Best African American Literary Fiction

#1 NEW YORK TIMES BESTSELLER • With richly layered characters and a gripping moral dilemma that will lead readers to question everything they know about privilege, power, and race, Small Great Things is the stunning new page-turner from Jodi Picoult. Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong. With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down.” — San Francisco Book Review. This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review. “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go. An Amazon Best Book of October 2016: Jodi Picoult’s Small Great Things is about racism, choice, fear, and hope. The topic of race in America is difficult to talk about, but in in an honest and revealing way Picoult allows readers to draw their own conclusions about how we see ourselves and others in the world. Small Great Things is an important and thought-provoking novel about power and prejudice that deserves to be read, digested, and shared with others. --Seira Wilson, The Amazon Book Review “ Small Great Things is the most important novel Jodi Picoult has ever written. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down. This is a fantastic book not only because it addresses something that happens in America and around the world every day, but it also shows us that change is possible too.” — San Francisco Book Review “A gripping courtroom drama . This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review “ Small Great Things embraces . Her best yet!” — New York Times bestselling author Alice Hoffman “A compelling, can’t-put-it-down drama with a trademark [Jodi] Picoult twist.” — Good Housekeeping “It’s Jodi Picoult, the prime provider of literary soul food. This riveting drama is sure to be supremely satisfying and a bravely thought-provoking tale on the dangers of prejudice.” — Redbook “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go.

From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Craft is essential given the task Gyasi sets for herself—drawing not just a lineage of two sisters, but two related peoples. I think I needed to remember what happens when you pair a gifted literary mind to an epic task. "Homegoing is a remarkable feat—a novel at once epic and intimate, capturing the moral weight of history as it bears down on individual struggles, hopes, and fears. the great, aching gift of the novel is that it offers, in its own way, the very thing that enslavement denied its descendants: the possibility of imagining the connection between the broken threads of their origins.”. "It’s impossible not to admire the ambition and scope of “Homegoing,” and thanks to Ms. Gyasi’s instinctive storytelling gifts, the book leaves the reader with a visceral understanding of both the savage realities of slavery and the emotional damage that is handed down, over the centuries, from mothers to daughters, fathers to sons. At its best, the novel makes us experience the horrors of slavery on an intimate, personal level; by its conclusion, the characters’ tales of loss and resilience have acquired an inexorable and cumulative emotional weight." "The brilliance of this structure, in which we know more than the characters do about the fate of their parents and children, pays homage to the vast scope of slavery without losing sight of its private devastation . What is uniquely Gyasi’s is her ability to connect it so explicitly to the present day: No novel has better illustrated the way in which racism became institutionalized in this country.” — Megan O’Grady , Vogue. “Toni Morrison’s masterpiece, “Beloved,” seared into our imagination the grotesque distortions of antebellum life. And now, Yaa Gyasi’s rich debut novel, “Homegoing,” confronts us of the involvement of Africans in the enslavement of their own people . the speed with which Gyasi sweeps across the decades isn’t confusing so much as dazzling, creating a kind of time-elapsed photo of black lives in America and in the motherland . What distinguishes Gyasi’s presentation of this idea is its scope: She does not present us with a single moment, but rather delivers a multigenerational saga in which two branches of a family, separated by slavery and time, emerge from the murk of history in a romantic embrace . The novel succeeds when it retrieves individual lives from the oblivion mandated by racism and spins the story of the family’s struggle to survive.”. "Tremendous...spectacular...[HOMEGOING is] essential reading from a young writer whose stellar instincts, sturdy craftsmanship and penetrating wisdom seem likely to continue apace — much to our good fortune as readers." The sum of Homegoing’s parts is remarkable, a panoramic portrait of the slave trade and its reverberations, told through the travails of one family that carries the scars of that legacy . Gyasi’s characters may be fictional, but their stories are representative of a range of experience that is all too real and difficult to uncover. Carrying on in the tradition of her foremothers—like Toni Morrison, Edwidge Danticat, Assia Djebar and Bessie Head—Gyasi has created a marvelous work of fiction that both embraces and re-writes history.” — Shannon M. Houston, Paste Magazine. Gyasi’s unsentimental prose, her vibrant characters and her rich settings keep the pages turning no matter how mournful the plot . —Soniah Kamal, Atlanta Journal-Constitution “A remarkable achievement, marking the arrival of a powerful new voice in fiction.”. "Gyasi's lyrical, devastating debut more than deserves to be held in its own light.... Gyasi traces black history from the Middle Passage to the Great Migration and beyond, bringing every Asante village, cotton plantation, and coal mine into vivid focus. The rhythm of her streamlined sentences is clipped and clean, with brilliant bursts of primary color...the luminous beauty of Gyasi’s unforgettable telling. “Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives . A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.”. A stunning, unforgettable account of family, history, and racism, Homegoing is an ambitious work that lives up to the hype.”. “Gyasi gives voice, and an empathetic ear, to the ensuing seven generations of flawed and deeply human descendants, creating a patchwork mastery of historical fiction.”. “An important, riveting page-turner filled with beautiful prose, Homegoing shoots for the moon and lands right on it.”. [Yaa Gyasi] writes with authority about history and pulls her readers deep into her characters' lives through the force of her empathetic imagination . The destinies of Effia Otcher and Esi Asare in Yaa Gyasi’s spellbinding Homegoing recall those of sisters Celie and Nettie in Alice Walker’s The Color Purple, switched-at-birth infants Saleem and Shiva in Salman Rushdie’s Midnight's Children and compatriot clones Sydney Carton and Charles Darnay in Charles Dickens’ A Tale of Two Cities. The author’s penetrating prose draws intimate and deeply cultivated connections between rival tribes, languages lost and found, real love and a hardness of spirit. And in the process, Gyasi has written a nuanced, scintillating investigation into the myriad intricacies and institutions that shape a family.”. Homegoing serves as a modern-day reconstruction of lost and untold narratives — and a desire to move forward.”. —Dana De Greff, Miami Herald “No debate at all: Yaa Gyasi’s Homegoing is impressive, impassioned, and utterly original . a story so personalized, so urgent and timely, especially for today’s readers and the many who do not seem to understand why African Americans are so conflicted.”. “One of the most anticipated books of this summer is from debut novelist Yaa Gyasi, and all it will take to convince you the hype is worth it is reading some of these powerful Homegoing quotes about family, identity, and history. With characters you won't be able to forget, and stories that will haunt you long after you turn the last page, Homegoing is stunning — a truly heartbreaking work of literary genius. It honestly and elegantly tries to unravel the complicated history of not only a family through the generations, but a nation through the years of outside conflict, inner turmoil, and one of the darker pieces of the past.”. This sweeping family saga encompasses seven generations of descendants of a Fante and his captured Asante house slave. After giving birth to a daughter, Maame manages to escape, making her way alone back to her own village. The two sisters, Effia and Esi, will never meet, their lives will follow very different paths, but their descendants will share a legacy of warfare and slavery. Effia will marry an Englishman who oversees the British interest in the Gold Coast slave trade. Esi will be captured by Fante warriors, traded to the Englishmen, and shipped to America to be sold into slavery. Progressing through 300 years of Ghanaian and American history, the narrative unfolds in a series of concise portraits of each sister's progeny that capture pivotal moments in each individual's life. Every portrait reads like a short story unto itself, making this volume a good choice for harried teens, yet Gyasi imbues the work with a remarkably seamless feel. Through the combined historical perspectives of each descendant, the author reveals that racism is often rooted in tribalism, greed, and the lust for power.

Winner of the Pulitzer Prize and the National Book Award, the #1 New York Times bestseller from Colson Whitehead, a magnificent tour de force chronicling a young slave's adventures as she makes a desperate bid for freedom in the antebellum South Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. "Nothing, not one thing or activity, can replace the experience of a good read—being transported to a different land, a different realm, through words and language. — Oprah Winfrey, O Magazine "Whitehead, whose eclectic body of work encompasses novels playing fast and loose with 'real life,' both past and present, fires his most daring change-up yet. Imagine a runaway slave novel written with Joseph Heller's deadpan voice leasing both Frederick Douglass' grim realities and H.P. Whitehead continues the African-American artists' inquiry into race mythology and history with rousing audacity and razor-sharp ingenuity; he is now assuredly a writer of the first rank." Hard-driving, laser-sharp, artistically superlative, and deeply compassionate , Whitehead’s unforgettable odyssey adds a clarion new facet to the literature of racial tyranny and liberation."

#1 NEW YORK TIMES BESTSELLER • With richly layered characters and a gripping moral dilemma that will lead readers to question everything they know about privilege, power, and race, Small Great Things is the stunning new page-turner from Jodi Picoult. Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years’ experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she’s been reassigned to another patient. Conflicted by Kennedy’s counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other’s trust, and come to see that what they’ve been taught their whole lives about others—and themselves—might be wrong. With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn’t offer easy answers. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down.” — San Francisco Book Review. This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review. “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go. An Amazon Best Book of October 2016: Jodi Picoult’s Small Great Things is about racism, choice, fear, and hope. The topic of race in America is difficult to talk about, but in in an honest and revealing way Picoult allows readers to draw their own conclusions about how we see ourselves and others in the world. Small Great Things is an important and thought-provoking novel about power and prejudice that deserves to be read, digested, and shared with others. --Seira Wilson, The Amazon Book Review “ Small Great Things is the most important novel Jodi Picoult has ever written. a fantastic read from beginning to end, as can always be expected from Picoult, this novel maintains a steady, page-turning pace that makes it hard for readers to put down. This is a fantastic book not only because it addresses something that happens in America and around the world every day, but it also shows us that change is possible too.” — San Francisco Book Review “A gripping courtroom drama . This is a writer who understands her characters inside and out.” —Roxane Gay, The New York Times Book Review “ Small Great Things embraces . Her best yet!” — New York Times bestselling author Alice Hoffman “A compelling, can’t-put-it-down drama with a trademark [Jodi] Picoult twist.” — Good Housekeeping “It’s Jodi Picoult, the prime provider of literary soul food. This riveting drama is sure to be supremely satisfying and a bravely thought-provoking tale on the dangers of prejudice.” — Redbook “Jodi Picoult is never afraid to take on hot topics, and in Small Great Things , she tackles race and discrimination in a way that will grab hold of you and refuse to let you go.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. It's a must-read for anyone whoenjoys Antebellum historical fiction or is looking for a compellingstory to add to their book club reading list." Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms.

*WINNER of the NATIONAL BOOK AWARD for FICTION. *A TIME MAGAZINE BEST NOVEL OF THE YEAR and A NEW YORK TIMES TOP 10 OF 2017. *Finalist for the Kirkus Prize. *Finalist for the Andrew Carnegie Medal *Publishers Weekly Top 10 of 2017 “The heart of Jesmyn Ward’s Sing, Unburied, Sing is story—the yearning for a narrative to help us understand ourselves, the pain of the gaps we’ll never fill, the truths that are failed by words and must be translated through ritual and song...Ward’s writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it.” — Buzzfeed. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi’s past and present, examining the ugly truths at the heart of the American story and the power—and limitations—of family bonds. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. Set on the Gulf Coast of Mississippi (a place rich in oil rigs and atmosphere, if almost nothing else), the book’s Southern gothic aura recalls the dense, head-spinning prose of William Faulkner or Flannery O’Connor. It combines aspects of the American road novel and the ghost story with a timely treatment of the long aftershocks of a hurricane and the opioid epidemic devouring rural America." On a real and metaphorical road of secrets and sorrows, the story shifts narrators — from Jojo to Leonie to Richie, a doomed boy from his grandfather’s fractured past — as they crash into both the ghosts that stalk them, as well as the disquieting ways these characters haunt themselves." Sing , which is longlisted for a 2017 National Book Award, establishes Ward as one of the most poetic writers in the conversation about America’s unfinished business in the black South." The length and music of Ward’s sentences owe much to her love of catalogues, extended similes, imagistic fragments, and emphasis by way of repetition ... "[A] tour de force ... Ward is an attentive and precise writer who dazzles with natural and supernatural observations and lyrical details ... she continues telling stories we need to hear with rare clarity and power." "The novel is built around an arduous car trip: A black woman and her two children drive to a prison to pick up their white father. As soon as they leave the relative safety of their backwoods farm, the snares and temptations of the outside world crowd in, threatening to derail their trip or cast them into some fresh ordeal ....

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. “Sprawling, stirring, like the richest of stories, and played out on a canvas of heroism and tragedy, Beneath a Scarlet Sky is like one of those iconic World War II black and white photos: a face of hope and tears, the story of a small life that ended up mattering in a big way.” —Andrew Gross, New York Times bestselling author of The One Man. “Action, adventure, love, war, and an epic hero—all set against the backdrop of one of history's darkest moments—Mark Sullivan's Beneath a Scarlet Sky has everything one can ask for in an exceptional World War II novel.” —Tess Gerritsen, New York Times bestselling author of Playing with Fire. Mark has received numerous awards for his writing, including the WHSmith Fresh Talent Award, and his works have been named a New York Times Notable Book and a Los Angeles Times Best Book of the Year.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. “Sprawling, stirring, like the richest of stories, and played out on a canvas of heroism and tragedy, Beneath a Scarlet Sky is like one of those iconic World War II black and white photos: a face of hope and tears, the story of a small life that ended up mattering in a big way.” —Andrew Gross, New York Times bestselling author of The One Man. “Action, adventure, love, war, and an epic hero—all set against the backdrop of one of history's darkest moments—Mark Sullivan's Beneath a Scarlet Sky has everything one can ask for in an exceptional World War II novel.” —Tess Gerritsen, New York Times bestselling author of Playing with Fire. Mark has received numerous awards for his writing, including the WHSmith Fresh Talent Award, and his works have been named a New York Times Notable Book and a Los Angeles Times Best Book of the Year.

New York Times Bestseller * Los Angeles Times Bestseller * Washington Post Bestseller * San Francisco Chronicle Bestseller * Chicago Tribune Bestseller. Yann Martel's imaginative and unforgettable Life of Pi is a magical reading experience, an endless blue expanse of storytelling about adventure, survival, and ultimately, faith. After a harrowing shipwreck, Pi finds himself adrift in the Pacific Ocean, trapped on a 26-foot lifeboat with a wounded zebra, a spotted hyena, a seasick orangutan, and a 450-pound Bengal tiger named Richard Parker ("His head was the size and color of the lifebuoy, with teeth"). After much gore and infighting, Pi and Richard Parker remain the boat's sole passengers, drifting for 227 days through shark-infested waters while fighting hunger, the elements, and an overactive imagination. A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal.

Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade “One of the year’s best books . “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun. A poignant, engrossing tale about sibling love and the toll of secrets.” — People “ Before We Were Yours is sure to be one of the most compelling books you pick up this year. [Lisa] Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade. It is almost a cliché to say a book is ‘lovingly written’ but that phrase applies clearly to Lisa Wingate’s latest novel, Before We Were Yours . This story about children taken from their parents through kidnapping or subterfuge and then placed for adoption, for a price, clearly pours out of Wingate’s heart. “This story is heartfelt and genuine, especially as Wingate explores the idea of home and family from a youngster’s point of view.” — Historical Novels Review. “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power. But the real feat of this stirring novel is how deeply Wingate plunges us into the heart and mind of twelve-year-old river gypsy Rill Foss. Rill’s utterly singular voice will stay with you long after the last page is turned, as will Wingate’s courage to follow her anywhere. I’m still basking in the afterglow, in shock at the true-crime elements, in awe at the journey of these characters who seem to have immortal souls.” —Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet.

Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade “One of the year’s best books . “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun. A poignant, engrossing tale about sibling love and the toll of secrets.” — People “ Before We Were Yours is sure to be one of the most compelling books you pick up this year. [Lisa] Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade. It is almost a cliché to say a book is ‘lovingly written’ but that phrase applies clearly to Lisa Wingate’s latest novel, Before We Were Yours . This story about children taken from their parents through kidnapping or subterfuge and then placed for adoption, for a price, clearly pours out of Wingate’s heart. “This story is heartfelt and genuine, especially as Wingate explores the idea of home and family from a youngster’s point of view.” — Historical Novels Review. “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power. But the real feat of this stirring novel is how deeply Wingate plunges us into the heart and mind of twelve-year-old river gypsy Rill Foss. Rill’s utterly singular voice will stay with you long after the last page is turned, as will Wingate’s courage to follow her anywhere. I’m still basking in the afterglow, in shock at the true-crime elements, in awe at the journey of these characters who seem to have immortal souls.” —Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet.

The #1 New York Times Bestseller, USA Today Book of the Year, now a major motion picture starring Emily Blunt. The debut psychological thriller that will forever change the way you look at other people's lives, from the author of Into the Water . [It] is liable to draw a large, bedazzled readership.”— The New York Times “Marries movie noir with novelistic trickery. You'll be surprised by what horrors lurk around the bend.”— USA Today “Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages.”— The Boston Globe. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. The “girl on the train” is Rachel, who commutes into London and back each day, rolling past the backyard of a happy-looking couple she names Jess and Jason. “ The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. The Girl on the Train is full of back-stabbing, none of it literal.”—Janet Maslin, The New York Times “ The Girl on the Train marries movie noir with novelistic trickery. The welcome echoes of Rear Window throughout the story and its propulsive narrative make The Girl on the Train an absorbing read.”— The Boston Globe. “[ The Girl on the Train ] pulls off a thriller's toughest trick: carefully assembling everything we think we know, until it reveals the one thing we didn't see coming. “ Gone Girl fans will devour this psychological thriller. But Paula Hawkins’ novel The Girl on the Train just might have earned the title of 'the next Gone Girl .”— Christian Science Monitor. “Paula Hawkins deftly imbues her debut psychological thriller with inventive twists and a shocking denouement. … Hawkins delivers an original debut that keeps the exciting momentum of The Girl on the Train going until the last page.”— Denver Post. “ The Girl on the Train, Hawkins’s first thriller, is well-written and ingeniously constructed.” – The Washington Post “The novel is at its best in the moment of maximum confusion, when neither the reader nor the narrators know what is occurring” – The Financial Times. A natural fit for fans of Gone Girl-style unreliable narrators and twisty, fast-moving plots, The Girl on the Train will have you racing through the pages. “It's difficult to say too much more about the plot of The Girl on the Train ; like all thrillers, it's best for readers to dive in spoiler-free. What really makes The Girl on the Train such a gripping novel is Hawkins' remarkable understanding of the limits of human knowledge, and the degree to which memory and imagination can become confused.”—NPR.org. “[L]ike Gone Girl , Hawkins's book is a highly addictive novel about a lonely divorcee who gets caught up in the disappearance of a woman whom she had been surreptitiously watching. “Paula Hawkins’ thriller is a shocking ride.” –US Weekly “An ex-wife indulges her voyeuristic tendencies in Paula Hawkins’s film-ready The Girl on the Train. In the post- Gone Girl era, crimes of love aren’t determined by body counts or broken hearts, but by who controls the story line.” – Vogue “ The Girl on the Train [is] a harrowing new suspense novel…a complex and thoroughly chilling psychological thriller… The Girl on the Train is one of those books where you can’t wait — yet almost can’t bear — to turn the page. It’s a stunning novel of dread.” – New York Daily News “ The Girl on the Train by Paula Hawkins is a psychologically gripping debut that delivers.” – The Missourian “ The Girl on the Train is the kind of slippery, thrilling read that only comes around every few years (see Gone Girl ).” – BookPage “Hawkins, a former journalist, is a witty, sharp writer with a gift for creating complex female characters.” – Cleveland Plain Dealer. “ The Girl on the Train is as tautly constructed as Gone Girl or A.S.A. Here, The Girl on the Train shines, with its mystery resolved by a left-field plot twist that works, followed, surprisingly, by what you might call a happy ending.”— Newsday. “I’m calling it now: The Girl on the Train is the next Gone Girl . Paula Hawkins’s highly anticipated debut novel is a dark, gripping thriller with the shocking ending you crave in a noir-ish mystery.” – Bustle. But when she sees something unsettling from her window one morning, it sets in motion a chilling series of events that make her question whom she can really trust.”— Woman’s Day “Hawkins’s debut novel is a tangle of unreliable narrators, but what will have readers talking is her deft handling of twists and turns and her eerily fine-tuned narrative. Nothing can be taken for granted in The Girl on the Train , not even the account of the girl herself.”— Las Vegas Weekly. "This month we're gearing up for Paula Hawkins's mystery The Girl on the Train . The Girl on the Train is the kind of book you’ll want to press into the hands of everyone you know, just so they can share your obsession and you can relive it.”—Laura Kasischke, author of The Raising. The Girl on the Train ’s clever structure and expert pacing will keep you perched on the edge of your seat, but it’s Hawkins’s deft, empathetic characterization that will leave you pondering this harrowing, thought-provoking story about the power of memory and the danger of envy.”—Kimberly McCreight, New York Times –bestselling author of Reconstructing Amelia.

Why does he fight his hardest battle against the woman he loves? --Chip Mellor, Institute for Justice ''Narrator Scott Brick takes listeners on a journey so extraordinary they'll hardly notice the book's length. While his performance offers little in the way of theatrics, Brick is capable of garnering sympathy and, perhaps most importantly, devout attention for Rand's plot and characters. On the surface, Brick's voice is a cool, unrelenting force determined to capture every facet of Rand's complex story. The fundamentals of her philosophy are put forth in three nonfiction books, Introduction to Objectivist Epistemology , The Virtues of Selfishness , and Capitalism: The Unknown Ideal .

Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Some writers sit down and begin a novel without knowing where it will end, trusting the process to bring their story to a satisfying conclusion. The first time I encountered art collector and museum founder Isabella Stewart Gardner in 1983, I fell in love. I wanted to hang out with her, walk lions down Boston streets with her, buy famous paintings, and do all kinds of outrageous things that would scandalize the stuffed shirts around us. Then in 1990, she burst on the scene, or at least her namesake, Boston's Isabella Stewart Gardner Museum, did, when two men dressed as police officers bound and gagged two guards and stole thirteen pieces of art, including Rembrandt's Storm on the Sea of Galilee , Vermeer's The Concert , and works by Degas and Manet from the collection. But despite the media taking the theft international, suspects who ran the gamut from the Mafia to the Vatican, and the lack of any arrests, I just couldn't find my story. I was thinking I might do something like Irving Stone or Gore Vidal would, writers whose books I loved, and considered a fictionalized biography. But embracing the entirety of Isabella Gardner's action-packed life was too daunting--some things never change--so, once again, Belle was shelved. Around this time I began taking a series of art courses that toured galleries and museums with a well-known artist for a guide. She opened my eyes, not just to the wonder of what we were seeing, but to the complicated worlds of creating, collecting, curating, and selling works of art. One day, as I was ruminating on how difficult life was for anyone in the arts and feeling more than a bit sorry for myself, my missing link appeared in the form of a question: What would any of us be willing to do to secure our ambitions? So I expanded my cast of characters and gave each one a temptation their egos couldn't resist, including a struggling artist willing to make the ultimate Faustian bargain, and then I added them to the mix of art theft, art forgery, the Gardner Museum heist, and, of course, my buddy Belle. Shapiro convincingly depicts the rarefied art world that lionizes a chosen few and ignores the talented, scrabbling outsiders on the fringe. She knows art history, painting techniques, and how forgers have managed through the centuries to dupe buyers into paying for fakes .

Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade “One of the year’s best books . “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun. A poignant, engrossing tale about sibling love and the toll of secrets.” — People “ Before We Were Yours is sure to be one of the most compelling books you pick up this year. [Lisa] Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade. It is almost a cliché to say a book is ‘lovingly written’ but that phrase applies clearly to Lisa Wingate’s latest novel, Before We Were Yours . This story about children taken from their parents through kidnapping or subterfuge and then placed for adoption, for a price, clearly pours out of Wingate’s heart. “This story is heartfelt and genuine, especially as Wingate explores the idea of home and family from a youngster’s point of view.” — Historical Novels Review. “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power. But the real feat of this stirring novel is how deeply Wingate plunges us into the heart and mind of twelve-year-old river gypsy Rill Foss. Rill’s utterly singular voice will stay with you long after the last page is turned, as will Wingate’s courage to follow her anywhere. I’m still basking in the afterglow, in shock at the true-crime elements, in awe at the journey of these characters who seem to have immortal souls.” —Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet.

WINNER OF THE PULITZER PRIZE From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” ( Los Angeles Times ). Yes, there is fear and fighting and disappearance and death, but the author’s focus is on the interior lives of his two characters. Never mind that their paths don’t cross until very late in the novel, this is not a book you read for plot (although there is a wonderful, mysterious subplot about a stolen gem). It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author’s many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans.