Best Requiems & Oratorios

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

68 (Mein glaubiges Herze) * St. Matthew Passion (Blute nur, du liebes Herz, Ich will dir mein Herze schenken) * St. John Passion (Zerfliesse mein Herze, Ich folge dir gleichfalls) * Christmas Oratorio (Nur ein Wink von seinem Handen) Beethoven: Christus am Olberge (Preist, der Erlosers Gute) Faure: Requiem (Pie Jesu) Handel: Jephtha (Tune the soft melodious lute) * Joshua (Oh! Founded in 1947, Hal Leonard LLC has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time.

(Vocal Collection). Founded in 1947, Hal Leonard LLC has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time.

This new volume in Schirmer's Library of Musical Classics presents 26 preludes, 21 nocturnes and 19 waltzes a large amount of music at a value price.

Songs include: Amazing Grace * Desperado * Let It Be * My Favorite Things * The Rose * hundreds more. Founded in 1947, Hal Leonard LLC has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time.

(Vocal Score). Daniel S. Brink is the Artistic Advisor and Principal Coach/Accompanist for the Colorado Opera Festival, Artistic Director for the Company Singers, a development program for young operatic hopefuls and Artistic Director/Conductor of the Colorado Springs Choral Society small ensemble, MOSIAC.

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

Every album and every song ever released by the Beatles - from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970) - is dissected, discussed, and analyzed by two music historians in this lively, fully illustrated work. *Starred Review* This hefty gem of a book catalogs every recording released by the Beatles, in chronological order of album release. They know their stuff (Guesdon is a musician; Margotin, a music critic), and it shows—especially in the Production and Technical Details sections, where the type of equipment is named and described, recording speeds are discussed, and there is much talk of the number of takes each song required and why.

The ever-wonderful Kristen Bell convinces everyone to just “Dance It Out.” Samuel L. Jackson stomps his captivating way through “Tyrannosaurus Funk.” Stanley Tucci is the impossibly frenetic caller of the “Rat Race.” Five for Fighting goes full-on big band era with a stunning slow-build/big-finish “Swing Thing.” And when’s the last time you heard Laura Linney and “Weird Al” Yankovic perform a song together? Here they give you the electronic sci-fi “Robot Dance,” which Mr. Yankovic suddenly turns into (naturally enough) a Broadway tap dance number. Take a child by the hand, put on your sneakers or tap shoes (oh heck, bare feet will do), cue up the CD, and get out there and dance, dance, dance, dance, dance, dance, dance!! Michael Ford, Sandra Boynton’s esteemed collaborator on Philadelphia Chickens and Rhinoceros Tap , is a classically trained composer and pianist, with a long detour in Progressive Rock performance.

Our collection features 17 selections in piano/vocal format from the music penned by Lin-Manuel Miranda, including: Alexander Hamilton * Burn * Dear Theodosia * Hurricane * It's Quiet Uptown * My Shot * One Last Time * Satisfied * That Would Be Enough * Washington on Your Side * You'll Be Back * and more.

Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pianists of the twentieth century, his compositions for piano and orchestra won him an important position among modern composers. 1 in the years 1890–91, while he was still a young student at the Moscow Conservatory, and revised it nearly three decades later in 1917, when he began to devote his life mainly to his international career as a piano virtuoso.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch.

Corrected, revised edition, incorporating newly discovered details from Barber's personal conducting copy.

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat , giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work. The handsomely designed book, like the first volume, contains illuminating reproductions of pages from the author's beloved legal pads on which he works out rhyme schemes, as well as annotated scripts and pages of musical notations. A” —Lisa Schwarzbaum, Entertainment Weekly “While the book technically covers Mr. Sondheim’s output from 1981 to the present, aficionados will delight in all the bits and bobs from early in his career that Mr. Sondheim didn’t make room for in the first volume .

Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment. The triumphant genius of Ludwig van Beethoven (1770–1827) casts a long shadow over classical music — no other composer of the past two centuries has exercised an influence more profound than his.

This charming and interactive picture book with its panel of 19 sound buttons is like a ticket to a concert hall, taking readers on a journey from the exciting first moment when the musicians begin tuning up to the end of the first movement (attention newcomers: don’t clap yet!). Kids will want to match their voices to the A note that tunes the orchestra, dance to the rhythmic passages—and, of course, sing along to da-da-da- daah ! “An ideal way to introduce children to the magic of music—delightful, charming, wonderfully entertaining, beautifully illustrated.” —Gerard Schwarz, Music Director, the All-Star Orchestra. " Welcome to the Symphony [lives] up to the publisher's promise that children will enjoy it . “An ideal way to introduce children to the magic of music—delightful, charming, wonderfully entertaining, beautifully illustrated.”. –Gerard Schwarz, music director, The All-Star Orchestra and music director laureate, Seattle Symphony. (Gerard Schwarz). "A delight for kids of any age! (Terry Kinney). “Lively, beautifully written…a charming way to educate the next generation of concert-goers.”. –Orin O’Brien, double bassist, The New York Philharmonic. (Orin O’Brien). “This beautiful book appeals on so many levels...The charming illustrations and brilliant musical recordings provide the perfect sensory stimuli, while the text illuminates every question a child might have about the experience in the most natural and satisfying way.”. –Dorothy Lawson, artistic director, Ethel String Quartet. (Dorothy Lawson). "An introduction to one of the greatest of all classical works that quite wondrously includes not just words and pictures, but some of the music itself.

Every album and every song ever released by the Beatles - from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970) - is dissected, discussed, and analyzed by two music historians in this lively, fully illustrated work. *Starred Review* This hefty gem of a book catalogs every recording released by the Beatles, in chronological order of album release. They know their stuff (Guesdon is a musician; Margotin, a music critic), and it shows—especially in the Production and Technical Details sections, where the type of equipment is named and described, recording speeds are discussed, and there is much talk of the number of takes each song required and why.

Our collection features 17 selections in piano/vocal format from the music penned by Lin-Manuel Miranda, including: Alexander Hamilton * Burn * Dear Theodosia * Hurricane * It's Quiet Uptown * My Shot * One Last Time * Satisfied * That Would Be Enough * Washington on Your Side * You'll Be Back * and more.