Best Sondheim

In Hat Box , Stephen Sondheim presents his complete collected lyrics from the acclaimed Finishing the Hat and Look, I Made a Hat . Stephen Sondheim has written award-winning music and lyrics for theater, film and television.

His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat —titled after perhaps his most autobiographical song, from Sunday in the Park with George —Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions. If you love Stephen Sondheim, hate him, or never even heard of him, you'll still have a great ride—so take it! This book is filled with humor, controversy, stories about talented and glamorous people and, above all, life. It's filled with fascinating, entertaining, unique and compelling lessons from a man who encompasses the essence of what is truly great about American Musical Theatre.” —Michael Feinstein. “Just as Stephen Sondheim is, without dispute, THE master lyricist for the theater of our generation (not to mention his superb music! It is Sondheim.” —Alan & Marilyn Bergman. “Seeing my first Sondheim musical, Follies , I was like the farm girl brought to the Homes of Tomorrow exhibit; breathless, nose pressed to the glass. All the hocus pocus attached to art has no meaning in the mind of Sondheim.

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat , giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work. The handsomely designed book, like the first volume, contains illuminating reproductions of pages from the author's beloved legal pads on which he works out rhyme schemes, as well as annotated scripts and pages of musical notations. A” —Lisa Schwarzbaum, Entertainment Weekly “While the book technically covers Mr. Sondheim’s output from 1981 to the present, aficionados will delight in all the bits and bobs from early in his career that Mr. Sondheim didn’t make room for in the first volume .

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat , giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work. The handsomely designed book, like the first volume, contains illuminating reproductions of pages from the author's beloved legal pads on which he works out rhyme schemes, as well as annotated scripts and pages of musical notations. A” —Lisa Schwarzbaum, Entertainment Weekly “While the book technically covers Mr. Sondheim’s output from 1981 to the present, aficionados will delight in all the bits and bobs from early in his career that Mr. Sondheim didn’t make room for in the first volume .

This consistent top-seller includes 65 works by these famous composers: C. P. E. Bach, J. S. Bach, Beethoven, Chopin, Grieg, Handel, Haydn, Mendelssohn, Schubert , Schumann and Tchaikovsky.

(Piano Collection).

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

SIBELIUS 7 MUSIC NOTATION ESSENTIALS provides the most thorough introduction available to the fundamental operations of Sibelius 7 and lays the foundation for continuing studies at the more advanced levels. He was previously Director of Applications and Education at Sibelius Australia.

A new critical foreword by Walter Frisch, H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University, expands this centennial edition. Arnold Schoenberg (1874-1951), renowned Austrian and American composer, musical theorist, painter, and teacher of composition, pioneered compositional and critical approaches to atonality that were landmarks in twentieth century musical thought.

Music of great beauty, charm and simplicity, reproduced from authoritative European editions.

(Vocal Selections).

From toughing it out in Texas to his appearance at Woodstock, his affair with Janis Joplin, his stadium-filling tours, and washing out on drugs and the temptations of the road before finally fulfilling his dream of becoming a 100-percent pure bluesman, resurrecting the career of Muddy Waters, and winning a Grammy Award for his effort, this is a raucous roller coaster of story.

This volume brings together Borodin's two most popular works: the melodious, vivacious "Polovtsian Dances" from Prince Igor and the richly evocative tone poem "In the Steppes of Central Asia." The enormous success of these works is evidence by their frequent performance in concerts worldwide and their many recordings.

(Vocal Score). Daniel S. Brink is the Artistic Advisor and Principal Coach/Accompanist for the Colorado Opera Festival, Artistic Director for the Company Singers, a development program for young operatic hopefuls and Artistic Director/Conductor of the Colorado Springs Choral Society small ensemble, MOSIAC.

Among the chief glories of Baroque music are the violin and trio sonatas of Arcangelo Corelli (1653–1713), elegant compositions of supreme lyric expressiveness.

Solo piano and solo organ versions are also included.

Includes extensive historical articles and critical notes.

This is the first and easiest book in a 4-book collection of preludes, interludes, and postludes compiled and arranged by Carlo Rossini for performance on pipe, electronic or reed organs, and with Hammond registrations included.

The consummate craftsmanship, elegance, and originality of Maurice Ravel (1875–1937) define this collection of masterly compositions for the piano.

In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. "Working in from the broadest anthropological reflections to the most minute points of physiology and endocrinology—by way of musical and social history, the theory and practice of singing, the insights of three centuries’ worth of philosophers and psychologists, all illustrated with the rarest pictures and recordings— The Castrato is a scholarly and literary feast."

"; Best's Prelude on a Chorale by Thomas Tallis; Buxtehude's Fugue in C; the charming Four Pieces for Flute Clocks, written by Haydn for his era's popular musical clocks; Mozart's "Fantasie de Salon," based on four themes from T he Magic Flute; and Pachelbel's beloved C anon in D. Other featured composers include Elgar, Dupré, Beethoven, Frescobaldi, Handel, Liszt, Couperin, and Franck.

This Sonata For Flute and Piano is a virtuosic flute solo by renowned influential French composer Francis Poulenc.

(Vocal Score).

This new volume in Schirmer's Library of Musical Classics presents 26 preludes, 21 nocturnes and 19 waltzes a large amount of music at a value price.

This book and streaming video course is all that you will ever need for getting started playing the most famous and cherished piano classics by the great composers, like Bach, Mozart, and Beethoven! Are you struggling to follow online piano lessons that seem to jump all over the place without any sense of direction or consistency? Would you like to expand your musical understanding and learn how to play the piano through an affordable, step-by-step book and video course? Bach's Prelude in C Major Mozart's Turkish Rondo Pachelbel's Canon Tchaikovsky's Nutcracker Liszt's Hungarian Dance Brahms' Lullaby Mendelssohn's Wedding March Strauss's The Blue Danube Waltz Grieg's Hall of the Mountain King Handel's Hallelujah Dvorák's New World Symphony Chopin's Prelude Bizet's The Toreador Song Verdi's La donna è mobile Schumann's The Wild Horseman Paganini's Caprice Number 24 Beethoven's Ode to Joy Tchaikovsky's Swan Lake Mozart's Eine kleine Nachtmusik Mascagni's Intermezzo from Cavalleria Rusticana Offenbach's Tales of Hoffmann Gluck's Orfeo ed Euridice Dvorák's New World Symphony Erik Satie's Gymnopedie. Greensleeves Rossini's William Tell Overture (Theme from the Lone Ranger ). and many more classics! I took piano lessons many years ago, and Iwanted tostart playing again, but it seemed like I couldn't remembereven the most basic things. by DanniPal:This has to be one of the best learning tools I have ever read forlearning the piano. 5.0 out of 5 stars A Very Valuable Piano Resource by Hannah Curtis: I play piano and have a big upright piano occupying my living room.Myfriends frequently express interest in learning to play the pianobut...

Symphony No. Symphony No. Austrian composer and conductor Gustav Mahler (1860–1911) wrote chiefly symphonies and Lieder.

The entire corpus of Brahms's short piano pieces is contained in this volume: the delightful and familiar Waltzes; the effective Scherzo in E-flat Minor; the satisfying Eight Pieces; the two Rhapsodies; the Fantasies — among the most perfectly finished works Brahms ever wrote — the three Intermezzi; the Intermezzi, Ballade, and Romance comprising Six Pieces; and the superlative Intermezzi and Rhapsody that make up the final Four Pieces. German composer Johannes Brahms (1833–97) was a leading musician of the Romantic period and a virtuoso pianist who premiered many of his own works.

The translation is accompanied by Stewart Spencer’s introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee, and Warren Darcy that discuss the cycle’s musical structure, philosophical implications, medieval sources, and Wagner’s own changing attitude to its meaning. Text: English, German (translation). Original Language: German. --This text refers to an out of print or unavailable edition of this title.

(Vocal Score).

(Music Sales America).

The eleven essays lay a foundation for a proper understanding of Shostakovich's musical language as well as providing new insights into the issues surrounding his composition.

This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc. Immediately following this text are some 330 pages of musical examples drawn from "Sheherazade," the "Antar Symphony," "Capriccio Espagnol," "Sadko," "Ivan the Terrible," "Le Coq d'Or," "Mlada," "The Tsar's Bride," and others of Rimsky-Korsakov's works.