Koncocoo

Best African American Historical Fiction

Yellow Crocus
Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. It's a must-read for anyone whoenjoys Antebellum historical fiction or is looking for a compellingstory to add to their book club reading list." Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms.
Reviews
"Angry at others- as when Mattie was torn from her family, including her 3 month old baby and was supposed to be pacified by being able to visit them for a few hours on a Sunday, witnessing through the young heroine's eyes the brutal rape of a young slave girl (not graphically depicted) and reading the general attitudes of people on the black/white person/non-person issues common to this time. I believe these scenes that felt more YA were to give us a flavor of what it was like to grow up during this time and don't know of any other way it could have been done if some of the young girl's activities and thoughts (life on a daily basis) weren't represented."
"Lisbeth befriends Mattie's family until her coming out when she must come to terms with the reality of plantation life and the treatment of slaves."
"I enjoyed this book."
"Very enjoyable read."
"Nor is this a book just about the courageous young white woman who broke from her southern roots as a wealthy slave owners daughter...claiming she had become an abolitionist and rejecting the notion that black men, women and children could be rightful 'owned'. The author skillfully, without every directly saying so, illustrated the overarching belief of that time (and certainly for many decades following) that gender as well as skin color dictated ones 'rights of ownership'. Yet even with this limitation, we get a strong heart and soul grasp of what it was like for Mattie, her family and others living as minimized human beings, bought, sold and worked like cattle, brutally separated from their children, mothers and fathers."
"This broke open the closed view of relationships between the two categories of plantation life."
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The Underground Railroad (Pulitzer Prize Winner)(National Book Award Winner) (Oprah's Book Club): A Novel
Winner of the Pulitzer Prize and the National Book Award, the #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. "Nothing, not one thing or activity, can replace the experience of a good read—being transported to a different land, a different realm, through words and language. — Oprah Winfrey, O Magazine "Whitehead, whose eclectic body of work encompasses novels playing fast and loose with 'real life,' both past and present, fires his most daring change-up yet. Imagine a runaway slave novel written with Joseph Heller's deadpan voice leasing both Frederick Douglass' grim realities and H.P. Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and razor-sharp ingenuity; he is now assuredly a writer of the first rank." Hard-driving, laser-sharp, artistically superlative, and deeply compassionate , Whitehead’s unforgettable odyssey adds a clarion new facet to the literature of racial tyranny and liberation."
Reviews
"I chose this book, frankly, because Oprah chose it for her book club. Our textbooks did NOT tell the whole story."
"If all Colson Whitehead’s remarkable The Underground Railroad had to offer was its central conceit – in which the “Underground Railroad,” a covert, loose organization that worked to help slaves in the Confederacy get to freedom, becomes a literal subterranean rail network – that might almost be enough to capture the imagination and make the book great. Because, in short, what this allows Whitehead to do is tell an age-old story – the efforts of a runaway slave to escape – in a way that feels like little else out there, bringing new life to a story that none of us can ever afford to forget. And yet, for all of that, The Underground Railroad is still a slave escape narrative, one in which we’re invested in our heroine’s success, and one that keeps us reading in the face of all of the potential horrors, hoping for something good. Whitehead never lets The Underground Railroad become crushing or so bleak as to be unpalatable; he tempers it, mixing the good and the bad, and investing us in the characters so that we need them to succeed – and feel it all the more when some of them don’t."
"So in full transparency, I was skeptical about it, because as a U.S. history major, I have read so many books about slavery, I just wasn't sure what Whitehead could possibly do that would be fresh, enthralling, unique to the genre and subject matter. There were times when I was terribly afraid for the protagonist and my heart was pounding wildly as she faced any number of situations."
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Homegoing: A novel
From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Craft is essential given the task Gyasi sets for herself—drawing not just a lineage of two sisters, but two related peoples. I think I needed to remember what happens when you pair a gifted literary mind to an epic task. "Homegoing is a remarkable feat—a novel at once epic and intimate, capturing the moral weight of history as it bears down on individual struggles, hopes, and fears. the great, aching gift of the novel is that it offers, in its own way, the very thing that enslavement denied its descendants: the possibility of imagining the connection between the broken threads of their origins.”. "It’s impossible not to admire the ambition and scope of “Homegoing,” and thanks to Ms. Gyasi’s instinctive storytelling gifts, the book leaves the reader with a visceral understanding of both the savage realities of slavery and the emotional damage that is handed down, over the centuries, from mothers to daughters, fathers to sons. At its best, the novel makes us experience the horrors of slavery on an intimate, personal level; by its conclusion, the characters’ tales of loss and resilience have acquired an inexorable and cumulative emotional weight." "The brilliance of this structure, in which we know more than the characters do about the fate of their parents and children, pays homage to the vast scope of slavery without losing sight of its private devastation . What is uniquely Gyasi’s is her ability to connect it so explicitly to the present day: No novel has better illustrated the way in which racism became institutionalized in this country.” — Megan O’Grady , Vogue. “Toni Morrison’s masterpiece, “Beloved,” seared into our imagination the grotesque distortions of antebellum life. And now, Yaa Gyasi’s rich debut novel, “Homegoing,” confronts us of the involvement of Africans in the enslavement of their own people . the speed with which Gyasi sweeps across the decades isn’t confusing so much as dazzling, creating a kind of time-elapsed photo of black lives in America and in the motherland . What distinguishes Gyasi’s presentation of this idea is its scope: She does not present us with a single moment, but rather delivers a multigenerational saga in which two branches of a family, separated by slavery and time, emerge from the murk of history in a romantic embrace . The novel succeeds when it retrieves individual lives from the oblivion mandated by racism and spins the story of the family’s struggle to survive.”. "Tremendous...spectacular...[HOMEGOING is] essential reading from a young writer whose stellar instincts, sturdy craftsmanship and penetrating wisdom seem likely to continue apace — much to our good fortune as readers." The sum of Homegoing’s parts is remarkable, a panoramic portrait of the slave trade and its reverberations, told through the travails of one family that carries the scars of that legacy . Gyasi’s characters may be fictional, but their stories are representative of a range of experience that is all too real and difficult to uncover. Carrying on in the tradition of her foremothers—like Toni Morrison, Edwidge Danticat, Assia Djebar and Bessie Head—Gyasi has created a marvelous work of fiction that both embraces and re-writes history.” — Shannon M. Houston, Paste Magazine. Gyasi’s unsentimental prose, her vibrant characters and her rich settings keep the pages turning no matter how mournful the plot . —Soniah Kamal, Atlanta Journal-Constitution “A remarkable achievement, marking the arrival of a powerful new voice in fiction.”. "Gyasi's lyrical, devastating debut more than deserves to be held in its own light.... Gyasi traces black history from the Middle Passage to the Great Migration and beyond, bringing every Asante village, cotton plantation, and coal mine into vivid focus. The rhythm of her streamlined sentences is clipped and clean, with brilliant bursts of primary color...the luminous beauty of Gyasi’s unforgettable telling. “Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives . A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.”. A stunning, unforgettable account of family, history, and racism, Homegoing is an ambitious work that lives up to the hype.”. “Gyasi gives voice, and an empathetic ear, to the ensuing seven generations of flawed and deeply human descendants, creating a patchwork mastery of historical fiction.”. “An important, riveting page-turner filled with beautiful prose, Homegoing shoots for the moon and lands right on it.”. [Yaa Gyasi] writes with authority about history and pulls her readers deep into her characters' lives through the force of her empathetic imagination . The destinies of Effia Otcher and Esi Asare in Yaa Gyasi’s spellbinding Homegoing recall those of sisters Celie and Nettie in Alice Walker’s The Color Purple, switched-at-birth infants Saleem and Shiva in Salman Rushdie’s Midnight's Children and compatriot clones Sydney Carton and Charles Darnay in Charles Dickens’ A Tale of Two Cities. The author’s penetrating prose draws intimate and deeply cultivated connections between rival tribes, languages lost and found, real love and a hardness of spirit. And in the process, Gyasi has written a nuanced, scintillating investigation into the myriad intricacies and institutions that shape a family.”. Homegoing serves as a modern-day reconstruction of lost and untold narratives — and a desire to move forward.”. —Dana De Greff, Miami Herald “No debate at all: Yaa Gyasi’s Homegoing is impressive, impassioned, and utterly original . a story so personalized, so urgent and timely, especially for today’s readers and the many who do not seem to understand why African Americans are so conflicted.”. “One of the most anticipated books of this summer is from debut novelist Yaa Gyasi, and all it will take to convince you the hype is worth it is reading some of these powerful Homegoing quotes about family, identity, and history. With characters you won't be able to forget, and stories that will haunt you long after you turn the last page, Homegoing is stunning — a truly heartbreaking work of literary genius. It honestly and elegantly tries to unravel the complicated history of not only a family through the generations, but a nation through the years of outside conflict, inner turmoil, and one of the darker pieces of the past.”. This sweeping family saga encompasses seven generations of descendants of a Fante and his captured Asante house slave. After giving birth to a daughter, Maame manages to escape, making her way alone back to her own village. The two sisters, Effia and Esi, will never meet, their lives will follow very different paths, but their descendants will share a legacy of warfare and slavery. Effia will marry an Englishman who oversees the British interest in the Gold Coast slave trade. Esi will be captured by Fante warriors, traded to the Englishmen, and shipped to America to be sold into slavery. Progressing through 300 years of Ghanaian and American history, the narrative unfolds in a series of concise portraits of each sister's progeny that capture pivotal moments in each individual's life. Every portrait reads like a short story unto itself, making this volume a good choice for harried teens, yet Gyasi imbues the work with a remarkably seamless feel. Through the combined historical perspectives of each descendant, the author reveals that racism is often rooted in tribalism, greed, and the lust for power.
Reviews
"Homegoing begins in fire, as a house slave sets herself free by burning her master's African village to the ground, and ends in the ocean, as two of her two descendants - from two completely different lineages - find, finally, perhaps, a sort of reconciliation. The story of how slavery began in Africa is not one I knew well, and it was heartbreaking and jarring, to learn how the different tribes stalked and captured each other, selling rival sons and daughters and wives to the British, fueling the trade. Esi is herself captured, and kept in the dungeon of the Castle where her sister lives as the "wench" wife of a British trader, until she is sent through the Middle Passage to America, into slavery. The story of Esi's life in the dungeon, waiting to be shipped she knows not where, like every bit of the book, is so detailed and rich and true that it is astonishing to realize the author is only 26 years old. I came to understand that Ms. Gyasi is telling the story not of one person, or even one family, but instead, tracing a much larger theme, and arc, of the cost of cruelty, and the redeeming power of sacrificial love."
"I cried at the end both times I read this book."
"The book is written in an awkward way but tells a good history of Western Africa and Slavery."
"I really like how the author interwove the two sides of the evil of slavery and its effect on multi generations, both in Ghana and in America."
"This book is so full of characters whose interconnected lives are so dense with emotion."
"This novel will take you on Afrocentric journey unlike any other and connect the many dots that litter Black History!"
"A fine tale of the trials and tribulations of generations of blacks coming to the west, enduring slavery, cruelty, treatment as sub-humans."
"The author takes you deep inside a character in the chain that makes up this narrative, bringing up to a critical point in that person's life, then the next chapter takes you to someplace different, in a different time, a different character."
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Best Historical African Fiction

Yellow Crocus
Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. It's a must-read for anyone whoenjoys Antebellum historical fiction or is looking for a compellingstory to add to their book club reading list." Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms.
Reviews
"Angry at others- as when Mattie was torn from her family, including her 3 month old baby and was supposed to be pacified by being able to visit them for a few hours on a Sunday, witnessing through the young heroine's eyes the brutal rape of a young slave girl (not graphically depicted) and reading the general attitudes of people on the black/white person/non-person issues common to this time. I believe these scenes that felt more YA were to give us a flavor of what it was like to grow up during this time and don't know of any other way it could have been done if some of the young girl's activities and thoughts (life on a daily basis) weren't represented."
"As years go by and Elizabeth (Lisbeth) grows up into a young girl, she becomes attached to Mattie and loves her company much more than that of her haughty parents. I could almost see the slaves bent down working in the tobacco fields and returning to their quarters exhausted after a long hard day. I really loved and enjoyed every single word of her exceptional prose and while I highly recommend this book to everyone, I will be looking for more novels by this talented author."
"I gave this book an excellent review I love history especially pre civil war."
"Lisbeth befriends Mattie's family until her coming out when she must come to terms with the reality of plantation life and the treatment of slaves."
"And how they treated blacks were just as disturbing, and to think that the whites saw what they did as "taking care" of the blacks."
"I enjoyed this book."
"Very enjoyable read."
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Best African American Literary Fiction

Small Great Things: A Novel
#1 NEW YORK TIMES BESTSELLER • With richly layered characters and a gripping moral dilemma that will lead readers to question everything they know about privilege, power, and race, Small Great Things is the stunning new page-turner from Jodi Picoult. Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong. With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down.” — San Francisco Book Review. This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review. “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go. An Amazon Best Book of October 2016: Jodi Picoult’s Small Great Things is about racism, choice, fear, and hope. The topic of race in America is difficult to talk about, but in in an honest and revealing way Picoult allows readers to draw their own conclusions about how we see ourselves and others in the world. Small Great Things is an important and thought-provoking novel about power and prejudice that deserves to be read, digested, and shared with others. --Seira Wilson, The Amazon Book Review “ Small Great Things is the most important novel Jodi Picoult has ever written. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down. This is a fantastic book not only because it addresses something that happens in America and around the world every day, but it also shows us that change is possible too.” — San Francisco Book Review “A gripping courtroom drama . This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review “ Small Great Things embraces . Her best yet!” — New York Times bestselling author Alice Hoffman “A compelling, can’t-put-it-down drama with a trademark [Jodi] Picoult twist.” — Good Housekeeping “It’s Jodi Picoult, the prime provider of literary soul food. This riveting drama is sure to be supremely satisfying and a bravely thought-provoking tale on the dangers of prejudice.” — Redbook “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go.
Reviews
"Jodi, I read your acknowledgments of how you created this book, and I wish I could meet you."
"One character's life makes you think not only of her outlook but forces you to truly take an introspective look. While you are reading it, it is hard to imagine that it was written by a white, female author. I found myself doubting things that I have said, whom I may have inadvertently hurt or offended with no malicious intent. The story is passionate, intense, and portrays a deep struggle, which you want to read. The title comes from a line in a famous speech of Dr. Martin Luther King Jr.’s: If I cannot do great things, I can do small things in a great way.”. The story is about a nurse, no ordinary nurse, but one who is dedicated and well regarded, with a twenty-year career at the hospital where ‘the incident’ occurs. When the nurse comes into their room, to take over the shift of another labor and delivery nurse, upon seeing her, the parents, who are white supremacists, see that she is black and immediately request to see her supervisor, whom they tell, in no uncertain terms, that this woman is not to touch their baby. The extremely racist man is angered to the point of revenge and his wife is shattered and taken to bed and depression. ​I commend Picoult for taking on the writing of a potentially controversial subject and for tackling it with a story that has great depth and feeling."
"She worked there for 20 years and never had a problem until one day, when someone requested that she doesn't take care of their baby because of her race. This request eventually led to a series of events where Ruth finds herself questioning the system she has lived in all of her life, worked in and everything she believed in. As the case winds on, Kennedy finds herself questioning the status quo and realizes that not everything is as black and white as it may seem in the real world. Turk, the white supremacist father, who was so aggrieved at the loss of his baby son needed a scapegoat for his rage and sorrow. Picoult weaves her way through this story delicately as well as making her points without beating someone on the head with the truth."
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Best African American Historical Fiction

Yellow Crocus
Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. It's a must-read for anyone whoenjoys Antebellum historical fiction or is looking for a compellingstory to add to their book club reading list." Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms.
Reviews
"Angry at others- as when Mattie was torn from her family, including her 3 month old baby and was supposed to be pacified by being able to visit them for a few hours on a Sunday, witnessing through the young heroine's eyes the brutal rape of a young slave girl (not graphically depicted) and reading the general attitudes of people on the black/white person/non-person issues common to this time. I believe these scenes that felt more YA were to give us a flavor of what it was like to grow up during this time and don't know of any other way it could have been done if some of the young girl's activities and thoughts (life on a daily basis) weren't represented."
"As years go by and Elizabeth (Lisbeth) grows up into a young girl, she becomes attached to Mattie and loves her company much more than that of her haughty parents. I could almost see the slaves bent down working in the tobacco fields and returning to their quarters exhausted after a long hard day. I really loved and enjoyed every single word of her exceptional prose and while I highly recommend this book to everyone, I will be looking for more novels by this talented author."
"However, this book portrays both sides of the story-the intense suffering of the slaves and the experiences of the young girl who ultimately flees the south and begins a new life in Ohio with the abolitionist man whom she loves."
"I gave this book an excellent review I love history especially pre civil war."
"Lisbeth befriends Mattie's family until her coming out when she must come to terms with the reality of plantation life and the treatment of slaves."
"And how they treated blacks were just as disturbing, and to think that the whites saw what they did as "taking care" of the blacks."
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Best Historical Fiction

The Physician (The Cole Trilogy Book 1)
An orphan leaves Dark Ages London, taking a dangerous journey and posing as a Jew to study medicine in Persia, in “an adventurous and inspiring tale” ( Library Journal ). When nine-year-old Rob Cole felt the life force slipping from his mother's hand he could not foresee that this terrifying awareness of impending death was a gift that would lead him from the familiar life of 11th-century London to small villages throughout England and finally to the medical school at Ispahan. Though apprenticed to an itinerant barber surgeon, it is the dazzling surgery of a Jewish physician trained by the legendary Persian physician Avicenna that inspires him to accept his gift and to commit his life to healing by studying at Avicenna's school.
Reviews
"Very good."
"I would have given this book 5 stars, because rarely do you find a book in this generation so exquisitely written as "The Physician"."
"A young Jew escapes poverty England in the 11th century and travels to the Far East where he studies to become a physician and surgeon in a mixed culture of Islamic and other religions."
"I enjoyed learning about how difficult travel was for people in the 11th century and about the different types of people Cole encountered on his way to Persia."
"I love the study of the human body,medicine and stories filled with a variety of human relationships As a Biblical Christian and having close friends are Jewish,I found all these elements in this historical novel."
"I found myself thinking, while turning pages and not wanting to put the book down, this would make a great movie!"
"Most books begin with a boring introduction, and by the time you read it, you might feel like putting it back on the shelf."
"Set in the 11th century, the young orphan, Rob J. Cole, finds adventure, romance, and fulfilment in his journey from England, to Persia, and back again to Scotland."
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Best Historical Fiction

Beneath a Scarlet Sky: A Novel
Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. “Sprawling, stirring, like the richest of stories, and played out on a canvas of heroism and tragedy, Beneath a Scarlet Sky is like one of those iconic World War II black and white photos: a face of hope and tears, the story of a small life that ended up mattering in a big way.” —Andrew Gross, New York Times bestselling author of The One Man. “Action, adventure, love, war, and an epic hero—all set against the backdrop of one of history's darkest moments—Mark Sullivan's Beneath a Scarlet Sky has everything one can ask for in an exceptional World War II novel.” —Tess Gerritsen, New York Times bestselling author of Playing with Fire. Mark has received numerous awards for his writing, including the WHSmith Fresh Talent Award, and his works have been named a New York Times Notable Book and a Los Angeles Times Best Book of the Year.
Reviews
"It is a gripping story of resilience, the indomitable spirit of a young man that knew no boundaries and courage that sustained him during dark hours. The action intensified throughout the remainder of the book, and one is allowed a rare glimpse into the mind of Il Duce - Benito Mussolini - plus the inner workings of the German High Command. Pino Lello witnesses atrocities he wishes he could forget but keeps soldiering on...wisely... Just a gripping and harrowing Kindle First selection which I feel is the best one I have read."
"He takes us deep inside the love story of his discovery, the unknown hero, Pino Lella, and he crafts an epic tale set against the backdrop of Nazi-occupied Milan and the Italian Alps during World War II that is as intimate and tragic as it is thought-provoking and triumphant."
"I cannot add more to the excellent reviews previously posted other than to say I read this book in one sitting not being able to put it down until 4:00 AM!"
"An amazing epic story of Pino Lella, a true war hero whose story was forgotten and marginalized by history."
"thankdfully, the novel does not leave us in despair and misery, but through the main character Pino Lella, we witness the good still left in people and the human ability to survive and thrive out of the worst conditions."
"Amazing book with a plot line made only better because it is based on a true story during events that changed the world."
"This is compelling story that is beautifully written."
"There was so much substance to the character, that his life became very dear to me: his adventures, his loves, his losses made me grateful for the box of tissue close by!"
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Best Cultural Heritage Fiction

From Sand and Ash
With the Gestapo closing in, Angelo hides Eva within the walls of a convent, where Eva discovers she is just one of many Jews being sheltered by the Catholic Church. I marvel at her ability to weave together a story that grips hold of my heart and my imagination.” —Debbie Macomber, #1 New York Times bestselling author. A Panzer tank through your heart, leaving dirt and rubble through which poppies bloom.” —Suanne Laqueur, author of An Exaltation of Larks. Amy Harmon is a New York Times , Wall Street Journal , and USA Today bestselling author of ten novels, including the Whitney Award–winning The Law of Moses . Her historical novels, inspirational romances, and young adult books are now being published in twelve countries around the globe.
Reviews
"Amy Harmon brings together the best and the worst of humanity on these pages, paving this journey with violence and bravery, horror and love. It's a ruthless barrage of emotions, this story, a relentless war between life and death, between good and evil, illustrated exquisitely by an author whose writing prowess knows no bounds. I've read many books of the true accounts of holocaust survivors, seen the movies and documentaries, taken classes concentrating on this area of study. To feel as though you know their strength, to get to know their life up until the moment it is stolen away, to know their helplessness in the face of something so unjust and so terrifying, it changes the way you look at the world, to see such atrocities through their eyes. This may be a fictionalized account inspired by true events, but you won't convince my heart Eva and Angelo aren't real. This story weaves it's way under your skin and into your soul so you feel every step of their journey, of their fight, of this miracle. Our world would be such a beautiful, peaceful, harmonious one if we sought to understand each other instead of judging each other for the ways we are different, for the God we pray to, for where each of our trees first took root. From Sand and Ash is a rich work of art, a stunning masterpiece that has moved me, altered me, captivated me. These characters, this fictionalized truth swathed in Harmon's unparalleled storytelling and her breathtaking writing style make for an epic story of bravery, love, resilience and loss that is both haunting and heartwarming all at once."
"But the mark of a great Amy Harmon book is her expertly crafted story that builds so very slowly - she builds you up and up and before you know it you’ve fallen for her characters and then it happens - the downfall that completely shatters you. The common theme within all of her books is that love and faith conquers all, and how hope and resilience can help you rise above even the most difficult of situations. I really hope that people give this book a chance. And strangely enough, I find myself convinced that God loves his children – all his children – that he loves me, and that he provides moments of light and transcendence amid the constant trial.”. “Many will seek to tell me what God’s will is. He is quiet, and my anguish is so intense, so incredibly loud, that right now I can only do my will and hope that somehow, it aligns with his.”. "Our immortality comes through our children and their children."
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Best Literary Fiction

Animal Farm and 1984
Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. 'I continue to find the Readers' Guides indispensable for teaching - they really give students a sense of criticsm having a history' - Professor Rachel Bowlby, University of York 'The series looks really excellent - attractively produced, user friendly; and outstanding value for money' - Ronald Knowles, Reader, University of Reading I continue to find the Readers' Guides indispensable for teaching - they really give students a sense of criticsm having a history' - Professor Rachel Bowlby, University of York. 'The series looks really excellent - attractively produced, user friendly; and outstanding value for money' - Ronald Knowles, Reader, University of Reading.
Reviews
"One can definitely see the parallels in today's politics, a must read for everyone ."
"Orwell managed to make readers relate to the story, and connect actual figures (whether in business or politics), to the story characters (according to my friends, who also read the story, I am Benjamine!).."
"Beautiful book, is now my favorite book of all time."
"This should be a must read for everyone!"
"I don't read, but my smart son loved it."
"Good price...high school summer reading!"
"2 classics I've always wanted to read!"
"Classic must read."
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Best Family Life Fiction

Little Fires Everywhere
– Paula Hawkins. From the bestselling author of Everything I Never Told You , a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives. In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town--and puts Mia and Elena on opposing sides. “Witnessing these two families as they commingle and clash is an utterly engrossing, often heartbreaking, deeply empathetic experience…It’s this vast and complex network of moral affiliations—and the nuanced omniscient voice that Ng employs to navigate it—that make this novel even more ambitious and accomplished than her debut…Our trusty narrator is as powerful and persuasive and delightfully clever as the narrator in a Victorian novel…It is a thrillingly democratic use of omniscience, and, for a novel about class, race, family and the dangers of the status quo, brilliantly apt…The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America]. She toggles between multiple points of view, creating a narrative both broad in scope and fine in detail, all while keeping the story moving at a thriller’s pace.” — LA Times “Riveting…unearthing the ways that race, class, motherhood and belonging intersect to shape each individual…Perhaps Ng's most impressive feat is inviting the reader's forgiveness for Mrs. Richardson –– a woman whose own mission for perfection, and strict adherence to rules ultimately become the catalyst for the maelstrom that ensues.” —Chicago Tribune. “Like Sue Monk Kidd or Madeleine Thien, Celeste Ng has a carpenter’s sure touch in constructing nested, interconnected plots…There are few novelists writing today who are as wise, compassionate and unsparing as Ng, about the choices you make, the ones you don’t, and the price you might pay for missed lives.” — Financial Times. “Like Everything I Never Told You , Ng’s excellent debut, the book plots its way into a smart, accessible conversation about race and class. “Ng writes with the wisdom of a hundred lives lived, churning out complex characters mostly sympathetic, sometimes loathsome, but all startlingly human.” — HarpersBazaar.com. “Fans of novelist Celeste Ng’s debut, Everything I Never Told You , and devotees of her resistance-ready Twitter feed can rejoice…The story drifts effortlessly between characters; each is full and memorable as they coax the novel to its fiery climax. “Couldn’t be more timely… Little Fires Everywhere might just be the signpost that we need, pointing a way forward with the gentle suggestion that sometimes doing the right thing means breaking some rules.” – Paste “Compelling… Little Fires Everywhere invests all of its emotional energies in the relationship between mothers and their children…in Ng’s precisely rendered perfect suburb.” – Vox. “Ng’s taut class drama is calibrated for fireworks.” – New York Magazine , Books to Read This Fall “Written with deep empathy and vivid characters who feel true to life, Little Fires Everywhere is a captivating, insightful examination of motherhood, identity, family, privilege, perfectionism, obsession, and the secrets about ourselves we try to hide.” – Buzzfeed. “There are few modern writers as brilliant at capturing the complexities of a family as Celeste Ng…The book is smart, nuanced, and exhilarating—but more than anything, Little Fires Everywhere is a gorgeous exploration of motherhood in its many forms, and the many different paths that women travel to get there.” — Shondaland.com. “Ng’s uncanny ability to embody multiple viewpoints makes for a powerful, revelatory novel.” – BBC.com, Ten Books to Read in September. “Ng has one-upped herself with her tremendous follow-up novel… a finely wrought meditation on the nature of motherhood, the dangers of privilege and a cautionary tale about how even the tiniest of secrets can rip families apart… Ng is a master at pushing us to look at our personal and societal flaws in the face and see them with new eyes… If “Little Fires Everywhere” doesn’t give you pause and help you think differently about humanity and this country’s current state of affairs, start over from the beginning and read the book again.” --San Francisco Chronicle. “Ng’s talent for depth of story and character development shines and will stay with you long after you’ve finished the book.” — Richmond Times-Dispatch “Immersive and thought-provoking…Hang on and prepare to be mesmerized as you meet two families in idyllic Shaker Heights, Ohio.” — The Missourian. “A multilayered, tightly focused and expertly plotted narrative…A deeply impressive novel with the power to provoke and entrance.” — Minneapolis Star Tribune “One of the best novels of the fall is an emotional tale about motherhood, class and so much more… Everything I Never Told You , was good, but this is better.” —AARP.org “Mesmerizing…The result is a deftly woven plot that examines a multitude of issues, including class, wealth, artistic vision, abortion, race, prejudice and cultural privilege.” —BookPage “Ng’s best-selling first novel Everything I Never Told You proved her deft hand at crafting family dramas with the deep-rooted tension of a thriller, a skill she puts to pitch-perfect effect in her latest entry…that is equal parts simmering and soulful.” —HarpersBazaar.com “A quiet but powerful look at family, secrets, and running from the past. “Ng’s stunning second novel is a multilayered examination of how identities are forged and maintained, how families are formed and friendships tested, and how the notion of motherhood is far more fluid than bloodlines would suggest…[A] tour de force.”— Booklist (starred review). “This incandescent portrait of suburbia and family, creativity, and consumerism burns bright…. As in Everything I Never Told You , Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. -- Peter Ho Davies, author of The Fortunes "As if it wasn't totally obvious from her stunning first novel, Little Fires Everywhere showcases what makes Celeste Ng such a masterful writer. Celeste Ng is a powerful and poignant writer whose attention to detail is pitch-perfect. An Amazon Best Book of September 2017: With her first two novels, Celeste Ng has established herself as a writer of rare sensitivity and talent. Ng is a master of family and societal dynamics, shifting perspectives, and the secrets that we try to protect—and readers who loved her debut will recognize the author in this second novel, even as she continues to stretch herself as a writer.
Reviews
"The first 100 pages (one-third of the total book) just cover a lot of character study and plot set-ups. The plot focus about a Chinese baby abandoned at a fire station and the subsequent court battle when the single mother surfaces six months later to try to reclaim her daughter from the family in the process of adopting her, was really, really well done."
"Moreover, as the story progresses, it mines the undercurrents and conflicts unfolding in the neighborhood, and the inexorable events that ensue when an itinerant mother-daughter move in and casually defy every rule in the well-ordered, tony Shaker Heights, a suburb of Cleveland. Elena Richardson was an ambitious journalist, but subverted her talent and success (now writing trivial articles for the community paper) after marriage to her attorney husband. She inherited property from her parents in the modest part of town and now rents it out to less fortunate individuals with, what she believes, is strong character and willing submission to Shaker Heights principles. Mia repurposes objects into unique formats and themes, photographs them, and uses techniques that reflect her perceptions of the world around her, which invites the reader into startling and intimate motifs. She furnishes a sly portrait of suburbia, where the cracks and fissures that aren’t present in the manicured houses and streets are nevertheless rupturing the very misguided families that the rules aim to defend."
"Celeste's ability to seamlessly make each character a person is what everyone should strive to do."
"However, for the life of me I couldn't bare the characters, most of them were obnoxious, one diamensional or just plain uninteresting that I ended up rating this book less than what I had originally planned. She finds it hard and difficult to form any relationships with anyone, her familial background is utterly depressing, she doesn't talk to her parents, her only friend/mentor who understood her died tragically years past, she doesn't linger in one place long enough because she's too scared of forming attachment and as a result her daughter Pearl doesn't have any life! Now, I don't have any qualms about people that move around, maybe Mia could even be praised for being adventurous and a free spirit, but there's literally nothing happy about her or her character, she's depressing! Lexi was superficial and annoying, Moody was just ugh brooding and vindictive; he spent a lot of time holding grudges against his siblings because they were popular and cool, and then he spent the second 1/2 of the book, hating on Pearl because she picked his brother instead of him, even though he never once asked her out or confessed his feelings to her. Izzy was probably the worst of them all, I felt like burning this book every time she was mentioned, her obsession with Mia was f*cking annoying, and we never see her outside of it. I never understood her outrage at her own family members, it's not like they abused her or did anything to her, yeah she had issues with her mom but which teen hasn't had arguments with their parents? It will be weird for them to have anything in common, with a struggling single mom and her daughter who had just moved into their town, and are renting one of their properties. The only person whom I could see taking any real interest in Pearl at all as a character is Moody, because they are both nerds and he's less popular and isn't like his elder siblings. Instead, no everyone in the Richardson household just LOVES Pearl from the get go... And accept her willingly and spends soo much time with her, tells her their deepest secrets and yada yada, and then falls in love with Mia too cause she's so real and caring, unlike their cold, heartless and perfectionist mother."
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Best Coming of Age Fiction

The Queen's Poisoner (The Kingfountain Series Book 1)
King Severn Argentine’s fearsome reputation precedes him: usurper of the throne, killer of rightful heirs, ruthless punisher of traitors. Richard III is near-obligatory context for reading about King Severn Argentine; readers less fond of the Bard can refer to Kylo Ren instead. This is the first title in Wheeler’s projected Kingfountain series, about Owen Kiskaddon, initially the eight-year-old son of a traitorous duke being held hostage at the royal court of Ceredigion.
Reviews
"I'm a fan of Jeff Wheeler and have enjoyed his 3 trilogies in the Muirwood and Mirrowen worlds, and came into this book expecting The Queen's Poisoner to be much of the same, but it was surprisingly different and unique. Although Wheeler's writing style is clear throughout, unlike his other books, this story follows a child, 8-year old Owen, as the main character. As Owen begins to feel the magic of the Fountain, we get a lot of foreshadow, hints, and small demonstrations of what the magic entails, but the magic is not what drives the plot in The Queen's Poisoner-- it's the characters. Lastly, as with all of Wheeler's books, I enjoyed the clean aspect to his writing."
"I purchased this book as my Amazon Kindle First book for March; if there is a Fantasy book listed at all, chances are that's the book I'm going to go for. I felt torn between liking and hating some, which felt like a natural response to the characters Wheeler was developing (I did worry about this from the very beginning of the book, as Wheeler started us out with a list of characters that felt like it was intended to tell us who we were supposed to like and who we weren't; thankfully, the characters were much more developed as the story moved on). The supporting characters are equally well developed and each come with their own surprising traits; Wheeler did a fantastic job of presenting one side of the characters to you early on in the book, but letting you look deeper into who they were and what they were doing where other eyes couldn't see them as you moved further into the book. By the time I reached the end of the book, I knew that this was going to be a series that I would be eagerly waiting for the next book to come out for. While the story wrapped up this part of Owen's life well (you are told in a blurb after the end that the next book will occur 7 years from the end of book one, so it makes sense for the first book to not end in a cliffhanger), there are enough unanswered questions and possibilities yet to be answered or seen."
"If that wasn't bad enough, they are forced to give Owen to the king as his next hostage. While in the castle, he learns many dark secrets. He also learned that he had many in the castle who would do anything to protect him and keep him alive no matter what. I know I harp on a lot of narrators, but the ones who catch my attention really deserve it. If I'm being honest, I think she's the reason I mainly decided to stick with this book when I found it a bit dull."
"This series is my new addiction."
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Best LGBT Literary Fiction

A Little Life: A Novel
Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever. Here is an epic study of trauma and friendship written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured.” —Sam Sacks, The Wall Street Journal. "With her sensitivity to everything from the emotional nuance to the play of light inside a subway car, Yanagihara is superb at capturing the radiant moments of beauty, warmth and kindness that help redeem the bad stuff. “… A Little Life becomes a surprisingly subversive novel—one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery. "This exquisite, unsettling novel follows four male friends from their meeting as students at a prestigious Northeastern college through young adulthood and into middle age.... The book shifts from a generational portrait to something darker and more tender: an examination of the depths of human cruelty, counterbalanced by the restorative powers of friendship." If [Yanagihara's] assured 2013 debut, The People in the Trees , a dark allegory of Western hubris, put her on the literary map, her massive new novel...signals the arrival of a major new voice in fiction." "[The] book has so much richness in it—great big passages of beautiful prose, unforgettable characters, and shrewd insights into art and ambition and friendship and forgiveness." "Through insightful detail and her decade-by-decade examination of these people’s lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. This book made me realize how merciful most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful. " A Little Life floats all sorts of troubling questions about the responsibility of the individual to those nearest and dearest and the sometime futility of playing brother’s keeper. By the time the characters reach their 50s and the story arrives at its moving conclusion, readers will be attached and find them very hard to forget."
Reviews
"Overall, I found it to be an engrossing read; I felt for the characters, I thought it was well written (though not fabulous or outstanding, but decently done, very little purple prose, which I appreciate), and it generated a lot of response from me. It follows these people for more than three decades, but at the very outset, in their youth, they have cell phones and modern technology, so I'm assuming the novel takes you into the 2040s, which is awkward. Also the treatment of queer issues and how society views homosexuality seems very modern but doesn't evolve as the time goes on. Child trafficking exists; there are many, many incidents of an authoritative figure--a coach, a doctor, a family member, whoever--taking advantage of young children, sometimes abusing them for years; pedophilic rings do exist, even in America; and of course abuses committed by members in organizations such as the Catholic Church have occurred and continue to occur (and be covered up). We certainly don't like to face the long-lasting consequences; we the public think everything is OK when the pervert goes to jail or whatever, we revel when these bad guys get their comeuppance, but the psychological scarring and warped worldview of the victims continues for the rest of their life. I'm reading this book, particularly the difficult "Dear Comrade" section, and thinking, "My god, life is so unfair! I think "The Postman", with its discussion of the law and debate between Jude and Harold, is probably the most enlightening as to what the book is really about. Second, the criticism of the book as tragedy porn is somewhat mirrored in the novel, as artist JB makes a successful career in his paintings, particularly those of Jude. Is Yanagihara just toying with the emotions of the reader, just piling on the pain in an overwrought manner to elicit a cheap response? Do you believe that these photographs are not tragedy porn because their raw, visceral subjects provide commentary on greater societal and political issues? At a candlelight vigil, one of my friends was in a small group mourning the loss of a dorm-mate, when a cameraman came by, lowered the boom mike into their circle, and recorded their crying. Gun massacres are headline news, of course, as was the Vietnam war and the photo of the African child--does that make it okay? I'm not looking to pick an argument, I merely think this is a topic worth exploring, and every person is going to have their own red lines on the issue. I won't name them, to avoid spoilers, but the book does have some happy moments among all the tragedy; and Jude is blessed with some amazing friends (we should all be so lucky for that!). This book had me squirming and crying at some parts, and laughing and smiling at others, but ultimately it gave me a lot of food for thought, and I appreciate that."
"One of the most powerful and disturbing books I have ever read!"
"At first, the book is wonderful."
"You feel their struggles and their pain and feel part of the story."
"What little the author divulges about Jude comes in minute-tease-like-morsels and so I found myself not reading, but racing through this novel to find out about his mysterious past."
"Anytime I hear of an abused person I will think back on this book."
"It is the story of how we are each influenced by every one of our life experiences, good and bad, and it is a story of ravaging child sexual abuse and the damage that does."
"It was written very well, but was a difficult subject and at times hard to get through because of the subject matter."
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