Best Trees in Biological Sciences

In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

The most comprehensive field guide available to the trees of North America's eastern region--a must-have for any enthusiast's day pack or home library--from the go-to reference source for over 18 million nature lovers. Many of the species covered are relatively rare, such as the "stinking cedar" of the Georgia-Florida border; others are locally abundant, such as the paper birch of the boreal forest, used to make ice-cream sticks; still others, such as the smooth sumac, are widespread.

In The Hidden Life of Trees , Peter Wohlleben shares his deep love of woods and forests and explains the amazing processes of life, death, and regeneration he has observed in the woodland and the amazing scientific processes behind the wonders of which we are blissfully unaware. "The matter-of-fact Mr. Wohlleben has delighted readers and talk-show audiences alike with the news — long known to biologists — that trees in the forest are social beings." — Sally McGrane, The New York Times “This fascinating book will intrigue readers who love a walk through the woods”— Publishers Weekly. "Soon after we begin to recognize trees for what they are — gigantic beings thriving against incredible odds for hundreds of years — we naturally come to ask, 'How do they do it?'. "Wohlleben’s book is at once romantic and scientific, beautifully articulating his personal relationship with the trees he has dedicated his life to. "With colorful and engaging descriptions of little-known phenomena in our natural world, Wohlleben helps readers appreciate the exciting processes at work in the forests around them." Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

In Volume II, Dave Jacke and Eric Toensmeier move on to practical considerations: concrete ways to design, establish, and maintain your own forest garden. In other words, a forest garden is an edible ecosystem, a consciously designed community of mutually beneficial plants and animals intended for human food production. Until Mycelium Running--another amazingly important and well-done book--appeared, we were considering doing the same this month for the second volume of Edible Forest Gardens , which is much thicker (by more than 270 pages!). The shorter length of this review certainly does not reflect the relative importance of the volumes--we recommend that anyone interested in experimenting with temperate-zone "gardening in the image of the forest" should study both. Understanding that knowledge on "nest practices" for temperate-zone forest gardening needs to be established experimentally can be exciting for those willing and able to adopt the scientific attitude: no matter how they turn out, the results of an experiment, performed appropriately (meaning especially that adequate control treatments are provided), are never "bad." Jacke and Toensmeier offer a radical vision for stepping out of the conceptual continuum of conventional agriculture and organic farming. Volume one lays out the "Ecological Vision and Theory for Temperate Climate Permaculture," and it also includes a very useful analysis of existing forest gardens (one only 50 by 90 feet) and a tantalizing 30-page appendix of "top 100" species. They rely on external inputs of energy, nutrients, insect and disease controls, and water and are based primarily on annual plants. Containers of edible perennials and annuals on a rooftop are not most farmers' idea of agriculture, but I grow nearly 20 percent of the authors' top 100 species and intend to look for ways to take this small start much further. A must-have set of books for anyone serious about polyculture, integrated organic garden and landscape design, permaculture in the temperate zones and, of course, food forests.

Whether you're headed to downtown or to the ethnic mecca that is Buford Highway, you’ll find Atlanta’s best chefs innovating and continuing to redefine the culinary food scene in the big Peach. Part-cookbook and part-tour guide, Atlanta Chef’s Table. manages to capture the complexity and breadth of Atlanta’s modern restaurant landscape, and serve as a resource for those interested in emulating the flavors of this pivotal time in Atlanta food, at home. Atlanta Chef's Table. is more of a food-focused narration of where Atlanta came from and where it's going. Atlanta Chef's Table is a stunning book worthy of your kitchen counter or your coffee table." Atlanta Chef's Table. highlights that authentic zeal, the focused precision and the gastronomic excitement that Atlanta restaurants have been working on for the last decade and it is a stunning collection of recipes to behold.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

It features a durable vinyl binding and brilliant full-color photographic identification pictures arranged for quick access and definitive text, including information on the bird's voice, nesting habits, habitat, range, and interesting behaviors. Introduced in 1977 and completely revised in 1994, these bestselling photographic field guides have become the birding bibles of more than four million enthusiasts.

What Stamets has discovered is that we can capitalize on mycelium’s digestive power and target it to decompose toxic wastes and pollutants (mycoremediation), catch and reduce silt from streambeds and pathogens from agricultural watersheds (mycofiltration), control insect populations (mycopesticides), and generally enhance the health of our forests and gardens (mycoforestry and myco-gardening). --From the foreword by Andrew Weil, MD, author of Eating Well for Optimum Health “Stamets is a visionary emissary from the fungus kingdom to our world, and the message he’s brought back in this book, about the possibilities fungi hold for healing the environment, will fill you with wonder and hope.“. --Michael Pollan, author of The Botany of Desire “This is the kind of book I love: highly factual and practical and mixed with the spiritual content that sets the great writers apart from all the rest.“. --John Norris, former deputy commissioner of the Food and Drug Administration and founder of the Bioterrorism Institute. “This is the first book to give the Kingdom of the Fungi its proper place in the scheme of things.

Succulents are hot. "In her new book, Succulents Simplified:Growing, Designing, and Crafting with 100 Easy-Care Varieties , Baldwin even tells of a Jade plant that has lasted for more than two decades in her garden with various stages of neglect! "Anyone who knows Debra Lee Baldwin is aware of her extraordinary prowess as an author, writer, photographer, and artist...her book, Succulents Simplified , is a work of art." From quick and easy succulent rosettes for bouquets, to teeny tiny mint-tin gardens, to succulent-topped pumpkins there's a project in this book for even the most craft-challenged."