Best Architecture History & Periods

On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore--already under construction for more than a century--was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. Walker was the hardcover publisher of Dava Sobel's sleeper smash, Longitude, and Mark Kurlansky's steady-seller Cod: A Biography of the Fish that Changed the World. British novelist King (previously unpublished in the U.S.) compiles an elementary introduction to the story of how and why Renaissance Italian architect Filippo Brunelleschi (1377-1446) designed and oversaw the construction of the enormous dome of Florence's Santa Maria del Fiore cathedralAdesigning its curves so that they needed no supporting framework during construction: a major Renaissance architectural innovation.

Written in the tradition of Tolstoy's War and Peace , Grossman’s Life and Fate , and Solzhenitsyn’s The Gulag Archipelago , Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. "This panoramic history plotted as an epic family tragedy describes the lives of Bolshevik revolutionaries who were swallowed up by the cause they believed in. Yuri Slezkine’s guiding argument in this remarkable, many-layered account of the men (rarely women) who shaped the October Revolution is that the Bolsheviks were not a party but an apocalyptic sect. "A brilliant retelling of, mainly, the first two decades of the Soviet era in a sprawling saga centered around a famous and infamous Moscow apartment building created for the new elite." "[ The House of Government ] is a dizzying book, a hall of mirrors, panoramic and bizarre, as puzzlingly esoteric and thrillingly fervent as the doctrines it describes." As residents of the House of Government enjoy privileged childhoods, fall in love and marry, rise to power, betray each other, and are arrested and shot, we learn about the peculiar nature of Bolshevism and get a new history of Russia. But the book's compelling brilliance is its living organic nature--a mixture of historical narrative, novel, and family saga with echoes of Grossman, Pasternak, Solzhenitsyn, and even Tolstoy." Tolstoy himself would have recognized Yuri Slezkine as an artist, as the author of a narrative with transmogrifying power, an epic that functions on countless levels at the same time." Based on diaries, letters, memoirs, and interviews, featuring hundreds of rare photos, and combining history, biography, and social theory, this cornucopia of a book is a tour de force." "Using the House of Government as a microcosm of the rise and fall of the first generation of Soviet leaders and their utopian ideas, Yuri Slezkine's remarkable book illuminates the entire experience of Stalinism. Drawing on memoirs, letters, and literature, he lays bare the emotions of the Russian Revolution and its Bolshevik beneficiaries, from love and friendship to a commitment to the end that justified the most vicious means. "In this monumental study, Yuri Slezkine tells the story of the first Soviet ruling generation by looking through the windows of the remarkable building where many of them lived. It would take several lifetimes for mere mortals to locate, read, and figure out what to do with the diaries, letters, notebooks, and drawings Slezkine found in the archives. This family saga heightens the tragedy of the Russian Revolution and gives the reader a quality of understanding rarely achieved by any work of history." "Yuri Slezkine's brilliant account of the Soviet past shifts the story away from coal and iron statistics and into Bolshevik millenarianism, Communist love lives, and the terror that enveloped a generation of leaders.

Travel through the history of architecture in The LEGO Architect . "Stunning...be the Corbusier of LEGO.

On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore--already under construction for more than a century--was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. Walker was the hardcover publisher of Dava Sobel's sleeper smash, Longitude, and Mark Kurlansky's steady-seller Cod: A Biography of the Fish that Changed the World. British novelist King (previously unpublished in the U.S.) compiles an elementary introduction to the story of how and why Renaissance Italian architect Filippo Brunelleschi (1377-1446) designed and oversaw the construction of the enormous dome of Florence's Santa Maria del Fiore cathedralAdesigning its curves so that they needed no supporting framework during construction: a major Renaissance architectural innovation.

Cleveland storyteller Dan Ruminski discovered that the 6 acres under his home were originally part of a 1,400-acre grand estate known as the Circle W Farm created by Walter White, founding brother of the White Motor Company. Cleveland native Alan Dutka authored "East Fourth Street: The Rise, Decline, and Rebirth of an Urban Cleveland Street," with Cleveland Landmark Press, and four business books.

The Eiffel Tower is perhaps the most famous tall building in the world, an icon of its own age and ours. Yet, at the moment of his triumph, scandal beckoned. David I. Harvie is a freelance film editor, and a regular contributor of feature on history and social history to newspapers and magazines.

Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann’s house became not just Wright’s masterpiece but a fundamental icon of American life. One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh–Carnegie, Frick, the Mellons–a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying). Architectural historian Toker (Pittsburgh: An Urban Portrait) approaches the building as a tense but fruitful collaboration between Wright's genius and the encouragement given it by his patron, Pittsburgh department store magnate E. J. Kaufmann, whom Toker credits with being "almost... the coarchitect" of the house. According to legend, Wright dallied for months after receiving the commission, then drew up the plans in just two hours, as his client, the Pittsburgh department-store magnate E. J. Kaufmann, was en route to Wright's studio to check on his progress.

Among the glories of world architecture, Islamic mosques and palaces — from Spain to Egypt and other parts of the Middle East — are universally studied and admired.

In the second volume of his epic trilogy about the liberation of Europe in World War II, Pulitzer Prize winner Rick Atkinson tells the harrowing story of the campaigns in Sicily and Italy. The Italian campaign's outcome was never certain; in fact, Roosevelt, Churchill, and their military advisers engaged in heated debate about whether an invasion of the so-called soft underbelly of Europe was even a good idea. Amazon Best of the Month, November 2007 : Topping a Pulitzer Prize-winning effort is tough; finding originality in a World War II narrative is even tougher. Atkinson surpasses his Pulitzer-winning An Army at Dawn in this empathetic, perceptive analysis of the second stage in the U.S. Army's grassroots development from well-intentioned amateurs to the most formidable fighting force of World War II. The battles in Sicily and Italy developed the combat effectiveness and the emotional hardness of a U.S. Army increasingly constrained to bear the brunt of the Western allies' war effort, he argues.

He has set a high standard for what all historic house museums strive for: magnificently preserved buildings and grounds, engaging interpretation, and--perhaps most challenging of all--economic self-sufficiency. "If George Vanderbilt did nothing more than engage the two most prominent and storied designers of their time, architect Richard Morris Hunt and landscape architect Frederick Law Olmsted, to carry out his vision of a European estate in the southern Appalachians, he would have created an American icon. Built in 1895 by George Vanderbilt, who played lord of the manor to hundreds of tenant farmers and servants, the estate passed in the 1960s to his grandson William Cecil, whose tight-fisted budgets, canny marketing initiatives and rapt attention to customer service turned it into a profitable museum of robber-baron privilege, selling more tickets than Colonial Williamsburg. Covington defends the Biltmore owner's model of private, for-profit historical preservation against charges of commercialism leveled by nonprofit preservationists, repeats his complaints about inheritance taxes, extols his entrepreneurial daring, salutes his Biltmore restoration projects ("surpassed what many had seen anywhere") and raves about "customer satisfaction reports... comparable to those enjoyed by a five-star resort." Covington defends the Biltmore owner's model of private, for-profit historical preservation against charges of commercialism leveled by nonprofit preservationists, repeats his complaints about inheritance taxes, extols his entrepreneurial daring, salutes his Biltmore restoration projects ("surpassed what many had seen anywhere") and raves about "customer satisfaction reports... comparable to those enjoyed by a five-star resort."

Written in the tradition of Tolstoy's War and Peace , Grossman’s Life and Fate , and Solzhenitsyn’s The Gulag Archipelago , Yuri Slezkine’s gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin’s purges. "This panoramic history plotted as an epic family tragedy describes the lives of Bolshevik revolutionaries who were swallowed up by the cause they believed in. A twelve-hundred-page epic that recounts the multigenerational story of the famed building and its inhabitants--and, at least as interesting, the rise and fall of Bolshevist faith." "Yuri Slezkine, Mercurian par excellence, has caught an extraordinary set of lives in this book. Few historians, dead or alive, have managed to combine so spectacularly the gifts of storyteller and scholar." Yuri Slezkine’s guiding argument in this remarkable, many-layered account of the men (rarely women) who shaped the October Revolution is that the Bolsheviks were not a party but an apocalyptic sect. The House of Government is a compelling microhistory of the interwar Soviet elite, but it is also a literary-rhetorical tour de force." "A brilliant retelling of, mainly, the first two decades of the Soviet era in a sprawling saga centered around a famous and infamous Moscow apartment building created for the new elite." "[ The House of Government ] is a dizzying book, a hall of mirrors, panoramic and bizarre, as puzzlingly esoteric and thrillingly fervent as the doctrines it describes."