Best Fashion History

It chronicles not only Ford's clothing and accessories designs for both houses, but also explores Ford's grand vision for the complete design of a brand, including architecture, store design, and advertising. This enormous compendium may be Ford's swan song as a designer, as he recently announced that he was quitting fashion to direct movies.

Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen. "For those still wanting to view McQueen's fashion creations, the book shines on. "The catalog—with its gorgeous images places alongside provocative, incisive, and often puzzling conversational quotes from the designer himself—makes for an interesting way to get a peek at the show for those of us who won’t be lucky enough to make it to New York this summer. The most radical designs of his career are presented here, with critical analysis perfect for any arts or fashion library. "The Costume Institute at the Metropolitan Museum's Alexander McQueen retrospective has proven so popular that the exhibit has been extended until August 7. But if that still isn't enough time for you to get down to see it, the next best thing to a New York City jaunt is the definitive monograph, Alexander McQueen: Savage Beauty. ".

New York Times Bestseller Makeup, as we know it, has only been commercially available in the last 100 years, but applying decoration to the face and body may be one of the oldest global social practices. She has worked on the faces of some the world's biggest and most glamorous stars, including Kate Winslet, Keira Knightley, Lily Collins, and Emma Watson, and with international publications such as Vogue, Elle, LOVE and Harper's Bazaar.

Published to coincide with an exhibition at The Metropolitan Museum of Art organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography by renowned photographer Sølve Sundsbø; and a lenticular cover by Gary James McQueen. "For those still wanting to view McQueen's fashion creations, the book shines on. "The catalog—with its gorgeous images places alongside provocative, incisive, and often puzzling conversational quotes from the designer himself—makes for an interesting way to get a peek at the show for those of us who won’t be lucky enough to make it to New York this summer. The most radical designs of his career are presented here, with critical analysis perfect for any arts or fashion library. "The Costume Institute at the Metropolitan Museum's Alexander McQueen retrospective has proven so popular that the exhibit has been extended until August 7. But if that still isn't enough time for you to get down to see it, the next best thing to a New York City jaunt is the definitive monograph, Alexander McQueen: Savage Beauty. ".

They show that Norse contacts with Native American groups were more extensive than has previously been believed, but that the outnumbered Europeans never established more than temporary settlements in North America. The contributors consider the sometimes friendly, sometimes warlike history of Viking interactions with the native peoples of northeastern North America (whom the Norse called skraelings , or "screamers"); compare the archaeological record with contemporary sagas and other records of exploration; and argue for the need to better document the Viking contribution to New World history.

It chronicles not only Ford's clothing and accessories designs for both houses, but also explores Ford's grand vision for the complete design of a brand, including architecture, store design, and advertising. This enormous compendium may be Ford's swan song as a designer, as he recently announced that he was quitting fashion to direct movies.

Spotlighting the originality and creativity of the Japanese, debunking myths about them, and answering nagging questions like why they're so fond of robots, author Hector Garcia has created the perfect book for the growing ranks of Japanophiles in this inspired, insightful and highly informative guide. "Comprehensive and well informed, A Geek in Japan covers a wide array of topics in short articles accompanied by numerous photographs, providing a lively digest of the society and culture of Japan." — Martin Varsavsky, entrepreneur, founder of Fon and Safe Democracy Foundation. Among many topics, A Geek in Japan covers traditional culture, history, character, work, society, manga & anime, music, movies & television, Tokyo, and visiting the rest of Japan. "While not a traditional guidebook, A Geek in Japan certainly makes a reader want to hop on a plane to experience everything firsthand." "Hector Garcia's A Geek in Japan is a lightweight but enjoyable romp through modern Japanese culture, seen through the eyes of its writer, an amazingly inquisitive young Spaniard living in Tokyo."

Superb photographs of specific garments, with many close-up details, are juxtaposed with rare contextual photographs from the Israel Museum’s archives to create a tapestry of a people revealed through textiles, costume, and images. Daisy Raccah-Djivre is curator of the Jewish Wardrobe project and chief curator of Jewish Art and Life at the Israel Museum.

Known through much of her career only to those behind the scenes, she might have remained fashion’s best-kept secret were it not for The September Issue, the acclaimed 2009 documentary that turned publicity-averse Grace into a sudden, reluctant celebrity. With the witty, forthright voice that has endeared her to her colleagues and peers for more than forty years, Grace now creatively directs the reader through the storied narrative of her life so far. Grace reveals her private world with equal candor—the car accident that almost derailed her modeling career, her two marriages, the untimely death of her sister, Rosemary, her friendship with Harper’s Bazaar editor-in-chief Liz Tilberis, and her thirty-year romance with Didier Malige. Coddington, creative director of the American Vogue magazine, has much to impart (which she has done before in Grace: 30 Years of Fashion at Vogue, 2002, and The Catwalk Cats, 2008).

It chronicles not only Ford's clothing and accessories designs for both houses, but also explores Ford's grand vision for the complete design of a brand, including architecture, store design, and advertising. This enormous compendium may be Ford's swan song as a designer, as he recently announced that he was quitting fashion to direct movies.