Best Emo

Three Cheers For Sweet Revenge - and for My Chemical Romance.

The Devil and God Are Raging Inside Me was rated the best album of 2006 by Punknews.org and was placed at number 74 in NME's list of the 100 best albums of the 2000s.

"We Are Broken" (Williams, Farro, David Bendeth) 3:38 10. "Fences" (Williams, Farro, Bendeth) 3:18 11.

Three Cheers For Sweet Revenge - and for My Chemical Romance.

Two regular weight black vinyl discs at Pallas in Stoughton paper-wrapped gatefold jacket with poster insert and shared Green Day catalog postcard.

Static Age is an album by the American horror punk band the Misfits.

Two regular weight black vinyl discs at Pallas in Stoughton paper-wrapped gatefold jacket with poster insert and shared Green Day catalog postcard.

The metal ingredient tends to dominate, perhaps because it's the simplest to master, and too often the album resembles early Heart or late Joan Jett--particularly when Courtney Love opens up with her big, wailing voice.

The laquers were cut at Bernie Grundman Mastering in Hollywood, CA under the direct supervision of original Doors producer/engineer Bruce Botnick and Electra Records founder Jac Holzman.

The band comes up with great songs, notably the catchy MTV hit "What I Got"; spooky dub-reggae undertones, produced by the Butthole Surfers' Paul Leary, to go with the snappy horns; and surprisingly progressive lyrics that attack sexism and other social ills, especially on "Wrong Way."

As the de facto leaders of the Washington, D.C., hardcore scene, the band pioneered the straight-edge mentality by emphasizing impossibly fast tempos, brief songs, political lyrics, and a drug- and alcohol-free lifestyle. Besides setting the precedent for several generations of punk rockers with their music and ideals, Minor Threat were simply a better band than most hardcore groups. Although some of the music on Complete Discography, like much of hardcore in general, hasn't aged particularly well -- with its cheap production, rigid song structures, and political concerns, it is very much a piece of the early '80s -- the sound remains invigorating; the band possessed a visceral energy matched by only a handful of their peers.

Palm Pictures is proud to present the groundbreaking Talking Heads concert film "Stop Making Sense." The staging--and Demme's filming of it--builds toward an orgasmic release of music, rising from the bare-stage simplicity of Byrne, accompanied only by a boom box on "Psycho Killer," to the ecstatic crescendo of "Burning Down the House," by which time the Heads and additional personnel have all arrived on stage for a performance that seems channeled from heaven for the purpose of universal uplift.

Of all the two-piece rock bands (Dresden Dolls, The White Stripes, The Kills, John & Jehn) out there making a royal racket, The Black Keys are by far the least affected by the last three decades of popular music, and evolution. If there is a change it's that for the first time their foot is teased off the accelerator, with "Lies", "Remember When (Side A)" and "Oceans & Streams" loosening their shoulders and playing a more chilled brand of dusty sunset southern blues, adding in keys and new layers of texture (is that really a flute on "Same Old Thing"?!).

Two regular weight black vinyl discs at Pallas in Stoughton paper-wrapped gatefold jacket with poster insert and shared Green Day catalog postcard.