Best Environmental Science

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

In The Sixth Extinction , two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. *Starred Review* It didn’t take long for Homo sapiens to begin “reassembling the biosphere,” observes Kolbert, a Heinz Award–winning New Yorker staff writer and author of Field Notes from a Catastrophe: Man, Nature, and Climate Change (2006). To lay the groundwork for understanding this massive die-off, Kolbert crisply tells the stories of such earlier losses as the American mastodon and the great auk and provides an orienting overview of evolutionary and ecological science. Intrepid and astute, Kolbert combines vivid, informed, and awestruck descriptions of natural wonders, from rain forests to the Great Barrier Reef, and wryly amusing tales about such dicey situations as nearly grabbing onto a tree branch harboring a fist-sized tarantula, swimming among poisonous jellyfish, and venturing into a bat cave; each dispatch is laced with running explanations of urgent scientific inquiries and disquieting findings. Ms. Kolbert shows in these pages that she can write with elegiac poetry about the vanishing creatures of this planet, but the real power of her book resides in the hard science and historical context she delivers here, documenting the mounting losses that human beings are leaving in their wake.” ― The New York Times. “Natural scientists posit that there have been five extinction events in the Earth's history (think of the asteroid that wiped out the dinosaurs), and Kolbert makes a compelling case that human activity is leading to the sixth.” ― Bill Gates. “[Kolbert] grounds her stories in rigorous science and memorable characters past and present, building a case that a mass extinction is underway, whether we want to admit it or not.” ― Discover Magazine. “The factoids Kolbert tosses off about nature's incredible variety--a frog that carries eggs in its stomach and gives birth through its mouth, a wood stork that cools off by defecating on its own legs--makes it heartbreakingly clear, without any heavy-handed sermonizing from the author, just how much we lose when an animal goes extinct. In the same way, her intrepid reporting from far-off places--Panama, Iceland, Italy, Scotland, Peru, the Amazonian rain forest of Brazil, and the remote one tree Island, off the coast of Australia--gives us a sense of the earth's vastness and beauty.” ― Bookforum. “Kolbert accomplishes an amazing feat in her latest book, which superbly blends the depressing facts associated with rampant species extinctions and impending ecosystem collapse with stellar writing to produce a text that is accessible, witty, scientifically accurate, and impossible to put down.” ― Publishers Weekly (starred review). Like Rachel Carson's Silent Spring, Elizabeth Kolbert's The Sixth Extinction is destined to become one of the most important and defining books of our time.” ― David Grann, author of The Lost City of Z. “With her usual lucid and lovely prose, Elizabeth Kolbert lays out the sad and gripping facts of our moment on earth: that we've become a geological force, driving vast swaths of creation over the brink.

Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake. As barometers plummet and wind gauges are plucked from their moorings, Larson (Lethal Passage) cuts cinematically from the eerie "eyewall" of the hurricane to the mundane hubbub of a lunchroom moments before it capitulates to the arriving winds, from the neat pirouette of Cline's house amid rising waters to the bridge of the steamship Pensacola, tossed like flotsam on the roiling seas. Major ad/promo; author tour; simultaneous Random House audio; foreign rights sold in Germany, Holland, Italy, Japan and the U.K. (Sept.). Copyright 1999 Reed Business Information, Inc.

The AT offers an astonishing landscape of silent forests and sparkling lakes — and to a writer with the comic genius of Bill Bryson, it also provides endless opportunities to witness the majestic silliness of his fellow human beings. When this American transplant to Britain decided to return home, he made a farewell walking tour of the British countryside and produced Notes from a Small Island . Accompanied only by his old college buddy Stephen Katz, Bryson starts out one March morning in north Georgia, intending to walk the entire 2,100 miles to trail's end atop Maine's Mount Katahdin. As Bryson and Katz haul their out-of-shape, middle-aged butts over hill and dale, the reader is treated to both a very funny personal memoir and a delightful chronicle of the trail, the people who created it, and the places it passes through. Awed by merely the camping section of his local sporting goods store, he nevertheless plunges into the wilderness and emerges with a consistently comical account of a neophyte woodsman learning hard lessons about self-reliance.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492. but by boat along the Pacific coast 10 or even 20 thousand years earlier; the Americas were a far more urban, more populated, and more technologically advanced region than generally assumed; and the Indians, rather than living in static harmony with nature, radically engineered the landscape across the continents, to the point that even "timeless" natural features like the Amazon rainforest can be seen as products of human intervention. And those who came later and found an emptied landscape that seemed ripe for the taking, Mann argues convincingly, encountered not the natural and unchanging state of the native American, but the evidence of a sudden calamity: the ravages of what was likely the greatest epidemic in human history, the smallpox and other diseases introduced inadvertently by Europeans to a population without immunity, which swept through the Americas faster than the explorers who brought it, and left behind for their discovery a land that held only a shadow of the thriving cultures that it had sustained for centuries before. Groups likely traveled across the Pacific in boats.Wheat and barley grown from wild ancestors in Sumer.60005000In what many scientists regard as humankind's first and greatest feat of genetic engineering, Indians in southern Mexico systematically breed maize (corn) from dissimilar ancestor species.First cities established in Sumer.40003000The Americas' first urban complex, in coastal Peru, of at least 30 closely packed cities, each centered around large pyramid-like structuresGreat Pyramid at Giza265032First clear evidence of Olmec use of zero--an invention, widely described as the most important mathematical discovery ever made, which did not occur in Eurasia until about 600 A.D., in India (zero was not introduced to Europe until the 1200s and not widely used until the 1700s)800-840 A.D.Sudden collapse of most central Maya cities in the face of severe drought and lengthy warVikings briefly establish first European settlements in North America.1000Reconstruction of Cahokia, c. 1250 A.D.*Abrupt rise of Cahokia, near modern St. Louis, the largest city north of the Rio Grande. Population estimates vary from at least 15,000 to 100,000.Black Death devastates Europe.1347-13511398Birth of Tlacaélel, the brilliant Mexican strategist behind the Triple Alliance (also known as the Aztec empire), which within decades controls central Mexico, then the most densely settled place on Earth.The Encounter: Columbus sails from Europe to the Caribbean.1492The Encounter: Columbus sails from Europe to the Caribbean.Syphilis apparently brought to Europe by Columbus's returning crew.1493Ferdinand Magellan departs from Spain on around-the-world voyage.1519Sixteenth-century Mexica drawing of the effects of smallpox**Cortes driven from Tenochtitlán, capital of the Triple Alliance, and then gains victory as smallpox, a European disease never before seen in the Americas, kills at least one of three in the empire.1525-1533The smallpox epidemic sweeps into Peru, killing as much as half the population of the Inka empire and opening the door to conquest by Spanish forces led by Pizarro.1617Huge areas of New England nearly depopulated by epidemic brought by shipwrecked French sailors.English Pilgrims arrive at Patuxet, an Indian village emptied by disease, and survive on stored Indian food, renaming the village Plymouth.1620*Courtesy Cahokia Mounds State Historic Site, Collinsville, Ill., painting by Michael Hampshire.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

From a renowned historian comes a groundbreaking narrative of humanity’s creation and evolution—a #1 international bestseller—that explores the ways in which biology and history have defined us and enhanced our understanding of what it means to be “human.”. From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, Sapiens integrates history and science to reconsider accepted narratives, connect past developments with contemporary concerns, and examine specific events within the context of larger ideas. Tackling evolutionary concepts from a historian’s perspective, Sapiens: A Brief History of Humankind , describes human development through a framework of three not-necessarily-orthodox “Revolutions”: the Cognitive, the Agricultural, and the Scientific. His ideas are interesting and often amusing: Why have humans managed to build astonishingly large populations when other primate groups top out at 150 individuals? Because our talent for gossip allows us to build networks in societies too large for personal relationships between everyone, and our universally accepted “imagined realities”--such as money, religion, and Limited Liability Corporations—keep us in line. Though the concepts are unusual and sometimes heavy (as is the book, literally) Harari’s deft prose and wry, subversive humor make quick work of material prone to academic tedium. He’s written a book of popular nonfiction (it was a bestseller overseas, no doubt in part because his conclusions draw controversy) landing somewhere in the middle of a Venn diagram of genetics, sociology, and history. An engrossing read.” (Dan Ariely, New York Times Bestselling author of Predictably Irrational, The Upside of Irrationality , and The Honest Truth About Dishonesty ). “Yuval Noah Harari’s celebrated Sapiens does for human evolution what Stephen Hawking’s A Brief History of Time did for physics.… He does a superb job of outlining our slow emergence and eventual domination of the planet.” ( Forbes ). “Writing with wit and verve, Harari…attempts to explain how Homo sapiens came to be the dominant species on Earth as well as the sole representative of the human genus.… Provocative and entertaining.” ( Publishers Weekly ). “In this sweeping look at the history of humans, Harari offers readers the chance to reconsider, well, everything, from a look at why Homo sapiens endured to a compelling discussion of how society organizes itself through fictions.” ( Booklist Best Books of the Year).

First published in 1949 and praised in The New York Times Book Review as "a trenchant book, full of vigor and bite," A Sand County Almanac combines some of the finest nature writing since Thoreau with an outspoken and highly ethical regard for America's relationship to the land. --Professor Marshall Spector, State University of New York "A fine book--Robert Finch's introduction enhances a classic text." --Burton E. Vaughan, Ph.D., Washington State University Aldo Leopold (1887-1948) began his professional career in 1909 when he joined the U.S. Forest Service.

Dr. Carl Sagan takes us on a great reading adventure, offering his vivid and startling insight into the brain of man and beast, the origin of human intelligence, the function of our most haunting legends--and their amazing links to recent discoveries.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.