Best Symphonies

This charming and interactive picture book with its panel of 19 sound buttons is like a ticket to a concert hall, taking readers on a journey from the exciting first moment when the musicians begin tuning up to the end of the first movement (attention newcomers: don’t clap yet!). Kids will want to match their voices to the A note that tunes the orchestra, dance to the rhythmic passages—and, of course, sing along to da-da-da- daah ! “An ideal way to introduce children to the magic of music—delightful, charming, wonderfully entertaining, beautifully illustrated.” —Gerard Schwarz, Music Director, the All-Star Orchestra. " Welcome to the Symphony [lives] up to the publisher's promise that children will enjoy it . “An ideal way to introduce children to the magic of music—delightful, charming, wonderfully entertaining, beautifully illustrated.”. –Gerard Schwarz, music director, The All-Star Orchestra and music director laureate, Seattle Symphony. (Gerard Schwarz). "A delight for kids of any age! (Terry Kinney). “Lively, beautifully written…a charming way to educate the next generation of concert-goers.”. –Orin O’Brien, double bassist, The New York Philharmonic. (Orin O’Brien). “This beautiful book appeals on so many levels...The charming illustrations and brilliant musical recordings provide the perfect sensory stimuli, while the text illuminates every question a child might have about the experience in the most natural and satisfying way.”. –Dorothy Lawson, artistic director, Ethel String Quartet. (Dorothy Lawson). "An introduction to one of the greatest of all classical works that quite wondrously includes not just words and pictures, but some of the music itself.

The Twilight Princess (Title Screen, Light Spirit, Midna's Theme, Hyrule Field, Excerpt from Title Screen, The Sages' Theme, Final Battle with Ganondorf, Ganondorf's Theme, Excerpt from Main Theme, Staff Roll, Zelda Theme, Zelda's Lullaby, Excerpt from Midna's Theme) * IV.

Meticulously reproduced from the authoritative Litolff edition, each score features large, clear noteheads and wide margins for ease of use in studying and following the music. Far less expensive than comparable full-score editions, this volume belongs in the library of any music lover who wishes to study the masterly innovation and creativity Beethoven brought to the symphonic form. The triumphant genius of Ludwig van Beethoven (1770–1827) casts a long shadow over classical music — no other composer of the past two centuries has exercised an influence more profound than his.

Symphony No. Symphony No. Austrian composer and conductor Gustav Mahler (1860–1911) wrote chiefly symphonies and Lieder.

SIBELIUS 7 MUSIC NOTATION ESSENTIALS provides the most thorough introduction available to the fundamental operations of Sibelius 7 and lays the foundation for continuing studies at the more advanced levels. He was previously Director of Applications and Education at Sibelius Australia.

The eleven essays lay a foundation for a proper understanding of Shostakovich's musical language as well as providing new insights into the issues surrounding his composition.

Eye-catching illustrations and an accompanying 70-minute CD make this an exciting and educational introduction to the world of classical music-from composers and music history to the instruments of the orchestra-for elementary age children (and parents, too! There are interesting and sometimes humorous bits of information about the men, their music, and corresponding historical events. An accompanying CD provides musical selections for readers to listen to at specific places in the text.

Eye-catching illustrations and an accompanying 70-minute CD make this an exciting and educational introduction to the world of classical music-from composers and music history to the instruments of the orchestra-for elementary age children (and parents, too! There are interesting and sometimes humorous bits of information about the men, their music, and corresponding historical events. An accompanying CD provides musical selections for readers to listen to at specific places in the text.

Our collection features 17 selections in piano/vocal format from the music penned by Lin-Manuel Miranda, including: Alexander Hamilton * Burn * Dear Theodosia * Hurricane * It's Quiet Uptown * My Shot * One Last Time * Satisfied * That Would Be Enough * Washington on Your Side * You'll Be Back * and more.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch.

Our collection features 17 selections in piano/vocal format from the music penned by Lin-Manuel Miranda, including: Alexander Hamilton * Burn * Dear Theodosia * Hurricane * It's Quiet Uptown * My Shot * One Last Time * Satisfied * That Would Be Enough * Washington on Your Side * You'll Be Back * and more.

After his acclaimed and best-selling Finishing the Hat (named one of the New York Times 10 Best Books of 2010), Stephen Sondheim returns with the second volume of his collected lyrics, Look, I Made a Hat , giving us another remarkable glimpse into the brilliant mind of this living legend, and his life’s work. The handsomely designed book, like the first volume, contains illuminating reproductions of pages from the author's beloved legal pads on which he works out rhyme schemes, as well as annotated scripts and pages of musical notations. A” —Lisa Schwarzbaum, Entertainment Weekly “While the book technically covers Mr. Sondheim’s output from 1981 to the present, aficionados will delight in all the bits and bobs from early in his career that Mr. Sondheim didn’t make room for in the first volume .

Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment. The triumphant genius of Ludwig van Beethoven (1770–1827) casts a long shadow over classical music — no other composer of the past two centuries has exercised an influence more profound than his.

Every album and every song ever released by the Beatles - from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970) - is dissected, discussed, and analyzed by two music historians in this lively, fully illustrated work. *Starred Review* This hefty gem of a book catalogs every recording released by the Beatles, in chronological order of album release. They know their stuff (Guesdon is a musician; Margotin, a music critic), and it shows—especially in the Production and Technical Details sections, where the type of equipment is named and described, recording speeds are discussed, and there is much talk of the number of takes each song required and why.

Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pianists of the twentieth century, his compositions for piano and orchestra won him an important position among modern composers. 1 in the years 1890–91, while he was still a young student at the Moscow Conservatory, and revised it nearly three decades later in 1917, when he began to devote his life mainly to his international career as a piano virtuoso.

Corrected, revised edition, incorporating newly discovered details from Barber's personal conducting copy.

Every album and every song ever released by the Beatles - from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970) - is dissected, discussed, and analyzed by two music historians in this lively, fully illustrated work. *Starred Review* This hefty gem of a book catalogs every recording released by the Beatles, in chronological order of album release. They know their stuff (Guesdon is a musician; Margotin, a music critic), and it shows—especially in the Production and Technical Details sections, where the type of equipment is named and described, recording speeds are discussed, and there is much talk of the number of takes each song required and why.

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.

The ever-wonderful Kristen Bell convinces everyone to just “Dance It Out.” Samuel L. Jackson stomps his captivating way through “Tyrannosaurus Funk.” Stanley Tucci is the impossibly frenetic caller of the “Rat Race.” Five for Fighting goes full-on big band era with a stunning slow-build/big-finish “Swing Thing.” And when’s the last time you heard Laura Linney and “Weird Al” Yankovic perform a song together? Here they give you the electronic sci-fi “Robot Dance,” which Mr. Yankovic suddenly turns into (naturally enough) a Broadway tap dance number. Take a child by the hand, put on your sneakers or tap shoes (oh heck, bare feet will do), cue up the CD, and get out there and dance, dance, dance, dance, dance, dance, dance!! Michael Ford, Sandra Boynton’s esteemed collaborator on Philadelphia Chickens and Rhinoceros Tap , is a classically trained composer and pianist, with a long detour in Progressive Rock performance.

Neither have the more recent editions of vocal scores based on the Mozart orchestra score, with its many contrapuntal charms, quite fulfilled expectations, as they materially increased the difficulty of the piano part. Listeners who truly love this work may be interested in the full orchestral score --also at a great price--from Dover, edited by Alfred Mann.