Best Cajun & Zydeco

Born of the Creole community in Louisiana's backwaters and moving outward to Texas and California, Zydeco bumps, grinds, and is a wang dang doodle of a big time.

Born of the Creole community in Louisiana's backwaters and moving outward to Texas and California, Zydeco bumps, grinds, and is a wang dang doodle of a big time.

Disc one has 13 Tracks. Each disc is dedicated to a genre: Cuban Invocations (Afro-Cuban religious music), Cantar en Cuba (songcraft), Bailar con Cuba (dance music), and Cubano Jazz (jazz).

It is a distinctive mix of folk instruments and courtly formality--a highly disciplined and richly ornamented music originally conceived for moments of importance and ceremony. Several unusual instruments are employed, including the dan bau , a one-string guitar with a bamboo stem that bends notes like a whammy bar , and the k'ni , a rifle-shaped fiddle with a mouth attachment that can create a voice-box effect similar to that used by rock guitarists such as Peter Frampton and Joe Walsh in the '70s. The music is so expertly performed and so beautifully sequenced--the focus shifting from ensemble to solo pieces, from stringed instruments to flutes--that attention never wanders. The most exciting pieces feature a clarinet playing long lines over pounding percussion, a combination common to the music of many Southeast Asian nations.

Ancient carols, Renaissance rhythms and haunting medieval hymns bring to life images of desert landscapes, stone monasteries and the origins of Christmas. Maggie Sansone on hammered dulcimer with members of Ensemble Galilei: Marcia Diehl on recorder, bowed psaltery and pennywhistle; Jim Brooks on recorder and concertina; Sue Richards on Celtic harp; Carolyn Surrick on treble viola & bass viola da gamba; Bonnie Rideout on fiddle, Zan McLeod on cittern and guitar and Ben Harms on hand drums and tambourine.

Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black .

Inkuyo , a group of accomplished musicians, brings the ancient instruments and songs of the majestic Andean highlands and of their Incan heritage, firmly into the 20th century. Performing on the quena (a resonant cane flute), an assortment of pan-pipes, Andean drums and other percussion instruments, as well as specially constructed versions of the guitar, violin, harp, and tiple (introduced by the Spanish), the members of Inkuyo conjure a heady atmosphere of scintillating melodies and spicy, South American rhythms. An internationally recognized virtuoso of pan-pipes and South American flutes, Inkuyo founder Gonzalo Vargas , inherited his traditional musical knowledge growing up in the remote Andean village of Tapajkari, Bolivia.

Australian music inspired by the Didgeridoo. Features Robert Mirabal and Mor Thiam.

African music CD release from Ladysmith Black Mambazo with the album Best Of Ladysmith Black Mambazo. African music CD.

Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black .