Best Geography

Longitude is the dramatic human story of an epic scientific quest, and of Harrison's forty-year obsession with building his perfect timekeeper, known today as the chronometer. Dava Sobel's Longitude tells the story of how 18th-century scientist and clockmaker William Harrison solved one of the most perplexing problems of history--determining east-west location at sea.

One of the New York Times 10 Best Books of the Year. Winner of the Los Angeles Times Book Prize, The James Wright Award for Nature Writing, the. Costa Biography Award, the Royal Geographic Society's Ness Award, the Sigurd F. Olson Nature Writing Award. Finalist for the Andrew Carnegie Medal for Excellence in Nonfiction, the Kirkus Prize Prize for Nonfiction, the Independent Bookshop Week Book Award. A. Best Book of the Year: The New York Times, The Atlantic, The Economist , Nature , Jezebel , Kirkus Reviews , Publishers Weekly , New Scientist , The Independent , The Telegraph , The Sunday Times, The Evening Standard, The Spectator Alexander von Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. The Humboldt in these pages is bracingly contemporary; he acts and speaks in the way that a polyglot intellectual from the year 2015 might, were he transported two centuries into the past and set out to enlighten the world’s benighted scientists and political rulers. At times The Invention of Nature reads like pulp explorer fiction, a genre at least partially inspired by Humboldt’s own travelogues. Wulf makes Humboldtians of us all.”. —Nathaniel Rich, New York Review of Books “Alexander von Humboldt may have been the preeminent scientist of his era, second in fame only to Napoleon, but outside his native Germany his reputation has faded. Wulf does much to revive our appreciation of this ecological visionary through her lively, impressively researched account of his travels and exploits, reminding us of the lasting influence of his primary insight: that the Earth is a single, interconnected organism, one that can be catastrophically damaged by our own destructive actions.” —The New York Times Book Review , Top 10 Books of the Year. “Engrossing. Wulf magnificently recreates Humboldt’s dazzling, complex personality and the scope of his writing. Her book fulfills her aim to restore Humboldt to his place ‘in the pantheon of nature and science,’ revealing his approach as a key source for our modern understanding of the natural world.”. —Jenny Uglow, The Wall Street Journal “A magnificent work of resurrection, beautifully researched, elegantly written, a thrilling intellectual odyssey.”. —Christopher Hart, The Sunday Times (London). “The most complete portrait of one of the world’s most complete naturalists.”. —Mark Cocker, The Spectator (UK). “From Russia to the jungles of South America to the Himalayas, an intrepid explorer’s travels make for exhilarating reading. Argues, lyrically and compellingly, that the man who gave us ‘the concept of nature as we know it’ deserves not merely to be remembered, but to be celebrated once again.” —The Atlantic. Andrea Wulf makes an inspired case for Alexander von Humboldt to be considered the greatest scientist of the 19th century. With the immense challenge of grasping the global consequences of climate change, Humboldt’s interdisciplinary approach is more relevant than ever.”. — The Economist, Best Books of the Year. Yet it is also a fascinating history of ideas.”. —Sarah Darwin, Financial Times“ This book sets out to restore Humboldt to his rightful place in the pantheon of natural scientists. This meticulously researched work—part biography, part cabinet of curiosities—takes us on an exhilarating armchair voyage through some of the world’s least hospitable regions, from the steaming Amazon basin to the ice-fringed peaks of Kazakhstan.”. —Giles Milton, Mail on Sunday (London). readable, thoughtful, and widely researched, and informed by German sources richer than the English canon.”. —Colin Thubron, The New York Times Book Review , “Editor’s Choice”. “In its mission to rescue Humboldt’s reputation from the crevasse he and many other German writers and scientists fell into after the Second World War, it succeeds.”. —Joy lo Dico, The Independent (London). “Luminously written.”. —Roger Cox, The Scotsman (Edinburgh). “A dazzling account of Humboldt’s restless search for scientific, emotional and aesthetic satisfaction. Unapologetically in awe of her subject and intent on restoring Humboldt’s reputation, [Wulf] brings his ideas to the foreground—their emergence, spread and evolution after his death. With the environmental movement, ecology and climate science, Wulf argues, we may have entered another period in which connections predominate over isolated proofs, bringing renewed relevance to Humboldt’s grand visions of nature, the world and the universe.”. —Patrick Wilcken, Literary Review (UK). “Wulf, a historian with an invaluable environmental perspective, presents with zest and eloquence the full story of Humboldt’s adventurous life and extraordinary achievements. electrified fellow polymaths such as Johann Wolfgang von Goethe, discovered climate zones, and grasped the impact of industrialization on nature. In her coruscating account, historian Andrea Wulf reveals an indefatigable adept of close observation with a gift for the long view, as happy running a series of 4,000 experiments on the galvanic response as he was exploring brutal terrain in Latin America.”. —Barbara Kiser, Nature “Why is the man who predicted climate change forgotten? German-born Andrea Wulf, author of The Invention of Nature: Alexander von Humboldt’s New World , has made it her mission to put a new shine on his reputation—and show why he still has much to teach us.”. —Simon Worrall, National Geographic “Gripping. Wulf has delved deep into her hero’s life and travelled widely to feel nature as he felt it. If The Invention of Nature reaches the wide readership it deserves, we can hope that situation will change.”. —Steve Donoghue, Open Letters Monthly “Wulf ( Chasing Venus ) makes an impassioned case for the reinstatement of the boundlessly energetic, perpetually curious, prolific polymath von Humboldt (1769–1859) as a key figure in the history of science. Wulf’s stories of wilderness adventure and academic exchange flow easily, and her affection for von Humboldt is contagious.”. — Publishers Weekly (starred review), Best Books of the Year. “Engrossing. Humboldt was the Einstein of the 19th century but far more widely read, and Wulf successfully combines a biography with an intoxicating history of his times.”. — Kirkus Reviews (starred review), Best Books of the Year. “Andrea Wulf is a writer of rare sensibilities and passionate fascinations. Her work is wonderful, her language sublime, her intelligence unflagging.”. —Elizabeth Gilbert, bestselling author of The Signature of All Things and Big Magic “ The Invention of Nature is a big, magnificent, adventurous book—so vividly written and daringly researched—a geographical pilgrimage and an intellectual epic! The English-speaking world does, astonishingly, need such a reminder, and Andrea Wulf has told the tale with such brio, such understanding, such depth. And all around the subject is the world, gradually learning to be modern—sometimes it knew it was being taught by Humboldt, sometimes not, but there is hardly a branch of knowledge which he did not touch and influence. N. Wilson, author of The Victorians and Victoria: A Life “Andrea Wulf’s marvelous book should go a long way towards putting this captivating eighteenth century German scientist, traveler and opinion-shaper back at the heart of the way we look at the world which Humboldt helped to interpret, and whose environmental problems he predicted. She has captured the excitement and intimacy of his experiences within the pages of this irresistible and consistently absorbing life of a man whose discoveries have shaped the way we see.”. —Miranda Seymour, author of Noble Endeavors: A History of England and Germany. She appears regularly on radio and TV, and in 2014 copresented British Gardens in Time, a four-part series on BBC television.

The book is designed for a course in natural hazards for non-science majors, and a primary goal of the text is to assist instructors in guiding students who may have little background in science to understand physical earth processes as natural hazards and their consequences to society. Focus on the basic earth science of hazards as well as roles of human processes and effects on our planet in a broader, more balanced approach to the study of natural hazards. Newly revised stories and case studies give students a behind the scenes glimpse into how hazards are evaluated from a scientific and human perspective; the stories of real people who survive natural hazards, and the lives and research of professionals who have contributed significantly to the research of hazardous events. He was born and raised in California (Bachelor’s degree in Geology and Mathematics from California State University at Fresno, Master’s degree in Geology from University of California at Davis), it was while pursuing his Ph.D. in Geology from Purdue University in 1973 that Ed wrote the first edition of Environmental Geology, the text that became the foundation of the environmental geology curriculum. Ed’s academic honors include the Don J. Easterbrook Distinguished Scientist Award, Geological Society of America (2004), Quatercentenary Fellowship from Cambridge University, England (2000), two Outstanding Alumnus Awards from Purdue University (1994, 1996), A Distinguished Alumnus Award from California State University at Fresno (1998), the Outstanding Outreach Award from Southern California Earthquake Center (1999). He believes this is particularly important in today’s world where the internet offers accessibility to vast amounts of information, yet the validity of this information is often questionable or misleading.

• A New Republic Best Book of the Year • The Globalist Top Books of the Year • Winner of the Maine Literary Award for Non-fiction • Particularly relevant in understanding who voted for who in this presidential election year, this is an endlessly fascinating look at American regionalism and the eleven “nations” that continue to shape North America. —The Wall Street Journal “[ American Nations ] sets itself apart by delving deep into history to trace our current divides to ethno-cultural differences that emerged during the country’s earliest settlement.” —The New Republic , Editors’ Picks: Best Books of 2011 “Provocative reading.” —News and Observer “In American Nations , [Colin Woodard] persuasively reshapes our understanding of how the American political entity came to be. [A] fascinating new take on history.” —The Christian Science Monitor “ American Nations by journalist-historian Colin Woodard is a superb book. There is much to grapple with in this well-written book.” —The Portland Press Herald “[F]or people interested in American history and sociology, American Nations demands reading. Louis Dispatch “[I]f you want to better understand U.S. politics, history, and culture American Nations is to be required reading. By revealing this continent of rivals, American Nations will revolutionize the way Americans think about their past, their country, and themselves and is sure to spark controversy.” —The Herald Gazette “Woodard persuasively argues that since the founding of the United States, eleven distinct geographical ‘nations’ have formed within the Union, each with its own identity and set of values.” —Military History Quarterly “Colin Woodard offers up an illuminating history of North America that explodes the red state-blue state myth. Woodard’s American Nations is a revolutionary and revelatory take on America’s myriad identities, and how the conflicts between them have shaped our country’s past and mold its future.” —MaineBusiness.com “One of the most original books I read in the last year. During my five years as an Ambassador in the United States, I spent a lot of time studying the voting patterns of different states and reading American history, and I have to say I find Woodard’s thesis to be fully borne out by my own observations.” —John Bruton, former Prime Minister of Ireland “Woodard offers a fascinating way to parse American (writ large) politics and history in this excellent book.” —Kirkus (starred review) “Provocative.” —Publishers Weekly “[W]ell-researched analysis with appeal to both casual and scholarly readers.” —Library Journal.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

Vance spent over 40 hours in conversation with Musk and interviewed close to 300 people to tell the tumultuous stories of Musk's world-changing companies: PayPal, Tesla Motors, SpaceX and SolarCity, and to characterize a man who has renewed American industry and sparked new levels of innovation while making plenty of enemies along the way. "Ashlee Vance's new book, 'Elon Musk: Tesla, SpaceX and the Quest for a Fantastic Future,' is a tremendous look into arguably the world's most important entrepreneur. Vance paints an unforgettable picture of Musk's unique personality, insatiable drive and ability to thrive through hardship." "Vance's lively book yields all manner of fascinating insights about Musk's companies, his vision, and his personal life." - Whitney Tilson Founder, Kase Capital Management There are few industrialists in history who could match Elon Musk's relentless drive and ingenious vision. A modern alloy of Thomas Edison, Henry Ford, Howard Hughes, and Steve Jobs, Musk is the man behind PayPal, Tesla Motors, SpaceX, and SolarCity, each of which has sent shock waves throughout American business and industry. More than any other executive today, Musk has dedicated his energies and his own vast fortune to inventing a future that is as rich and far-reaching as a science fiction fantasy. In this lively, investigative account, veteran technology journalist Ashlee Vance offers an unprecedented look into the remarkable life and times of Silicon Valley's most audacious businessman. Written with exclusive access to Musk, his family, and his friends, the book traces his journey from his difficult upbringing in South Africa to his ascent to the pinnacle of the global business world. In 1992, Elon Musk arrived in the United States as a ferociously driven immigrant bent on realizing his wildest dreams. After being forced out of PayPal, fending off a life-threatening case of malaria, and dealing with the death of his infant son, Musk abandoned Silicon Valley for Los Angeles. At a time when many American companies are more interested in chasing easy money than in taking bold risks on radical new technology, Musk stands out as the only businessman with enough dynamism and vision to tackle--and even revolutionize--three industries at once. Vance makes the case that Musk's success heralds a return to the original ambition and invention that made America an economic and intellectual powerhouse.

《线性代数教程》共分5章，第一章介绍了行列式的概念、性质、特殊的解法和简单的应用；第二章介绍了矩阵的概念、特殊矩阵、逆阵、矩阵的秩和分块矩阵；第三章介绍了向量、相关性和线性方程组解的结构；第四章介绍了特征值和特征向量、矩阵的对角化；第五章介绍了二次型、标准化、正定型《线性代数》以矩阵为工具，彻底地解决了线性方程组解的问题，再利用行列式和解方程组的知识解决了矩阵对角化和二次型标准化的问题。.

The only other surviving memoir by this author is 'The Last Panther' - an astonishing account of panzer warfare in the final hours of the Third Reich - also available on Amazon. The rarely-heard voice of a World War 2 panzer crewman, now in a modern English translation.

Bill Bryson's challenge is to take subjects that normally bore the pants off most of us, like geology, chemistry and particle physics, and see if there isn't some way to render them comprehensible to people who have never thought they could be interested in science. His aim is to help people like him, who rejected stale school textbooks and dry explanations, to appreciate how we have used science to understand the smallest particles and the unimaginably vast expanses of space. Though A Short History clocks in at a daunting 500-plus pages and covers the same material as every science book before it, it reads something like a particularly detailed novel (albeit without a plot). What follows is a brick of a volume summarizing moments both great and curious in the history of science, covering already well-trod territory in the fields of cosmology, astronomy, paleontology, geology, chemistry, physics and so on.

Geochemistry is essential reading for all earth science students, as well as for researchers and applied scientists who require an introduction to the essential theory of geochemistry, and a survey of its applications in the earth and environmental sciences.

A substance so valuable it served as currency, salt has influenced the establishment of trade routes and cities, provoked and financed wars, secured empires, and inspired revolutions. Kurlansky traces the history of salt's influences from prehistoric China and ancient Africa (in Egypt they made mummies using salt) to Europe (in 12th-century Provence, France, salt merchants built "a system of solar evaporation ponds") and the Americas, through chapters with intriguing titles like "A Discourse on Salt, Cadavers and Pungent Sauces." The book is populated with characters as diverse as frozen-food giant Clarence Birdseye; Gandhi, who broke the British salt law that forbade salt production in India because it outdid the British salt trade; and New York City's sturgeon king, Barney Greengrass. [For another book on the topic, see Pierre Laszlo's more esoteric Salt: Grain of Life, LJ 7/01; other recent micro-histories include Joseph Amato's Dust, Mort Rosenblum's Olive, and Tom Vanderbilt's The Sneaker Book.

With 40% new and expanded coverage, this text covers applied and basic aspects of limnology, now with more emphasis on wetlands and reservoirs than in the previous edition. Expanded coverage of the toxic effects of pharmaceuticals and endocrine disrupters as freshwater pollutants More on aquatic invertebrates, with more images and pictures of a broader range of organisms Expanded coverage of the functional roles of filterer feeding, scraping, and shredding organisms, and a new section on omnivores. In many ways, this textbook provides a really refreshing blend of ecological concepts as they apply to aquatic ecology, in addition to the basic knowledge of freshwater ecosystem organisms that a student would need to apply the concepts… We think that it is a successful, innovative and, for the most part, modern view of the study of inland waters. Over the years, Dodds has taught Limnology, Advanced Aquatic Ecology, Microbial Ecology, Principles of Biology, Conservation Biology, Environmental Problems, Origins of Life, Herbivory, Presentations in Ecology, Aquatic Ecology, Stream Ecology, Algal Identification, Algal Ecology, Bacteriology and Freshwater Biology. Dodds has grants from agencies including the National Science Foundation, the United States Environmental Protection Agency, the United States Geological Survey, the Kansas Department of Wildlife and Parks and the Kansas Department of Health and Environment. Dodds’ recent research has focused on Aquatic Ecology on Konza Prairie, Nitrogen Uptake Retention and Cycling in Stream Ecosystems, Quality and Quantity of Suspended Solids in Kansas Rivers, and Nutrients and Algae in Streams.

"The definitive work on the West's water crisis." ''When archaelogists from another planet sift through the bleached bones of our civilization, they may conclude that our temples were dams, says Reisner in this angry, exhaustive and gracefully written account of America's quest to turn the inhospitable, irredeemably dry West into a Garden of Eden…Not the first book on the subject, but one of the best.''. -- Kirkus Reviews ''[This] timely and important book should be required reading for all citizens.''. ''Masterful…Among the most influential environmental books published by an American since Silent Spring .''.

Isaac Cline was one of the era's new men, a scientist who believed he knew all there was to know about the motion of clouds and the behavior of storms. That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake. As barometers plummet and wind gauges are plucked from their moorings, Larson (Lethal Passage) cuts cinematically from the eerie "eyewall" of the hurricane to the mundane hubbub of a lunchroom moments before it capitulates to the arriving winds, from the neat pirouette of Cline's house amid rising waters to the bridge of the steamship Pensacola, tossed like flotsam on the roiling seas. Major ad/promo; author tour; simultaneous Random House audio; foreign rights sold in Germany, Holland, Italy, Japan and the U.K. (Sept.). Copyright 1999 Reed Business Information, Inc.

With a 100% chance of a mega-quake hitting the Pacific Northwest, this fascinating book reports on the scientists who are trying to understand when, where, and just how big THE BIG ONE will be. “More than just a dire warning about the “big one”…[ Full Rip 9.0 ] renders the remarkable story of how geologists and other scientists have pieced together evidence of an immense Northwest “megaquake”…[ Full Rip 9.0 ] may make you a little jittery (and cause you to re-evaluate your family’s earthquake readiness), but it is a captivating read even as it challenges long-held assumptions — including the firmness of the ground under your feet. The Seattle Times "Written by Seattle Times science writer Sandi Doughton, the book is a hard, fast and compelling look at the potential impact The Big One might have on us, and it documents the detective work being done by researchers who are trying to nail down the shifting tectonic structures below. " Seattle Times reporter Sandi Doughton draws the reader into in-depth science—science that says it’s a matter of if, not when, a big quake will strike—with vivid stories of the scientists behind the data. Seattle science reporter Sandi Doughton has written this alarming assessment of our region's seismic activity throughout history and uses the latest scientific research to speculate on what we might expect in the future." "In this fascinating book, The Seattle Times science reporter Sandi Doughton introduces readers to the scientists who are dedicated to understanding the way the earth moves and describes what patterns can be identified and how prepared (or not) people are. Sandi Doughton writes about science for The Seattle Times and has been a journalist for 20 years covering environment, science, health, and medicine.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

A New York Times bestseller, Deep Down Dark brings to haunting, tactile life the experience of being imprisoned inside a mountain of stone, the horror of being slowly consumed by hunger, and the spiritual and mystical elements that surrounded working in such a dangerous place. “Weaving together the drama of the miners' harrowing ordeal below ground with the anguish of families and rescuers on the surface, Tobar delivers a masterful account of exile and human longing, of triumph in the face of all odds. Taut with suspense and moments of tenderness and replete with a cast of unforgettable characters, Deep Down Dark ranks with the best of adventure literature. As Tobar works his way through each miner's recovery, the TV headlines recede from our memory, and a more delicate series of portraits emerges.” ― Noah Gallagher Shannon, The Washington Post. Whether the story is completely new to you, or if you were one of the millions glued to the news reports and wondering, will they make it--physically, emotionally, spiritually--you'll be greatly rewarded to learn how they did.” ― Mac McClelland, The New York Times Book Review. A novelist and Pulitzer Prize-winning reporter, [Tobar] combines a historian's eye for context with a gifted storyteller's ear for minor-key character traits . “If Dante's Inferno was a real place, it would look and feel like the subterranean fever dream Héctor Tobar describes in Deep Down Dark . Taking us into the post-apocalyptic landscape of Chile's Atacama Desert and guiding us through the labyrinthine hell of the world's most famous mine accident, Tobar's taut narrative plumbs the depths not only of the mine itself, but of the 33 trapped miners' hearts and souls as they fight for life, and reconcile themselves--first, to death, and then to the far more challenging task of surviving. “Héctor Tobar takes us so far down into the story and lives of the Chilean miners that his reconstruction of a workplace disaster becomes a riveting meditation on universal human themes. “In this masterful dissection of the 2010's dramatic sixty-nine day ordeal by thirty-three trapped Chilean miners, Héctor Tobar weaves a suspenseful narrative that moves back and forth between the waking nightmares of the buried men, and those of their families on the earth's surface. “It's almost hard to believe that Héctor Tobar wasn't himself one of the trapped Chilean miners, so vivid, immediate, terrifying, emotional, and convincing is his Homeric narration of this extraordinary incident. Deep Down Dark is a literary masterpiece of narrative journalism, surgical in its reconstruction, novelistic in its explorations of human personality and nuance. In a manner that feels spiritual, Tobar puts himself at the service of his story, and his fidelity to and unquenchable curiosity about every fact and detail generates unforgettable wonderment and awe.” ― Francisco Goldman. I know 2014 still has three months left to go, but I don’t expect to find anything I liked better than Héctor Tobar’s Deep Down Dark: The Untold Stories of 33 Men Buried in a Chilean Mine, and the Miracle That Set Them Free. You know the story – 33 men were buried in a spectacular mine collapse, stayed underground for two months, and then were rescued, all of them unharmed. Henry Leyva's audiobook credits include reading Colin Harrison's The Havana Room , Michael Palmer's Fatal , Lawrence Block's Killing Castro , and John Grisham's The Testament as well as works from popular authors such as Nicholas Sparks and Phyllis Naylor.