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The Dead Key
Twenty years before, amid strange staff disappearances and allegations of fraud, panicked investors sold Cleveland’s largest bank in the middle of the night, locking out customers and employees, and thwarting a looming federal investigation. Iris, a young engineer working her first job out of the office, finds herself assigned to map out a floor plan for the bank building which has been empty for two decades. Just as Beatrice did 20 years before her, Iris quickly recognizes that there’s something not quite right at the bank and she soon learns that the building is not as empty as everyone thinks.
Reviews
"When I was a regular shopper at my local bookstores, my initial selection was based off thickness (how I discovered Robert Jordon and Terry Goodkind and others of that epic length writing). THE DEAD KEY, however, is largely one single, long wind-up, the pacing not really picking up till well past the last quarter. moments rolling, the suspense tight with wonderment and discovery, simply an exquisite plotline that has made the game a cult classic. And the ending... well, a completion within the same emotional level as Arturo Pérez-Reverte's 1993 novel, THE CLUB DUMAS had concluded with (the novel may be recognized by more as the later movie, THE NINTH GATE). All in all, enjoyable, yet I do have to wonder how even more fantastic these elements would be if the book was the same 477 pages but made tauter in pacing, richer in action, and, yes, even more deeply layered."
"I left off one star because the main characters are too much alike, in fact all the women especially but the men as well seemed like slight variations of the same personality."
"Several low-level female employees at the bank discover that something is awry (in both time periods), and their attempts to solve the mystery puts them in serious danger."
"The story concept is interesting: an important bank mysteriously closes overnight. When I was about 1/3 into the story it seemed that n.o.t.h.i.n.g. Reading the early reviews, I was sure I was reading a different book. For example, in most instances, we don't read about the secretary's workday, we read about her thinking about her workday or thinking about the personalities of the people she works with, or wondering where her friend is, or wondering about the significance of papers she sees. For example, the engineer meets her boss at the building and explains to him some of the work she has done, but (from the reader perspective) this is merely retelling what the engineer already mused about in the previous pages: she went to the eighth floor, to the room on the left; it was dusty; she made some measurements; she went to the next room; she saw papers on the floor; she wondered why the papers were left behind; she made some measurements; she looked at some of the papers; she wondered what the papers meant; she decided to take some of the papers with her to look at later; she went to the next room; she made some measurements. I second that thought."
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