Best Color in Art

Take colored pencils beyond the ordinary with Colored Pencil Painting Bible ! ALYONA NICKELSEN is an award-winning artist whose work has been featured in numerous national and international exhibitions as well as in most of the country’s major art magazines, including American Artist, American Artist Drawing, The Artist’s Magazine, International Artist, American Art Collector, and Art Business News.

And the popular van Gogh painting White Roses at Washington’s National Gallery had to be renamed after a researcher discovered that the flowers were originally done in a pink paint that had faded nearly a century ago. Embark upon a thrilling adventure with this intrepid journalist as she travels on a donkey along ancient silk trade routes; with the Phoenicians sailing the Mediterranean in search of a special purple shell that garners wealth, sustenance, and prestige; with modern Chilean farmers breeding and bleeding insects for their viscous red blood. It turns out that the pigments and dyes responsible for hues have many remarkable characteristics, most of which we rarely ponder. During her journey, both literal and literary, Finlay learns of many little-known tribes and historical curiosities: too-trusting Puritans purchasing cheaply dyed black clothes destined to turn orange in a matter of weeks; the rise and heartbreaking fall of the art of the Pintupi tribe in barren central Australia during the 1970s; and the once-supreme economic clout of indigo from Bengal-to take just three examples among dozens. Explication of red made from cochineal beetles inspires a compelling tale that stretches from Central America to Scotland, and wry humor abounds in her search for a yellow allegedly once made in India from the urine of mango-leaf-eating cows and coverage of sundry poisonous pigments.

From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso’s blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history. A light and lively guide [that] offers plenty of fresh clues for the brain’s colorful calculations.” — The Economist. Kassia St. Clair’s entertaining book brings them both into vivid relief.” — The Wall Street Journal “Riveting . Whatever your opinion of a shade, The Secret Lives of Color provides some illuminating perspectives on it.” — Hyperallergic. Every color has a story, and here are some of the most alluring, alarming, and thought-provoking.” —Simon Garfield , New York Times bestselling author of Just My Type: A Book About Fonts. Clair delivers a mix of science, humor, and art history in this collection of bite-sized essays on the cultural and social lore of colors. a lexicon of colors, simultaneously revealing the cultural attitudes that determine our responses to them.” — Country Living. “What The Secret Lives of Color offers really is, in some sense, a flash portrait of human civilization, a zigzagging and unpredictable exploration of how significantly color has shaped histories and disciplines, fueled empires, changed the nature of war and caused species to flourish or face extinction.” — Chemistry World. There she wrote her dissertation on women’s masquerade costumes during the eighteenth century and graduated with distinction. She has since written about design and culture for publications including The Economist , House & Garden , Quartz , and the New Statesman . She has had a column about color in Elle Decoration since 2013 and is a former assistant books and arts editor for The Economist .

Create mixed-media art quilts starting from your digital photographs. ( Down Under Textiles, Issue 25 ). Wen Redmond has been experimenting with different styles and techniques for many years, and this book distils her work with digital images and various materials. The book is helpfully divided up into sections such as using fabric or paper as substrates, using Pre-Coats (such as InkAid) and basic Digital Photography printing before moving onto more experimental chapter, using acrylic mediums, overlays, creating textured surfaces for blending or printing over and using nonporous substrates. Inkjet printers can be used to print on a variety of substrates, and mixed-media artist Redmond shares how best to combine printed fabric or paper with paint, photographs, and art supplies such as gel medium to create one-of-a-kind works of art. This stimulating guide to combining digitally altered photos and surface materials to create mixed-media designs centres around artist Wen Redmond's passion for photographs and fabric. With stunningly illustrated ideas for digitally printing/layering images onto fabric, paper and other surfaces suing a variety of techniques, it is jam-packed full of information covering computer software and scanner/copier techniques, layering and blending images, printing processes and paint methods. Whether you're interested in photo quilting, fabric and paper art, digital and mixed-media art, photography or art and design, you can't fail to be inspired by the transformational approaches in this book. Wen Redmond, a distinguished quilter and mixed media artiest, experiments with manipulating and printing digital images on a multitude of substrates including fabrics and paper. Showing complete familiarity with the tools, techniques and products she describes, Wen's inspirational combination of textiles and digital images will surely motivate the adventurous-spirited reader to compose, create and print innovative textile art too. Wen Redmond is a mixed-media artist whose work embraces digital printing, surface design, fiber art, and collage.

The mills at Wicksbridge are imaginary, but their planning, construction, and operation are quite typical of mills developed in New England throughout the nineteenth century. In Mill , a School Library Journal Best Book of the Year, David Macaulay pays tribute to the historically important mills of 19th-century New England. Using close-up pen-and-ink illustrations, Macaulay thoroughly explains the Yankee ingenuity that went into the elaborate process of running machines that were generated by the flow of water.

A Perfect Red recounts the colorful history of cochineal, a legendary red dye that was once one of the world's most precious commodities. "Elusive, expensive and invested with powerful symbolism, red cloth became the prize possession of the wealthy and well-born," Greenfield writes in her intricate, fully researched and stylishly written history of Europe's centuries-long clamor for cochineal, a dye capable of producing the "brightest, strongest red the Old World had ever seen." Striving to maintain a trade monopoly, Spain fiercely guarded the secrets of cochineal cultivation in Mexico and only after centuries of speculation (was the red powder derived from plant or animal?). Greenfield recounts the wild, clandestine attempts by adventurer naturalists to cultivate both the cochineal insect and its host plant, nopal, beyond their native Mexico, acts of folly driven by the desire for scientific fame and commercial profit. Native to Mexico, the scale insect cochineal was first harvested as a dyestuff by the ancient Aztecs, and once its properties were discovered by European conquistadors, it became the quarry in an international race to obtain a monopoly on its production.

A Perfect Red recounts the colorful history of cochineal, a legendary red dye that was once one of the world's most precious commodities. "Elusive, expensive and invested with powerful symbolism, red cloth became the prize possession of the wealthy and well-born," Greenfield writes in her intricate, fully researched and stylishly written history of Europe's centuries-long clamor for cochineal, a dye capable of producing the "brightest, strongest red the Old World had ever seen." Striving to maintain a trade monopoly, Spain fiercely guarded the secrets of cochineal cultivation in Mexico and only after centuries of speculation (was the red powder derived from plant or animal?). Greenfield recounts the wild, clandestine attempts by adventurer naturalists to cultivate both the cochineal insect and its host plant, nopal, beyond their native Mexico, acts of folly driven by the desire for scientific fame and commercial profit. Native to Mexico, the scale insect cochineal was first harvested as a dyestuff by the ancient Aztecs, and once its properties were discovered by European conquistadors, it became the quarry in an international race to obtain a monopoly on its production.

Here is a book that captures a valuable chapter in the history of modern art, as well as the spirit of one of its greatest advocates.

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For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. David Bayles is an accomplished photographer, author, workshop leader, and conservationist.

Today, generations of artists have learned to draw what they see, to truly capture the world around them, using de Reyna’s methods. Rudy de Reyna is the author of many Watson-Guptill classics, including Magic Realist Drawing Techniques .

For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius." The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. David Bayles is an accomplished photographer, author, workshop leader, and conservationist.