Best Horror Literature & Fiction
Now a major motion picture Stephen King’s terrifying, classic #1 New York Times bestseller, “a landmark in American literature” ( Chicago Sun-Times )—about seven adults who return to their hometown to confront a nightmare they had first stumbled on as teenagers…an evil without a name: It . But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children. Moving back and forth between 1958 and 1985, the story tells of seven children in a small Maine town who discover the source of a series of horrifying murders. But there is enough material in this epic for several novels and stories, and the excessive length and numerous interrelated flashbacks eventually become wearying and annoying.
Reviews
Find Best Price at Amazon"When I was on a school field trip in the seventh grade, I took Stephen King's "IT" with me to read. I'd gotten into reading Stephen King two years before by way of a trip over the previous summer to my uncle's house. He had a collection of Stephen King novels and I'd started reading them with Pet Sematary, which had been adapted to the big screen two years before. In the intervening time, I'd devoured Salem's Lot, Carrie, Firestarter, and Misery, and The Shining. Whereas as a kid I identified with those elements as mapping directly onto my friends and setting, I did it unconsciously. I appreciated how well King encapsulated the distance between childhood and adulthood and all the roads we travel in between. King doesn't use mere words to tell stories, he uses meanings themselves, woven seemingly seamlessly into shades of context and pigments of innuendo and occasionally bright, obvious splashes of unobfuscated emotion that jar you because...hey...in real life that's how it works. And in getting that right, King manages to make the impossible elements like the supernatural nature of IT and the relationship IT has with the town of Derry and the inhabitants there...normal."
"Seven outcasts form a bond in order to defeat It, deeming themselves The Loser’s Club. Thinking they defeated It as children, they lead a life outside of Derry until the murders start happening again. Twenty-seven years later, The Loser’s Club makes their way back to Derry to defeat the evil once and for all. With the way King goes into details, it’s like you are actually in the book right beside the characters as they go through the horrors of every day life of living in Derry. His style definitely works by making you really feel terrified as you read, as if It could actually reach out and grab you at any minute. “…she took her washcloth and leaned over the basin to get some water and the voice came whispering out of the drain: ‘Help me….’”. -Stephen King, It. I loved the way this book was formatted. The book is split up into 5 parts, alternating between childhood and adulthood in the perspective of every member of The Loser’s Club. “Can an entire city be haunted?”. –Stephen King, It. This novel wouldn’t be what it is without the addition of the Derry Interludes at the end of every part. She wasn’t a major part of the storyline; therefore, I really didn’t care to hear about her life. Also I feel the need to mention one specific scene that just did not sit well with me, mainly because the ages of the characters at this point in the novel."
"In my opinion, he's at his best when creating young characters - particularly boys around that awkward age of 9 - 12 years old. We meet them when they're all around 11 years old during one horrific summer, and we meet them again 27 years later when they're adults. From all of these characters, we hear stories from that summer and years past; we get a history of the town and of the horrors of Derry."
#1 NEW YORK TIMES BESTSELLER • WINNER OF THE MAN BOOKER PRIZE The long-awaited first novel from the author of Tenth of December : a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time ’s Ten Best Novels of the Year • A New York Times Notable Book February 1862. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end? “A luminous feat of generosity and humanism.” —Colson Whitehead, The. New York Times Book Review “An extended national ghost story . attests to the author’s own fruitful transition from the short story to the long-distance form of the novel.” —Michiko Kakutani, The New York Times “Devastatingly moving.” — People “Profound, funny and vital . For all its divine comedy, Lincoln in the Bardo is also deep and moving.” — USA Today “Along with the wonderfully bizarre, empathy abounds in Lincoln in the Bardo .” —Time “There are moments that are almost transcendentally beautiful, that will come back to you on the edge of sleep. Saunders—well on his way toward becoming a twenty-first-century Twain—crafts an American patchwork of love and loss, giving shape to our foundational sorrows.” — Vogue “Saunders is the most humane American writer working today.” —Harper’s Magazine “The novel beats with a present-day urgency—a nation at war with itself, the unbearable grief of a father who has lost a child, and a howling congregation of ghosts, as divided in death as in life, unwilling to move on.” — Vanity Fair “A brilliant, Buddhist reimagining of an American story of great loss and great love . Saunders has written an unsentimental novel of Shakespearean proportions, gorgeously stuffed with tragic characters, bawdy humor, terrifying visions, throat-catching tenderness, and a galloping narrative, all twined around the luminous cord connecting a father and son and backlit by a nation engulfed in fire.” —Elle “Wildly imaginative.” —Marie Claire “Mesmerizing . Ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us.” — Kirkus Reviews (starred review) “It’s unlike anything you’ve ever read, except that the grotesque humor, pathos, and, ultimately, human kindness at its core mark it as a work that could come only from Saunders.” —The National.
Reviews
Find Best Price at Amazon"The novel takes place in one night in a cemetery and the story is narrated by hundreds of voices: old and young, men, women, and children, white and black, salve and free. We are told that people stay in this gray area for varying periods of time and that children usually stay there a very short time (this is where it also sounded a lot like Purgatory to me). They use words like "sick box" for coffin, and "sick-form" for body, "white stone home" for mausoleum, so they seem to be unclear as to their actual state. The basic plot is fictionalized history: Willie, Abraham Lincoln's young son, has died and he is now in the Bardo."
"One for those who know Saunders and one for those who’ll be experiencing him for the first time. Well, you’re about to hear and read a lot about this book, Lincoln in the Bardo, about Saunders himself (there was so much press with Tenth of December that I feel like he and I have hung out multiple times; that I know all his stories), and about his genius. Then, if you’ve never read him, and especially if you haven’t read much in the way of modern or post-modern literature, you’re going to pick up this book and put it down in about five minutes. Because Saunders’ much anticipated first novel really is as genius as the stories and interviews and blurbs are going to claim, but you have to do a little more of the work as a reader than you might be used to. Perhaps the most common feeling among his readers as they’ve enjoyed these works is “man, I wish this guy would write a novel!” He has, and in true Saunders fashion, he’s ensured that very little about the experience is “normal”. But Masters’ dead are much less playful and rarely attempt humor while Saunders’ cast of spirits deliver several laugh out loud moments as they guide readers through the tale. You don’t have to be a parent to feel the impact of his dialog, but it sure didn’t hurt, and I personally haven’t read such raw, sincere and painful cogitation on death and mourning since I read Twain’s “The Death of Jean”. If you are one such, Saunders may not be for you. If you’re new to Saunders, but enjoy alternative structures and have a history of adventurous reading, I’m confident you’ll soon count yourself a soldier in his army. However, if you’re one whose reading tends toward the traditional, conservative in structure and clear in its identity, then Lincoln in the Bardo’s narrative structure and its moments of revelry may at first feel like nails on a chalkboard to you."
#1 NEW YORK TIMES BESTSELLER. In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. Sleeping Beauties melds the elder King’s talent for exploring the darker sides of human nature when people are thrust into terrifying situations with his youngest son’s gift for juggling multiple genres and complex characters. “A fast-paced thriller [that is] ambitious and sympathetic, Sleeping Beauties is both a love letter to women everywhere and an incisive look at what drives men to violence, neatly wrapped in enough fantasy elements to soften the more caustic edges of the commentary. From “Carrie” to “Dolores Claiborne” to “Lisey’s Story” and beyond, Stephen King’s compassion for women is an identifying characteristic of much of his work, and “Sleeping Beauties” continues the trend. “Following the renewed interest in Margaret Atwood’s The Handmaid’s Tale and an increasing climate of wolf-whistle politics, this examination of gender stereotypes, systems of oppression, and pervasive misogyny within American culture feels especially timely…The large cast of characters allows for a multitude of narrative perspectives—from both the affected women and the men they’ve left behind. “The novel provides enough action, thrills and humor to keep readers burning the midnight oil....There’s comfort to be found in tales such as this... Sleeping Beauties is a well-tooled horror thriller, a worthy venture from a productive family business.” — San Francisco Chronicle.
Reviews
Find Best Price at Amazon"Nevertheless, I had been looking forward to Sleeping Beauties for quite some time and when it finally released I had worked myself up into a good old solid hankering for an epic horror tome. The events that have shaped and built his life are wildly intriguing, but the adult we're presented with is pretty damn dull, and his marriage is on the rocks thanks to some half-baked and cliched marital melodrama the Kings tossed in. King (Stephen, at least; I haven't read any of Owen's work previously) is a master at building memorable characters, and yet I struggled to find any reason to sympathize or care about any of the what felt like hundreds of names dropped into this sucker. Even the central antagonist, Evie Black, with her cell phone video game obsession, penchant for sleeping above the covers, and Biblical fantasy roots, is a pale threat. It's a better book than Under the Dome to be sure, but once the women of the world start falling asleep and chaos ensues, Appalachia feels almost identical to Chester's Mill."
"I've also reviewed most of what I've read, giving an occasional 3 stars to an anthology or a short story, but the vast majority of my scores for novels have been 4's and 5's, mosly the latter. I knew (very strongly suspected) that THINNER was written by SK long before it became public knowledge that Richard Bachman was just a pseudonym that King used to prevent the market from being saturated by too many Stephen King novels in too short a time. It was a struggle to get through it and I finally made up my mind to get it over and read the last 250 pages in one go until early in the morning today. Nor was the nature or rationale of the deal she worked out with Clint, (who by the way was one of the least likable protagonists in a novel that I have read in quite a while) clear. It was more akin to something reminiscent of Abraham and God in the Old Testament viz the destruction of Sodom and Gomorrah than modern fantasy. And for those of you constantly complain about King's penchant for letting his political views color his fiction (As it happens, I am often bemused by this comment, usually failing to notice explicit political messages in novels where people complain about it the most), most of the entire novel is a giant screed against our "modern male dominated society". Some of the female inmates were sort of interesting and/or had a legitimate beef, but the whole women versus man conflict that was the backbone of the story was way, way overcooked, and has been handled better by others in many other novels."
Best Horror Anthologies
Night Shift —Stephen King’s first collection of stories—is an early showcase of the depths that King’s wicked imagination could plumb. [King] will catch you in his web and reach you at an elemental level where there is no defense.” — The Cincinnati Enquirer. “Stephen King has built a literary genre of putting ordinary people in the most terrifying situations. he’s the author who can always make the improbable so scary you'll feel compelled to check the locks on the front door.” — The Boston Globe “Peerless imagination.” — The Observer (London).
Reviews
Find Best Price at Amazon"A fan of Stephen King for many many years but it always his short stories that capture my interest and imagination...for me, it started here, with Night Shift."
"All the stories served to keep me well entertained."
"The best collection of stories!"
"I read this when first published and I wanted a copy for my Kindle."
"Avid fan."
"Read this back in the early eighties and I'm still creep ed out!"
Best Dark Fantasy
—Lin-Manuel Miranda This deluxe, illustrated edition celebrates the New York Times -bestselling series, The Kingkiller Chronicle—a masterful epic fantasy saga that has inspired readers worldwide. • Beautiful, iconic cover by artist Sam Weber and designer Paul Buckley. • Gorgeous, never-before-seen illustrations by artist Dan Dos Santos. • Detailed and updated world map by artist Nate Taylor. • Brand-new author’s note. • Appendix detailing calendar system and currencies. • Pronunciation guide of names and places. I have talked to Gods, loved women, and written songs that make the minstrels weep. Praise for The Kingkiller Chronicle: “The best epic fantasy I read last year.... He’s bloody good, this Rothfuss guy.”. — George R. R. Martin , New York Times -bestselling author of A Song of Ice and Fire. “Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.”. — Terry Brooks , New York Times -bestselling author of Shannara. "It is a rare and great pleasure to find a fantasist writing...with true music in the words."
Reviews
Find Best Price at Amazon"This book, and especially the next, are long novels that meander through various rich landscapes and characters, never hurrying to reach any notable crux. Apparently Rothfuss is methodical, and doesn't churn out novels at as rapid a pace as other authors, so it may yet be a while before the series is resolved with a third (and possibly a fourth) book."
"I can't wait to read the next book to see him grow again into the man he is."
"That is true to a certain extent in that the world, characters, and the examination of "magic" are all based in fantasy, but the method of storytelling that Rothfuss uses is different than what most people may expect from a traditional fantasy novel. There is very little action that happens in this first book in the Kingkiller series, and the narrative focuses more on the painstaking re-creation of the protagonists early life as he pursues the knowledge of true magic. I have only read about 15% of the second novel, so I can't say how much of an impact this first book really has on the series, but I have a feeling that things begin to unravel rather quickly toward the end."
"At first, the fact that every time someone speaks, the author elaborates telling the reader where they're standing, what they're doing, their hand gestures, etc."
"After struggling a bit to get into "The Name of the Wind," I was hooked, fascinated by the complex web Mr. Rothfuss weaves. Part of the struggle, which also becomes part of the enticing quality of the novel, is that Rothfuss begins in the middle, backs up to the beginning, and leaves breadcrumbs along the way suggesting essential paths that may or may not be followed at a later time. Strong, well-defined characters inhabit this world, even the bit players are well developed with their own idiosyncracies."
Best Ghost Fiction
Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. Among his most recent are 11/22/63 ; Full Dark, No Stars ; Under the Dome ; Just After Sunset; Duma Key ; Lisey’s Story ; Cell ; and the concluding novels in. the Dark Tower saga: Wolves of the Calla , Song of Susannah , and The Dark Tower.
Reviews
Find Best Price at Amazon"If you are a fan, since this is one of his earlier works, you'll see familiar types of characters, ie..Randy Flagg and Tom Collin. Though some may say King is extremely verbose, I think his detailed telling of the story connects the reader to the characters like very few authors are able to do. I won't give away anything, I'll only say take your time and enjoy the ride with King's epic."
"Stephen King does write about people, the fact that those people are living in a pos-apocalyptic scenario don't make then less people than your neighbors or and old childhood friend."
"I've read many of Stephen King's books over the years, but The Stand is his best, by far."
"If I had to buy it again, I'd opt for a larger/wider book to make it easier to read with the amount of pages."
"I have read this novel several times over the years; it is one of my favorite King stories."
"I re-read this several times a year."
"This one really captured the essence of the good versus evil battle in a thought provoking manner."
"Stuck between choosing 4 or 5 stars."
Best Occult Fiction
Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. Among his most recent are 11/22/63 ; Full Dark, No Stars ; Under the Dome ; Just After Sunset; Duma Key ; Lisey’s Story ; Cell ; and the concluding novels in. the Dark Tower saga: Wolves of the Calla , Song of Susannah , and The Dark Tower.
Reviews
Find Best Price at Amazon"If you are a fan, since this is one of his earlier works, you'll see familiar types of characters, ie..Randy Flagg and Tom Collin. Though some may say King is extremely verbose, I think his detailed telling of the story connects the reader to the characters like very few authors are able to do. I won't give away anything, I'll only say take your time and enjoy the ride with King's epic."
"Stephen King does write about people, the fact that those people are living in a pos-apocalyptic scenario don't make then less people than your neighbors or and old childhood friend."
"I've read many of Stephen King's books over the years, but The Stand is his best, by far."
"If I had to buy it again, I'd opt for a larger/wider book to make it easier to read with the amount of pages."
"I have read this novel several times over the years; it is one of my favorite King stories."
"I re-read this several times a year."
"This one really captured the essence of the good versus evil battle in a thought provoking manner."
"Stuck between choosing 4 or 5 stars."
Best Horror Reference
Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. "The best book on writing.
Reviews
Find Best Price at Amazon"I could "hear" Mr. King's "voice" in my head as I read this on my iPad Kindle app. I breathed a sigh of relief when I got the feeling that writing classes and clubs are kind of a waste of time. I am glad this wasn't a "point by point HOW TO WRITE a story or a book" book, because really, writing isn't something you can do easily from a bulleted list. And then when that person you trust reads your stuff and offers some criticism, you can take it for what it's worth and use it or not."
"One of my favorites of King's work."
"I'm not a fan of Stephen King's novels but I am a writer of sorts so I wanted to know more of what made this man the legend that he is today...and I was fascinated with his book and felt that I connected with him so much during the course of my read that I wanted to write to him at the email address he provided in the book (but I didn't). When I first finished reading it I thought I would have loved to be his editor to polish up the book to make it read a little more top of the line, but on reflection, it felt kind of amazing to read -- like reading someone's diary...totally undamaged by editing -- a writer's candid view of himself and his world."
"it was great reading about Laverdiers Drug store since as a kid I used to shop lift their candy."
"The other half is mainly personal stories and recollections from Stephen's life, particularly his childhood. Other writing books that are out there are not written by people who have had the kind of success he has had, at least for the most part. He really did an amazing job of communicating a lot of stuff that I would imagine is hard to put down in words. I feel like I can take his advice and let it be my guide for the rest of my career without having to constantly worry about whether I am doing things improperly."
Best American Horror
A “superior thriller”( Oakland Press ) about a man, a dog, and a terrifying threat that could only have come from the imagination of #1 New York Times bestselling author Dean Koontz. Cross Lassie with E.T., add a touch of The Wolfen and a dash of The Godfather, and you get a sense of some of the ingredients in this supernatural thriller, which should move Koontz ( Strangers a notch closer to Stephen King's high-rent district. Hunted down by both the government and a professional killer who has learned the secret of the animals, Travis, Einstein and Nora Devon, a lonely woman befriended by man and canine, attempt to escape their pursuers all the while knowing that a confrontation with The Outsider is inevitable. The two creatures and a supporting cast of charactersa government agent, a hired killer, a decent recluse, and a lonely womanare inevitably brought together in a climactic and satisfying showdown.
Reviews
Find Best Price at Amazon"I read many of Koontz's books, but when he started the Odd Thomas series, things just started going bad."
"There were a few surprise moments that took me off guard and after realizing it, I felt a bit naive, but it reinforced the idea and feeling of suspense that his often found in his writings."
"I was surprised by the oddly dysfunctional, but likable, main characters I could root for, and the author gets extra points for giving me a smart dog to love."
"This book wasn't it, but it was almost as good the second time around."
"Several stories going on simultaneously that seem unrelated until they begin to converge, pulled together by a common thread, & the bigger story is revealed."
"Sometime in the late 1980s I started reading WATCHERS and for some unknown reason I didn’t get past the first chapter."
"I have read all of koontz books."
"As always, Dean Koontz can be counted on for well thought out and unique stories."
Best Vampire Horror
#1 NEW YORK TIMES BESTSELLER • “A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King. You followed The Passage . As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. with The City of Mirrors, the third volume in The Passage trilogy, Justin Cronin puts paid to what may well be the finest post-apocalyptic epic in our dystopian-glutted times. A stunning achievement by virtually every measure.”— The National Post “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.” —Stephen King. This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.” — Publishers Weekly (starred review). “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.” — Library Journal (starred review). “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language. This conclusion to bestseller Cronin’s apocalyptic thriller trilogy ends with all of the heartbreak, joy, and unexpected twists of fate that events in The Passage and The Twelve foreordained.” — Publishers Weekly (starred review) “Readers who have been patiently awaiting the conclusion to Cronin’s sweeping postapocalyptic trilogy are richly rewarded with this epic, heart-wrenching novel. Not only does this title bring the series to a thrilling and satisfying conclusion, but it also exhibits Cronin’s moving exploration of love as both a destructive force and an elemental need, elevating this work among its dystopian peers.” — Library Journal (starred review). Praise for Justin Cronin “One of those rare authors who work on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.” —Fort Worth Star-TelegramThe Passage “Magnificent . The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road .” — Time “Read this book and the ordinary world disappears.” —Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.” — The Dallas Morning NewsThe Twelve “[A] literary superthriller, driven at once by character and plot.” —The New York Times Book Review “Gripping . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.” —Milwaukee Journal Sentinel. Justin Cronin is the "New York Times" bestselling author of "The Passage, " "The Twelve, Mary and O Neil" (which won the PEN/Hemingway Award and the Stephen Crane Prize), and "The Summer Guest." A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts."
Reviews
Find Best Price at Amazon"Justin Cronin’s THE CITY OF MIRRORS sets out to do the seemingly impossible – wrap up scores of characters and an immense landscape of action in a way that will satisfy readers who have waited four years for the publication of this book. CITY begins just after the end of the second installment (THE TWELVE), but it quickly jumps ahead three years, and then another nineteen. The characters Cronin focuses on are ones we know very well – Peter, Alicia, Sara, Hollis, Michael, Lucius, Caleb, Kate. At the conclusion of THE TWELVE, only two questions remained – 1) what happened to Amy, and 2) where is Zero, aka Timothy Fanning, the first to be infected with the virus back in the early 21st century. But the role Cronin has imagined for her is perfect in its ability to pull this immense story together in a brilliant and satisfying way. Even the virals themselves are human beings, transformed into creatures driven by blood lust – but they also have names and memories and pieces of a past they cling to, even in their rage. It’s set a thousand years in the future, when a symposium has been convened to investigate the discovery of a mysterious journal that may hold the secrets to humanity’s history. But Cronin manages to not only bring us back to that central story, but to make a much bigger connection between the people we’ve come to love and the future of the human race. It’s hard to imagine what it would be like to look back at the world we’re living in today from a thousand years in the future."
"It is a longer story arc and a building crescendo to the ultimate showdown and finale. Often times authors like to leave subtle cliff hangers (Stephen King, etc) to leave it up to you to finish the story in your head."
"The best news was that the wait was over - what seemed to be one of the most wonderful trilogies written would finally have a third book and an answer to all the questions raised in the first two. Amy, Peter Jaxon, Michael, Alicia - all still around for the last book that I could not put down, no matter how tired I was or what needed to be done."
"It deals with good and evil as I have mentioned before but much more importantly with the heartache of loss and death especially when it is taken callously without any remorse for the victims who are left behind."