Editor.

How to Shoot Video That Doesn't Suck is a quick and easy guide that will make your video better instantly-- whether you read it cover to cover or just skim a few chapters. Written by Steve Stockman, the director of Two Weeks (2007), plus TV shows, music videos, and hundreds of commercials, How to Shoot Video That Doesn't Suck explains in 74 short, pithy, insightful chapters how to tell a story and entertain your audience. Accompanying the book is a website with video clips to illustrate different video production rules, techniques, and situations. "Like two years of film school in 248 pages" - Steven Pressfield, author of "The War of Art" and "The Legend of Bagger Vance" "Stockman has packed a veritable film school between the pages of this highly informative, yet entertaining book. The only thing missing is a time machine so I could reshoot fifteen years of sucky birthday party and school play videos.”. --David A. Goodman, Executive Producer/Head Writer of “Family Guy” "Like two years of film school in 248 pages" -Steven Pressfield, author of "The War of Art" and "The Legend of Bagger Vance" "Stockman has packed a veritable film school between the pages of this highly informative, yet entertaining book.

Since Lightroom 1.0 first launched, Scott’s Kelby’s The Adobe Photoshop Lightroom Book for Digital Photographers has been the world’s #1 bestselling Lightroom book (it has been translated into a dozen different languages), and in this latest version for Lightroom 6, Scott uses his same award-winning, step-by-step, plain-English style and layout to make learning Lightroom easy and fun. This is where Scott dramatically answers his #1 most-asked Lightroom question, which is: “Exactly what order am I supposed to do things in, and where does Photoshop fit in?” You’ll see Scott’s entire start-to-finish Lightroom 6 workflow and learn how to incorporate it into your own workflow. Scott is a photographer, designer, and award-winning author of more than 60 books, including Photoshop for Lightroom Users, Professional Portrait Retouching Techniques for Photographers Using Photoshop, Light It, Shoot It, Retouch It: Learn Step by Step How to Go from Empty Studio to Finished Image, The Adobe Photoshop Book for Digital Photographers, and The Digital Photography Book, parts 1, 2, 3, 4 & 5. His books have been translated into dozens of different languages, including Chinese, Russian, Spanish, Korean, Polish, Taiwanese, French, German, Italian, Japanese, Dutch, Arabic, Swedish, Turkish, Hebrew, and Portuguese, among others, and he is a recipient of the prestigious ASP International Award, presented annually by the American Society of Photographers for “…contributions in a special or significant way to the ideals of Professional Photography as an art and a science.”.

The newest edition of The Backyard Astronomer's Guide includes the latest data and answers the questions most often asked by home astronomers, from beginners to experienced stargazers. Telescopes for Recreational Astronomy features assessments of a wide range of new telescopes, from models for beginners to those for veteran astronomy enthusiasts, with special emphasis on computerized telescopes and how they work. [Review of earlier edition:] Excellent introductory text ... completely revised... it is lushly illustrated in color throughout. [Review of earlier edition:] If an amateur astronomer could afford one book, this would be the one to get ... one of the most attractive practical astronomy works ever produced. [Review of earlier edition:] Lively, accessible style; is comprehensive; and is lavishly illustrated with hundreds of photographs, diagrams, and charts... highly recommended for any library. [Review of earlier edition:] Few books capture the spirit of the hobby so well -- the pleasures and the pitfalls of the equipment you might need, and the simple joy of watching the universe go by. I recommend this book for anyone who is contemplating buying a telescope, has one but does not quite know how to use it, or wants to learn more about accessories and fun activities to supplement his or her stargazing. If you teach observational astronomy, run a public observatory, or conduct community stargazing classes, put this magazine down and order it right now ... [Review of earlier edition:] This book is an indispensable tool for any serious naturalist who wants to understand and experience the full expanse of the world and universe around us. I fondly remember haunting my favorite bookstore as a college student in the early 1990s, ogling the big, full-color astronomy texts, when I happened upon The Backyard Astronomer's Guide. Now in its third edition, Terence Dickinson and Alan Dyer have completely rewritten large sections to keep in lockstep with the evolving trends. Immediately from the first chapter the authors' fluid writing style draws you in, casually introducing you to the pursuit of the night sky. As in previous editions, the flow comfortably builds with each page, easing you into progressively challenging subjects without missing a step. The text builds though each successive chapter, describing today's plethora of binoculars, telescopes, mounts, eyepieces, and other accessories. Complementing the informative text are hundreds of colour photographs and illustrations as well as a 20-page, full-colour atlas of the Milky Way that includes 10 charts.

A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars “the Brat Pack,” and effectively ended the career of Roger Ailes. “When New York magazine began in 1968, it was unique: a brash conglomeration of ingenious writers, editors, and graphic designers who generated narrative journalism that was so classic it became new again. Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York encapsulates those five convulsive decades in lavish illustrations, vivid oral histories, and evocative recreations by, among others, Tom Wolfe, Jimmy Breslin, Nora Ephron, Nicholas Pileggi, Julie Baumgold and Gael Greene from the magazine’s more than 2,300 issues.” —Sam Roberts, The New York Times. “A delicious compendium of the magazine’s coverage from the half-century of its existence, this is the kind of book that incites nostalgia even for the moments you didn’t live though (there’s the original Tom Wolfe “Radical Chic” cover!). The editors reproduce material that speaks not just to passing moments and fashions, but also to constant editorial emphases, such as high-quality artwork and portraiture.

A required textbook at universities worldwide for writing, producing, and development courses, the book sheds light on the inner workings of the feature film and TV development process, who all the players are, and how they fit together as content creators at film studios, TV networks, agencies, and production companies. What does "in development" really mean? Monika Skerbelis and Rona Edwards have lived the life of a studio and development executive, having developed and sold screenplays for the past 15 years.

Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published “lost” interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for a one-of-a-kind behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the “little” movie that became a phenomenon. • the evolution of the now-classic story and characters–including “Annikin Starkiller” and “a huge green-skinned monster with no nose and large gills” named Han Solo. • excerpts from George Lucas’s numerous, ever-morphing script drafts. • the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking. • the studio-hopping and budget battles that nearly scuttled the entire project. • the director’s early casting saga, which might have led to a film spoken mostly in Japanese–including the intensive auditions that won the cast members their roles and made them legends. • the grueling, nearly catastrophic location shoot in Tunisia and the subsequent breakneck dash at Elstree Studios in London. • the who’s who of young film rebels who pitched in to help–including Francis Ford Coppola, Steven Spielberg, and Brian DePalma. J. W. Rinzler, former executive editor at Lucasfilm Ltd., is the author of the New York Times bestseller The Making of Star Wars and London Times bestseller The Complete Making of Indiana Jones , as well as the #1 NY Times Bestselling graphic novel, adapted from George Lucas's original rough draft, "The Star Wars."