Best Self-Help & Psychology Humor

When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. In this book, Randy Pausch has combined the humor, inspiration and intelligence that made his lecture such a phenomenon and given it an indelible form. And while they speak, audiences can't help but mull the same question: What wisdom would we impart to the world if we knew it was our last chance? When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. It was about the importance of overcoming obstacles, of enabling the dreams of others, of seizing every moment (because "time is all you have...and you may find one day that you have less than you think"). In this book, Randy Pausch has combined the humor, inspiration and intelligence that made his lecture such a phenomenon and given it an indelible form. We were shy about barging in on Randy Pausch's valuable time to ask him a few questions about his expansion of his famous Last Lecture into the book by the same name, but he was gracious enough to take a moment to answer. As anyone who has watched the lecture or read the book will understand, the really crucial question is the last one, and we weren't surprised to learn that the "secret" to winning giant stuffed animals on the midway, like most anything else, is sheer persistence. I have neuropathy (numbness in fingers and toes), and varying degrees of GI discomfort, mild nausea, and fatigue. Occasionally I have an unusually bad reaction to a chemo infusion (last week, I spiked a 103 fever), but all of this is a small price to pay for walkin' around. Amazon.com: Your lecture at Carnegie Mellon has reached millions of people, but even with the short time you apparently have, you wanted to write a book. Also, much of my lecture at Carnegie Mellon focused on the professional side of my life--my students, colleagues and career.

New York Times bestselling author, Big Sister Emeritus, and Chief BFF Jen Hatmaker returns with another round of hilarious tales, shameless honesty, and hope for the woman who has forgotten her moxie. She and her husband, Brandon, founded the Legacy Collective and also starred in the popular series My Big Family Renovation on HGTV.

NEW YORK TIMES BESTSELLER From the creator of Dilbert , an unflinching look at the strategies Donald Trump used to persuade voters to elect the most unconventional candidate in the history of the presidency, and how anyone can learn his methods for succeeding against long odds. Scott Adams—a trained hypnotist and a lifelong student of persuasion—was one of the earliest public figures to predict Trump’s win, doing so a week after Nate Silver put Trump’s odds at 2 percent in his FiveThirtyEight.com blog. But Adams recognized in Trump a level of persuasion you only see once in a generation. “Win Bigly taught me how to persuade my boss to treat me with slightly less contempt.”. —Dilbert. “If I’m being honest, Win Bigly is better than all other books and at least one play.”. —Abe Lincoln.

A delightful Christmas storybook for adults based on the action-packed Die Hard movie. All John McClane wants for Christmas is to reunite with his estranged family. Author: Doogie Horner is a comedian, author, and illustrator.

Our crackerjack in-house team creates humorous nonfiction and specialty journals from the ground up, and we also publish new titles from outside authors, bloggers, and other creative types. Just complete each line and voila: you have a uniquely personal gift Mother will read again and again.

Furiously Happy is about depression and mental illness, but deep down it's about joy―and who doesn't want a bit more of that? Praise for Jenny Lawson:

But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. Mendelsohn weaves his basket with many wands; the complexity seems natural, an account of the quality of life itself, a route to revelation. The book partakes of at least four genres: classroom drama; travel writing; biographical memoir; literary criticism. Mendelsohn makes Homer’s epic shine in your mind.” —Dwight Garner, The New York Times “My favorite classicist once again combines meticulous literary investigation with warm and wrenching human emotion—books like these are why I love reading.” —Lee Child “Poignant, tender, affecting. “When Daniel Mendelsohn’s mathematician father lands in his son’s Homer seminar at Bard, the older man sets in motion an odyssey both hilarious and heartfelt. Father and son start in the pages of an epic, board a ship to follow the hero’s path through the Mediterranean, and finally end where all our stories do. Dread of the alien thrums through [Homer’s] Odyssey ; for Mendelsohn, the ancient tale becomes an occasion not only to explore his relationship with his father, but to transform it. The recognition leaves Mendelsohn free to see through his father’s hardness—his ‘exacting standards for everything’—to the vulnerable fighter within: a scrappy, strategizing Odysseus from the Bronx. What solace or despair resides in the unexpected relevance of this ancient poem, its encounters with Otherness thrown into high relief by the xenophobia of our time? [But] it dives deeper, excavating a portrait of Mendelsohn’s special student, his father: his lonely childhood, his early brilliance, his forfeiture of Latin for a life of numbers. There is but one ending to the book; within a year, Jay would die, and so Mendelsohn’s journey—indeed like Homer’s—would be undertaken after the fact, when something remained to be learned. In An Odyssey, he reels us in with a storyteller’s strongest gifts: passion, clarity, and timing.” —Willard Spiegelman, Wall Street Journal. Mendelsohn’s exploration is [both] a personal family memoir and a critical report on Homer’s epic, and the two facets illuminate each other. The Mediterranean cruise that father and son take pays off in surprising ways; we get a haunting glimpse of the fear that the end of your journey means finis , the hope residual in permanent postponement. This is an honest, and loving, account of the improbable odyssey that gave them this one last deeply satisfying adventure together.” —Peter Green, The New York Review of Books “Heartfelt, touching . The course, and the cruise retracing Odyssey’s voyage to Ithaca a few months later, set in motion an emotional journey neither man could have anticipated. Mendelsohn expertly examines the Odyssey with depth and classical acumen, extracting meaning from even its most subtle moments. He details his own relationship with the ancient poem, and he culls from the narrative many insights into his own familial bonds, specifically with his father. a surprising piece of art—a masterful memoir of reading, teaching and learning; a book as full of twists and turns as its subject, often beautiful too. This is a story of reconciling a scientist and an artist; Jay, the man of calculus, comes to influence both his son and his fellow pupils. As well as a contribution to the art of memoir, An Odyssey is a vivid defence of the close rereading of a classical text, the tiny questions from which bigger pictures become clear.” —Peter Stothard, The Financial Times ★ “Enlightening—engaging, gripping and deeply moving . Mendelsohn explores the enduring relevance of Homer’s Odyssey through a memoir tracing the complex relationship between father and son.” —Library Journal (starred review) “Beguiling. in this memoir, Mendelsohn recounts a freshman class on the Odyssey he taught at Bard College with his father, an 81-year-old computer scientist, sitting in. … Mendelsohn gradually unwraps layers of timeless meaning in the ancient Greek poem; Homeric heroes offer resonant psychological parallels to a modern family. His father, a retired mathematician, had been interested in the classics during his school days and decided to continue his education by studying with his son . The author uses a close reading of the epic to illuminate the mysteries of the human condition; he skillfully, subtly interweaves textual analysis [with] the lessons of life outside it . At the book’s center is [Mendelsohn’s father] Jay, whose presence in the classroom bewilders and charms the other students and his son . With this graceful and searching memoir, we all drink from the cup of knowledge proffered by one of our leading philosopher-writers.” —Hamilton Cain, Star Tribune. A meditation on filial love as candid, tender and in its own way ruthless as its counterparts in the Bible, Shakespeare and Homer . both dense and fleet, and wholly captivating.” —Tim Pfaff, The Bay Area Reporter “It’s hard to pierce a legend, even when it’s just generation-old family lore . As author-professor, Mendelsohn doesn’t lecture; his storytelling leaves room for other teachers — including his current students, his former professors and relatives who decode multi-layered family myths. Classroom discussions of Odysseus’ long, wandering journey home to Ithaca led father and son to undertake a real-life Mediterranean cruise retracing the Greek warrior’s travels. Mendelsohn begins to see his father in a new light even while the older man challenges the basic tenets of Homer’s epic. A noted memoirist and venerable contributor to a myriad of respected periodicals, Daniel Mendelsohn doesn’t hold back. An Odyssey carefully unpacks details from Homer’s epic poem, with the author taking the stance of a vigilant observer. Witnessing his father’s guileless rediscovery of the ancient text, Mendelsohn’s life’s work as a classicist is turned on its head. The revelations and thoughts of the central characters of Homer’s Odyssey serve as portals to deeper understanding of contemporary relationships. Studying (and essentially mirroring) Homer’s legendary work allowed both the Mendelsohn father and son to find new dimensions for their love of one another. While the events of An Odyssey conclude with Jay passing away, the vibrant stamp he left behind on his son is evidenced by the profundity of the memoir’s pages. It’s an epic reconciliation, albeit a quiet one, focused on all that he’d been given by his father, celebrating their mutual love and respect.” —Michael Raver, The Huffington Post “Family memoirs are often chronicles of estrangement and rapprochement, typically seeking to wring meaning from the haze of grief or regret. As the memoir unspools, Mendelsohn’s narrative grip tightens, and the son’s search for his father becomes poignant and powerful.” —Julia M. Klein, The Forward “Compelling . As I read Mendelsohn’s wonderfully precise textual analysis of Homer, I couldn’t help but think how similar his interpretative method is to the ways in which Biblical scholars parse the Torah for deeper understanding. Through Homer, Mendelsohn has created a memorial his father: an extraordinary act of ­filial love.” —Helen Morales, Times Literary Supplement (UK). In this insightful, tender book, Mendelsohn gracefully marries literary criticism and memoir to describe an intellectual and personal journey that becomes one of profound discovery for both [father and son]. Most impressive are his transitions from scholarly con­sideration of ‘The Odyssey’ to intimate stories of his family life, as when the class discussion flows effortlessly into a magical moment, witnessing [his father] Jay as he offers a heartbreakingly beautiful tribute to his wife… [There are] many wise lessons to be gleaned from this lovely book.” —Harvey Freedenberg, BookPage. Mendelsohn has achieved an enviable renown as essayist, literary critic and author of autobiographical explorations undergirded by insights from classic texts. It’s clear that Mendelsohn’s Socratic method of teaching (via dialogue rather than lecture) forces everyone, including himself, to see things with fresh eyes. Every step of the way, An Odyssey charts a remarkable journey made indelible by Mendelsohn’s elegant prose. Mendelsohn is perhaps the most accessible contemporary ambassador of the classics; An Odyssey makes his most convincing case to date for their vital necessity. Mendelsohn takes us through the Odyssey alongside his class, meanwhile drawing comparisons between his and his father’s journeys, and those of Odysseus and Telemachus. Mendelsohn has honed a method of mixing memoir and criticism to reflect on the problems of contemporary life through the lens of the Greek classics. An Odyssey is a stellar contribution to the genre of memoirs about reading—literary analysis and the personal stories are woven together in a way that feels both artful and natural. “A marvellously entertaining and wise chronicle of [Mendelsohn’s and his father’s] odyssey, first in the classroom and then on a tour of the seas around Greece. This is powerfully true of this moving new odyssey as well.” —Alberto Manguel, Literary Review (UK) “A gentle, at times almost nostalgic, work: Mendelsohn’s lithe prose flits seamlessly across intervals and registers, switching from erudite exposition one minute to emotion-filled reminiscence the next. An accomplished, brave book that testifies to what is perhaps the Odyssey ’s most abiding message: that intelligence has little value if it isn’t allied to love.” —William Skidelsky, The Observer (UK). Besides creating page-turning narrative tension, Mendelsohn’s father Jay’s skepticism raises a question: What good are classics to a modern life? .Mendelsohn is the closest thing American classicists have to a hometown celebrity; his nonpareil prose has been recognized in wide literary circles. Even as Mendelsohn lights up hidden meanings in the Odyssey and universal resonances for the reader, he is not only conveying his knowledge about the epic, but about the little things, too, those details that make a person who they are. The book thus enacts a truth that has long been central to Mendelsohn’s writing and teaching, which is that the great works of antiquity remain relevant today. This is a gentle, at times almost nostalgic, work; Mendelsohn’s lithe prose flits seamlessly across intervals and registers, switching from erudite exposition one minute to emotion-filled reminiscence the next. This accomplished book testifies to what is perhaps the Odyssey ’s most abiding message: that intelligence has little value if it isn’t allied to love.” —William Skidelsky, The Guardian (UK) “Brilliant . The ancient story’s leaving and coming back to shared memories is also a strength of a son’s tribute to his father. Reading The Odyssey , the great book, with your failing old man, and keeping each other company in the parallel epic known as life [is] a memory that will last longer than anything on your cellphone.” —Ian Brown, The Globe and Mail (Canada).

A Goodreads Choice Awards nominee. David Sedaris tells all in a book that is, literally, a lifetime in the making For forty years, David Sedaris has kept a diary in which he records everything that captures his attention-overheard comments, salacious gossip, soap opera plot twists, secrets confided by total strangers. These are the three stages that all artists - with some variation - go through in their careers...So it's encouraging to read 25 years of David Sedaris's diaries, and not just because he manages to defeat Bloat. But through all 25 years of "Theft by Finding" - of soap opera addictions and spider feeding, family kookiness (Sedaris notes the day Charles Addams dies; it feels like the passing of a baton) and language lessons - Sedaris's developing voice is the lifeline that pulls him through the murk." Yet David Sedaris has somehow pulled it off...with eviscerating wit and radiant humanity...Fans will no doubt delight in the entries that will turn into Sedaris's most beloved essays." "Sedaris fans will thrill to this opportunity to poke around in the writer's personal diaries, which he has faithfully kept for four decades and used as raw material for his hilarious nonfiction as well as his performances." "Sedaris' diaries are the wellspring for his cuttingly funny autobiographical essays, and he now presents a mesmerizing volume of deftly edited passages...Sedaris is caustically witty about his bad habits and artistic floundering...A candid, socially incisive, and sharply amusing chronicle of the evolution of an arresting comedic artist." "A David Sedaris book is always a welcome addition to any personal library - his hilarity, his self-deprecation, his compassion for (and amusement with) the human condition, and his clear joy at making his readers laugh out loud are all what make a David Sedaris book great.

From the creator of the wildly popular webcomic xkcd, hilarious and informative answers to important questions you probably never thought to ask. In pursuit of answers, Munroe runs computer simulations, pores over stacks of declassified military research memos, solves differential equations, and consults with nuclear reactor operators. Fortunately, such people can turn to Randall Munroe, the author of the XKCD comic strip loved by fans of internet culture. For Munroe, who writes with a clarity and wit honed over eight years of writing captions for his webcomic, the fact that a question might be impossible to solve is no deterrent to pursuing it.” —Wall Street Journal Speakeasy blog. while dealing with relationships and the meaning of a computer-centric life, xkcd has become required reading for techies across the world….The Internet has also created a bond between Mr. Munroe and his readers that is exceptional. "With his steady regimen of math jokes, physics jokes, and antisocial optimism, xkcd creator Randall Munroe, a former NASA roboticist, scores traffic numbers in NBC.com or Oprah.com territory. [A]t its best [xkcd] isn’t a strip comic so much as an idea factory and a shared experience."

NEW YORK TIMES BESTSELLER From the creator of Dilbert , an unflinching look at the strategies Donald Trump used to persuade voters to elect the most unconventional candidate in the history of the presidency, and how anyone can learn his methods for succeeding against long odds. Scott Adams—a trained hypnotist and a lifelong student of persuasion—was one of the earliest public figures to predict Trump’s win, doing so a week after Nate Silver put Trump’s odds at 2 percent in his FiveThirtyEight.com blog. But Adams recognized in Trump a level of persuasion you only see once in a generation. “Win Bigly taught me how to persuade my boss to treat me with slightly less contempt.”. —Dilbert. “If I’m being honest, Win Bigly is better than all other books and at least one play.”. —Abe Lincoln.

Lange provided what Stern had yet to find all in the same place: a wit quick enough to keep pace with his own, a pathetic self-image to dwarf his own, a personal history both heartbreaking and hilarious, and an ingrained sense of self-sabotage that continually keeps things interesting. A natural storyteller with a bottomless pit of material, Lange grew up in a close-knit, working-class Italian family in Union, New Jersey, a maniacal Yankees fan who pursued the two things his father said he was cut out for—sports and comedy. This debut memoir from the comedian best known as Howard Stern's radio show sidekick is scrappy, funny, tumultuous and profane, just like its author. Lange, a self-proclaimed fat guy with a heroin problem, is difficult to love, but easy to like, his shaggy-dog life story full of derogatory self-awareness and cheerful vulgarity (often in the form of casual profanity and sexism).

BASKETBALL (AND OTHER THINGS) presents readers with a set of pivotal and ridiculous questions from basketball history, providing arguments and answers, explained with the wit and wisdom that is unique to Shea Serrano. With incredible art from Arturo Torres, this book is a must-have for anyone who has ever stayed up late into the night debating basketball's greatest moments, what-ifs, stories, and legends, or for those who are discovering the mythology of basketball for the first time. ( Men's Journal ) “ With colorful, comic-book depictions of Spurs great Tim Duncan and other NBA stars by artist Arturo Torres, Serrano drops some serious and seriously funny knowledge on a sprawling range of hoops debates.“. ( Esquire ). “Even if you’re a basketball novice or die-hard Spurs fan like Shea, this is a perfect companion to his Rap Year Book: full of myths, what-ifs, and hyperspecific fanaticism.”.

Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. “If you read, write, teach or draw comics; if you want to; or if you simply want to watch a master explainer at work, you must read this book.” (Neil Gaiman). “Cleverly disguised as an easy-to-read comic book, Scott McCloud’s simple-looking tome deconstructs the secret language of comics while casually revealing secrets of time, space, art and the cosmos!

" Go the F*** to Sleep challenges stereotypes, opens up prototypes, and acknowledges that shared sense of failure that comes to all parents who weary of ever getting their darling(s) to sleep and briefly resuming the illusion of a life of their own." Seriously, Just Go to Sleep, a children's book inspired by Go the F*** to Sleep and appropriate for kids of all ages, is also available, as well as Seriously, You Have to Eat for finicky ones everywhere! Adam Mansbach's novels include The End of the Jews, winner of the California Book Award, and the best-selling Angry Black White Boy, a San Francisco Chronicle Best Book of 2005.

" Go the F*** to Sleep challenges stereotypes, opens up prototypes, and acknowledges that shared sense of failure that comes to all parents who weary of ever getting their darling(s) to sleep and briefly resuming the illusion of a life of their own." Seriously, Just Go to Sleep, a children's book inspired by Go the F*** to Sleep and appropriate for kids of all ages, is also available, as well as Seriously, You Have to Eat for finicky ones everywhere! Adam Mansbach's novels include The End of the Jews, winner of the California Book Award, and the best-selling Angry Black White Boy, a San Francisco Chronicle Best Book of 2005.

Despite the fact that Australia harbors more things that can kill you in extremely nasty ways than anywhere else, including sharks, crocodiles, snakes, even riptides and deserts, Bill Bryson adores the place, and he takes his readers on a rollicking ride far beyond that beaten tourist path.

The liberal media machine did everything they could to keep this book out of your hands. ''Fat people will hate this book.''.

Happy 90th birthday (10/14/16), to one of the world's most beloved icons of literature, Winnie-the-Pooh! In which it is revealed that one of the world's great Taoist masters isn't Chinese--or a venerable philosopher--but is in fact none other than that effortlessly calm, still, reflective bear. As a child, he preferred to spend his time outdoors, observing animals, insects, and plants.

By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative novel about Roy Basch and five of his fellow interns at the most renowned teaching hospital in the country. “A wildly funny, sad, laugh-out-loud, frightening, outrageous, thought-provoking, moving book…a story of modern medicine rarely, if ever, told.”— The Houston Chronicle.

Cat lovers will laugh out loud at the quirkiness of their feline friends with these insightful and curious poems from the singular minds of housecats. In four cat-egories - family, work, play, and existence - Francesco Marciuliano (writer of the comic strip "Sally Forth") has given voice to cats' 'every desire, their every conflict, their every epiphany.'. From expressing their love for dead mice to pulling over Christmas trees, cats reveal their genius and neuroses". Shelf Awareness. "With poems like 'Who Is That On Your Lap,' 'Nudge' and 'Kneel Before Me,' this quirky book will surely induce laughter and whimsical from all who decide to delve into its poetry."

It's a book about what happens when the nation's foremost progressive satirist gets a chance to serve in the United States Senate and, defying the low expectations of the pundit class, actually turns out to be good at it. In this candid personal memoir, the honorable gentleman from Minnesota takes his army of loyal fans along with him from Saturday Night Live to the campaign trail, inside the halls of Congress, and behind the scenes of some of the most dramatic and/or hilarious moments of his new career in politics. "The best political book of 2017. "[AL FRANKEN, GIANT OF THE SENATE] may...be the funniest memoir by a sitting - standing, recumbent, squatting - U.S. senator. This is a genuinely funny book, often hilarious...the Senate, and the country, would be the poorer without him. [Franken] uses self-deprecating humor to poke fun at everyone on either side of the aisle, and he gives readers insight into the daily workings of life in the Senate.

Author Barbara Kingsolver and her family abandoned the industrial-food pipeline to live a rural life—vowing that, for one year, they’d only buy food raised in their own neighborhood, grow it themselves, or learn to live without it. The book's bulk, written and read by Kingsolver in a lightly twangy voice filled with wonder and enthusiasm, proceeds through the seasons via delightful stories about the history of their farmhouse, the exhausting bounty of the zucchini harvest, turkey chicks hatching and so on.

Dripping Thighs, Sticky Chicken Fingers, Vanilla Chicken, Chicken with a Lardon, Bacon-Bound Wings, Spatchcock Chicken, Learning-to-Truss-You Chicken, Holy Hell Wings, Mustard-Spanked Chicken, and more, more, more! Fifty chicken recipes, each more seductive than the last, in a book that makes every dinner a turn-on. A parody in three acts—“The Novice Bird” (easy recipes for roasters), “Falling to Pieces” (parts perfect for weeknight meals), and “Advanced Techniques” (the climax of cooking)— Fifty Shades of Chicken is a cookbook of fifty irresistible, repertoire-boosting chicken dishes that will leave you hungry for more. With memorable tips and revealing photographs, Fifty Shades of Chicken will have you dominating dinner. Ingredients 1 pound boneless, skinless chicken thighs, patted dry with paper towels 2 garlic cloves, finely chopped 1 teaspoon plus pinch coarse kosher salt ½ teaspoon freshly ground black pepper 1 sweet onion, thinly sliced 1 cup white wine 1 bay leaf 1 cinnamon stick 2 tablespoons unsalted butter 1 tablespoon honey. Directions Preheat the oven to 450 degrees F. In a large bowl, toss the chicken, garlic, 1 teaspoon salt, and pepper together. In a small saucepan, simmer together onion, wine, bay leaf, cinnamon stick, and a pinch of salt until most of the liquid has evaporated, 15 to 20 minutes. Bake until chicken is no longer pink and onions are meltingly tender and caramelized, about 25 minutes.

Featuring a foreword by Frank McCourt, and interspersed with a lively history of punctuation from the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, Eats, Shoots & Leaves makes a powerful case for the preservation of proper punctuation. Filled with dread at the sight of ubiquitous mistakes in store signs and headlines, Truss eloquently speaks to the value of punctuation in preserving the nuances of language.

Omnibus edition, books 1-4 in the Skeleton Creek series in one 820 page volume.

" Go the F*** to Sleep challenges stereotypes, opens up prototypes, and acknowledges that shared sense of failure that comes to all parents who weary of ever getting their darling(s) to sleep and briefly resuming the illusion of a life of their own." Seriously, Just Go to Sleep, a children's book inspired by Go the F*** to Sleep and appropriate for kids of all ages, is also available, as well as Seriously, You Have to Eat for finicky ones everywhere! Adam Mansbach's novels include The End of the Jews, winner of the California Book Award, and the best-selling Angry Black White Boy, a San Francisco Chronicle Best Book of 2005.

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The Oprah. Magazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. “An affecting memoir, Born a Crime [is] a love letter to his mother.” — The. Washington Post. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review).

Featuring 65 delicious drink recipes paired with wry commentary on history's most beloved novels, Tequila Mockingbird also includes bar bites, drinking games, and whimsical illustrations throughout.

A strange and charming collection of hilariously absurd poetry, writing, and illustration from one of today's most popular young comedians... EGGHEAD: Or, You Can't Survive on Ideas Alone. Comedy Central Records released his first full-length self-titled album in 2009, Words Words Words in 2010, and his album entitled what .

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The Oprah. Magazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. “An affecting memoir, Born a Crime [is] a love letter to his mother.” — The. Washington Post. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review).

" Go the F*** to Sleep challenges stereotypes, opens up prototypes, and acknowledges that shared sense of failure that comes to all parents who weary of ever getting their darling(s) to sleep and briefly resuming the illusion of a life of their own." Seriously, Just Go to Sleep, a children's book inspired by Go the F*** to Sleep and appropriate for kids of all ages, is also available, as well as Seriously, You Have to Eat for finicky ones everywhere! Adam Mansbach's novels include The End of the Jews, winner of the California Book Award, and the best-selling Angry Black White Boy, a San Francisco Chronicle Best Book of 2005.

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The Oprah. Magazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. “An affecting memoir, Born a Crime [is] a love letter to his mother.” — The. Washington Post. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review).