Best Music Business

“The industry bible” (Los Angeles Times), now updated, essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—trying to navigate the rapid transformation of the industry. Donald S. Passman practices law in California and has specialized in the music business for more than thirty years, primarily representing talent. All You Need to Know About the Music Business Well, kiddies, we’ve certainly seen a lot of changes since we last we got together. Now if you’re reading this and trying to decide whether the music business will disappear and if you’d be better off putting the price of this book into your stamp collection, there actually is a beautiful weather forecast. As we’ll discuss, streaming has the potential to make the music business bigger than it’s ever been in history. And at no extra charge (if you act RIGHT NOW), there’s an update of what’s happening with traditional music business deals—recording, songwriting, merchandising, touring, and so forth.

"Ari is at the front of the front. Forget everything you think you know about the odds of “making it” in the music industry. Today, odds mean nothing and success is not about lucky breaks. I've read a hundred how-to-make-it-in-the-music-biz books, and this one is today's definitive, comprehensive manual.”. - Jack Conte, 150+ Million YouTube Views, Pomplamoose, CEO of Patreon. Anyone wanting to make music for a living should read this, period.”. - Peter Hollens, 150+ million YouTube views. Incredibly detailed yet fun to read, this is the book that generations of musicians will rely on to build their careers. “There are few careers more difficult than being a professional musician, but How to Make It in the New Music Business will absolutely increase your chances of success. Ari Herstand is a fresh, emerging authority on a music industry that is just taking shape, and a fearless tour guide in a brand-new jungle. Reading Ari’s book teaches you what the music industry actually is, not what others think it should be.”. - Jeff Price, Founder of Tunecore, Audiam. Covering things like proper etiquette when emailing promoters to getting your songs placed in film and TV, Ari expedites the sometimes tedious process of learning what it takes to be a professional musician.

Started in 1975, when five bright and brash employees of a creaky William Morris office left to open their own, strikingly innovative talent agency, CAA would come to revolutionize the entertainment industry, and over the next several decades its tentacles would spread aggressively throughout the worlds of movies, television, music, advertising, and investment banking. An Amazon Best Book of August 2016: When Powerhouse first crossed my desk I was mildly intrigued with the idea of getting an inside look at the Creative Arts Agency, which has come to represent some of the biggest names in Hollywood and beyond. I’m not even familiar with all the players—though of course names like Tom Cruise and Michael Ovitz jumped right out—but it didn’t matter because their anecdotes about the people and personalities who re-wrote the rule book on how agents work with their celebrity clients are completely addicting. --Seira Wilson, The Amazon Book Review “ Powerhouse delivers a chronicle of vaunting ambition, immense wealth and power, and personal betrayal all the more astonishing in a business ostensibly built on loyalty and trust… Even more impressive is Miller’s ability to get nearly everyone involved not only to talk but also go on the record.” (New York Times Book Review). “Magisterial.

Titles: * Alouette. * Alpine Melody. * Amazing Grace. * Au Claire de la Lune. * Aunt Rhody. * Auld Lang Syne. * Aura Lee. * The Bandleader. * Beautiful Brown Eyes. * Blow the Man Down! * Largo (Dvorak). * Lavender's Blue. * Lightly Row. * Little Brown Jug. * Liza Jane. * London Bridge. * Lone Star Waltz. * Love Somebody. * Lullaby. * The Marine's Hymn. * Mary Ann. * Merrily We Roll Along. * Mexican Hat Dance. * Michael, Row the Boat Ashore. * Money Can't Buy Everything. * My Fifth. * Ode to Joy. * On Top of Old Smoky. * O Sole Mio. * Raisins and Almonds. * Rock Along. * Rockets. * Rockin' Intervals.

No one understands the music business and the changes it has undergone in recent years better than LA lawyer Donald Passman. It will also be loved by readers of The Music Business and How Music Works by David Byrne. “If you want to be in music, you have to read this book.”. —Adam Levine, lead singer and guitarist, Maroon 5.

From one of the co-founders of Pixar Animation Studios—the Academy Award–winning studio behind Coco, Inside Out, and Toy Story —comes an incisive book about creativity in business and leadership for readers of Daniel Pink, Tom Peters, and Chip and Dan Heath. NEW YORK TIMES BESTSELLER | NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Huffington Post • Financial Times • Success • Inc. • Library Journal “[ Creativity, Inc. ]. just might be the most thoughtful management book ever.”— Fast Company Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and “Braintrust” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, “an expression of the ideas that I believe make the best in us possible.”. Praise for Creativity, Inc. “Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success.” —Jim Collins, co-author of Built to Last and author of Good to Great “Too often, we seek to keep the status quo working. “Just might be the best business book ever written.” — Forbes “Achieving enormous success while holding fast to the highest artistic standards is a nice trick—and Pixar, with its creative leadership and persistent commitment to innovation, has pulled it off. Any reader of Creativity, Inc., Catmull’s new book on the art of running creative companies, will have to agree. Catmull, president of both Pixar and Walt Disney Animation, has written what just might be the most thoughtful management book ever.” — Fast Company “It’s one thing to be creative; it’s entirely another—and much more rare—to build a great and creative culture. Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success. Catmull’s book is quickly becoming the latest bible for the show business crowd.” —The New York Times “The most practical and deep book ever written by a practitioner on the topic of innovation.” —Prof. [Catmull] uses Pixar’s triumphs and near-disasters to outline a system for managing people in creative businesses—one in which candid criticism is delivered sensitively, while individuality and autonomy are not strangled by a robotic corporate culture.” — Financial Times “A wonderful new book . An immensely readable and rewarding book that will challenge and inspire readers to make their workplaces hotbeds of creativity.” — Kirkus Reviews (starred review) “Punctuated with surprising tales of how the company’s films were developed and the company’s financial struggles, Catmull shares insights about harnessing talent, creating teams, protecting the creative process, candid communications, organizational structures, alignment, and the importance of storytelling. [ Creativity, Inc. ] will delight and inspire creative individuals and their managers, as well as anyone who wants to work ‘in an environment that fosters creativity and problem solving.’” — Publishers Weekly (starred review) “For anyone managing anything, and particularly those trying to manage creative teams, Catmull is like a kind, smart godfather guiding us toward managing wisely, without losing our souls, and in a way that works toward greatness. What Ed Catmull shares instead is his astute experience that creativity isn’t strictly a well of ideas, but an alchemy of people. In Creativity, Inc. Ed reveals, with commonsense specificity and honesty, examples of how not to get in your own way and how to realize a creative coalescence of art, business, and innovation.” —George Lucas “This is the best book ever written on what it takes to build a creative organization. Ed Catmull is co-founder of Pixar Animation Studios and president of Pixar Animation and Disney Animation.

Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. John Seabrook combines a love of music and an appreciation for personalities to take us on a starry journey from Stockholm and London to New York and Orlando showing how creativity gets discovered, polished, and packaged. -- Walter Isaacson, author of 'The Innovators' and 'Steve Jobs'. "In The Song Machine, John Seabrook tells of a cutthroat and fascinating industry, where readers discover the gifted musical maestros who orchestrate hit after hit but rarely get their name in print. John Seabrook has a marvelous ear for language - and perfect pitch when it comes to music journalism."

Titles: * Alouette. * Alpine Melody. * Amazing Grace. * Au Claire de la Lune. * Aunt Rhody. * Auld Lang Syne. * Aura Lee. * The Bandleader. * Beautiful Brown Eyes. * Blow the Man Down! * Largo (Dvorak). * Lavender's Blue. * Lightly Row. * Little Brown Jug. * Liza Jane. * London Bridge. * Lone Star Waltz. * Love Somebody. * Lullaby. * The Marine's Hymn. * Mary Ann. * Merrily We Roll Along. * Mexican Hat Dance. * Michael, Row the Boat Ashore. * Money Can't Buy Everything. * My Fifth. * Ode to Joy. * On Top of Old Smoky. * O Sole Mio. * Raisins and Almonds. * Rock Along. * Rockets. * Rockin' Intervals.

Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. John Seabrook combines a love of music and an appreciation for personalities to take us on a starry journey from Stockholm and London to New York and Orlando showing how creativity gets discovered, polished, and packaged. -- Walter Isaacson, author of 'The Innovators' and 'Steve Jobs'. "In The Song Machine, John Seabrook tells of a cutthroat and fascinating industry, where readers discover the gifted musical maestros who orchestrate hit after hit but rarely get their name in print. John Seabrook has a marvelous ear for language - and perfect pitch when it comes to music journalism."

Ten years ago, Motley Crue's bestselling The Dirt —penned with rock chronicler extraordinaire Neil Strauss—set a new bar for rock 'n' roll memoirs. Crue members Tommy Lee, Mick Mars, Vince Neil and Nikki Sixx also team up with New York Times music writer Neil Strauss to tell the story of their band's rise to phenomenal success: their tours, friendships, alcohol and drug problems, music, influence and, above all, girls. Their hobbies have included collecting automatic weapons, cultivating long arrest records, pushing the envelope of conceivable drug abuse, and dreaming up backstage antics that would make Ozzy Osbourne blanch with modesty.

This new edition book and streaming video course is all that you will ever need for learning piano chords, scales, arpeggios, how to read music, and basic music theory! Piano Professor Damon Ferrante guides you through 140 step-by-step lessons (for beginner to advanced levels) and 30 streaming video lessons. Whether you are teaching yourself piano or learning with a music instructor, this book and streaming video course will take your piano playing to a whole new level! Have you always wanted to learn how to play piano scales, chords, and arpeggios, but did not know where to start? Would you like to expand your musical understanding and learn how to play the piano through an affordable, step-by-step book and streaming video course? The book uses clear and logical layout, teaching the beginning student to learn the piano keys and basics of musical notes and rhythms." The Baltimore Sun calls Ferrante's music "focused and colorful...with an unexpected, decidedly poetic touch" and "ebullient and full of shifts of direction." Snow Moon matters now (and does justice to the sonata tradition) for Ferrante's relentless exploration of novel strategies for creating an inhabitable soundscape." Piano Scales, Chords & Arpeggios Lessons is the product of these efforts and is designed for beginner to advanced pianostudents, either learning on their own or working with a teacher.

Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. John Seabrook combines a love of music and an appreciation for personalities to take us on a starry journey from Stockholm and London to New York and Orlando showing how creativity gets discovered, polished, and packaged. -- Walter Isaacson, author of 'The Innovators' and 'Steve Jobs'. "In The Song Machine, John Seabrook tells of a cutthroat and fascinating industry, where readers discover the gifted musical maestros who orchestrate hit after hit but rarely get their name in print. John Seabrook has a marvelous ear for language - and perfect pitch when it comes to music journalism."