Best Plants

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

In The Hidden Life of Trees , Peter Wohlleben shares his deep love of woods and forests and explains the amazing processes of life, death, and regeneration he has observed in the woodland and the amazing scientific processes behind the wonders of which we are blissfully unaware. "The matter-of-fact Mr. Wohlleben has delighted readers and talk-show audiences alike with the news — long known to biologists — that trees in the forest are social beings." — Sally McGrane, The New York Times “This fascinating book will intrigue readers who love a walk through the woods”— Publishers Weekly. "Soon after we begin to recognize trees for what they are — gigantic beings thriving against incredible odds for hundreds of years — we naturally come to ask, 'How do they do it?'. "Wohlleben’s book is at once romantic and scientific, beautifully articulating his personal relationship with the trees he has dedicated his life to. "With colorful and engaging descriptions of little-known phenomena in our natural world, Wohlleben helps readers appreciate the exciting processes at work in the forests around them." Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

On the afternoon of August 20, 1910, a battering ram of wind moved through the drought-stricken national forests of Washington, Idaho, and Montana, whipping the hundreds of small blazes burning across the forest floor into a roaring inferno that jumped from treetop to ridge as it raged, destroying towns and timber in the blink of an eye. Amazon Best of the Month, October 2009: When Theodore Roosevelt vacated the Oval Office, he left a vast legacy of public lands under the stewardship of the newly created Forest Service. Immediately, political enemies of the nascent conservation movement chipped away at the foundations of the untested agency, lobbying for a return of the land to private interests and development. Then, in 1910, several small wildfires in the Pacific Northwest merge into one massive, swift, and unstoppable blaze, and the Forest Service is pressed into a futile effort to douse the flames. Over 100 firefighters died heroically, galvanizing public opinion in favor of the forests--with unexpected ramifications exposed in today's proliferation of destructive fires. -- Jon Foro Amazon Exclusive Essay: "The Ghosts of 1910" by Timothy Egan, Author of The Big Burn. With The Worst Hard Time , I could look into the eyes of people who survived the Dust Bowl and hear their stories--firsthand. That fire burned 3 million acres and five towns to the ground in the hot sweep of a single weekend. And what’s more, Pinchot himself was married to a ghost for nearly 20 years, one of the more fascinating things I found in the haunt of the Big Burn. In less than two days, it torched more than three million acres, burned five towns to the ground, and killed nearly one hundred people. The government had marshaled ten thousand people, an army of young men, immigrants, and volunteers, to fight the fire. But they succeeded in one respect: it turned the tide of public opinion, and Roosevelt's “Great Crusade” was saved. And then, as a New York Times reporter covering the West and many wildfires, I found that this fire was a sacred text. A: I was hugely impressed with Roosevelt and his chief forester, a very strange and original American now nearly lost to our history named Gifford Pinchot. These were two easterners, born into wealth, who crusaded a century ago for the Progressive Era idea that a democracy and public land were inextricably linked. They always talked about land belonging to “the little guy.” It was a radical idea then, at a time when the gulf between the rich and poor was never greater. And Pinchot, the founding forester, on top of everything else, was married to a ghost--a dead woman, a true spiritual union--for nearly twenty years. And in this case, you had some Italian and Irish immigrants, a tough female homesteader, some African-American soldiers, some brave and young forest rangers--all of whom were heroes, as important to how this fire changed history as were Roosevelt and Pinchot. I don't want to give away a story twist, but you’ll see late in the book that another lesson--perhaps tragic, certainly misguided--was taken away from the Big Burn. A: We're seeing bigger, hotter, longer, earlier wildfires around the country today, and much of them can be traced to the wrong lessons of the Big Burn. Egan, National Book Award winner for The Worst Hard Time , spins a tremendous tale of Progressive-era America out of the 1910 blaze that burned across Montana, Idaho and Washington and put the fledgling U.S. Forest Service through a veritable trial by fire. Egan shuttles back and forth between the national stage of politics and the conflicting visions of the nation's future, and the personal stories of the men and women who fought and died in the fire: rangers, soldiers, immigrant miners imported from all over the country to help the firefighting effort, prostitutes, railroad engineers and dozens others whose stories are painstakingly recreated from scraps of letters, newspaper articles, firsthand testimony, and Forest Service records. Egan brings a touching humanity to this story of valor and cowardice in the face of a national catastrophe, paying respectful attention to Roosevelt's great dream of conservation and of an America for the little man.

Succulents are hot. "In her new book, Succulents Simplified:Growing, Designing, and Crafting with 100 Easy-Care Varieties , Baldwin even tells of a Jade plant that has lasted for more than two decades in her garden with various stages of neglect! "Anyone who knows Debra Lee Baldwin is aware of her extraordinary prowess as an author, writer, photographer, and artist...her book, Succulents Simplified , is a work of art." From quick and easy succulent rosettes for bouquets, to teeny tiny mint-tin gardens, to succulent-topped pumpkins there's a project in this book for even the most craft-challenged." "Debra is nothing if not passionate about succulents...In S ucculents Simplified (Timber Press) she demystifies these popular low-water beauties." When we returned home, my mother described the house to my father: "Big picture windows, but imagine having to clean them. Others were necklaces of blue-gray buttons, rubbery silver-blue roses, and sticks of green chalk with windowed tips. It became something I longed for, along with a saltwater aquarium, a hot air balloon, and an unlimited supply of chocolate marshmallows. In slanted early morning or late afternoon sun, red margins burn neon bright, spines incandesce, fuzzy filaments shimmer, and leaves reveal glowing hues of rose, orange, purple, and blue. It's a guide for novice enthusiasts, a quick reference for anyone seeking an overview, and a vehicle for presenting design ideas I'm excited about.

And because of our extraordinary appetite for more unusual and beautiful “super flowers,” plant breeders have created such unnatural blooms as blue roses and black petunias to cater to the human world of haute couture fashion. Here, he integrates fascinating stories about the many colorful personalities who populate the world of flowers, and the flowers and pollinators themselves, with a research-based narrative that illuminates just why there is, indeed, a Reason for Flowers . They are miniature chemical factories, wireless signal stations,inspiration for artists, and—of course—sustenance for the most important creatures living on the planet. "Buchmann, a prolific and ardent pollination ecologist, peels back the petals to reveal fascinating aspects of floriculture....Intensely researched, well paced, intricately detailed, and delightfully accessible, Buchmann’s exploration of this trove of living sensory delights is a boon to both casual and committed flower lovers." "With a subtitle that serves as a swift, sweet summary, [Stephen Buchmann] compresses the cultural and natural history of flowers into a few hundred graceful pages...A volume that is like a Eurail Pass that will carry you through gorgeous terrain you will want to explore in more depth." "Buchmann, a biologist specializing in pollination ecology, uses his eighth book to enthuse about the importance that flowers have played in human civilization...his excitement is both palpable and contagious...fascinating...captivating." This world-renowned explorer of nature’s inner workings will delight you while unobtrusively edifying you at the same time.” (Gary Paul Nabhan, Kellogg Endowed Chair in Sustainable food Systems, University of Arizona ). In this attractive book, Steve Buchmann brings to life for the interested reader the many facets of their existence and their interplay with insects and other animals, informing us well about how they evolved and the roles that they play in our world.” (Peter H. Raven, President Emeritus, Missouri Botanical Garden ). How flowers influenced Gregor Mendel and Charles Darwin are discussed along with examples of collaborative floral studies I've conducted with other scientists over my career.

Very often, weeds are the results of weakened turf and specific spoil problemsthe Color Atlas of Turfgrass Weeds explains why, and helps you problem-solve for effective management. One of most undesirable characteristics of weed infestation is the disruption of turf uniformity—so vital to the golf, sports field, and managed landscape industry. Weed clumps, color variation, and patches can drive turf managers crazy, and have a pronounced effect on the perceived quality of the maintenance program. Fred Yelverton , is an Associate Professor of Crop Science at North Carolina State University in Raleigh.

What Stamets has discovered is that we can capitalize on mycelium’s digestive power and target it to decompose toxic wastes and pollutants (mycoremediation), catch and reduce silt from streambeds and pathogens from agricultural watersheds (mycofiltration), control insect populations (mycopesticides), and generally enhance the health of our forests and gardens (mycoforestry and myco-gardening). --From the foreword by Andrew Weil, MD, author of Eating Well for Optimum Health “Stamets is a visionary emissary from the fungus kingdom to our world, and the message he’s brought back in this book, about the possibilities fungi hold for healing the environment, will fill you with wonder and hope.“. --Michael Pollan, author of The Botany of Desire “This is the kind of book I love: highly factual and practical and mixed with the spiritual content that sets the great writers apart from all the rest.“. --John Norris, former deputy commissioner of the Food and Drug Administration and founder of the Bioterrorism Institute. “This is the first book to give the Kingdom of the Fungi its proper place in the scheme of things. Stamets’s visionary insights are leading to a whole new understanding of how mushrooms, scarcely seen and rarely appreciated, regulate the earth’s ecosystems.“. --John Todd, founder and president of Ocean Arks International. “This visionary and practical book should be an instant classic in... A manual for healing the earth and creating sustainable forests through mushroom cultivation, featuring mycelial solutions to water pollution, toxic spills, and other ecological challenges.

In The Hidden Life of Trees , Peter Wohlleben shares his deep love of woods and forests and explains the amazing processes of life, death, and regeneration he has observed in the woodland and the amazing scientific processes behind the wonders of which we are blissfully unaware. "The matter-of-fact Mr. Wohlleben has delighted readers and talk-show audiences alike with the news — long known to biologists — that trees in the forest are social beings." — Sally McGrane, The New York Times “This fascinating book will intrigue readers who love a walk through the woods”— Publishers Weekly. "Soon after we begin to recognize trees for what they are — gigantic beings thriving against incredible odds for hundreds of years — we naturally come to ask, 'How do they do it?'. "Wohlleben’s book is at once romantic and scientific, beautifully articulating his personal relationship with the trees he has dedicated his life to. "With colorful and engaging descriptions of little-known phenomena in our natural world, Wohlleben helps readers appreciate the exciting processes at work in the forests around them." Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

In The Hidden Life of Trees , Peter Wohlleben shares his deep love of woods and forests and explains the amazing processes of life, death, and regeneration he has observed in the woodland and the amazing scientific processes behind the wonders of which we are blissfully unaware. "The matter-of-fact Mr. Wohlleben has delighted readers and talk-show audiences alike with the news — long known to biologists — that trees in the forest are social beings." — Sally McGrane, The New York Times “This fascinating book will intrigue readers who love a walk through the woods”— Publishers Weekly. "Soon after we begin to recognize trees for what they are — gigantic beings thriving against incredible odds for hundreds of years — we naturally come to ask, 'How do they do it?'. "Wohlleben’s book is at once romantic and scientific, beautifully articulating his personal relationship with the trees he has dedicated his life to. "With colorful and engaging descriptions of little-known phenomena in our natural world, Wohlleben helps readers appreciate the exciting processes at work in the forests around them." Peter Wohlleben spent over twenty years working for the forestry commission in Germany before leaving to put his ideas of ecology into practice.

Winner of the National Book Critics Circle Award for Autobiography. A New York Times 2016 Notable Book. National Best Seller. Named one of TIME magazine’s "100 Most Influential People". An Amazon Top 20 Best Book of 2016. A Washington Post Best Memoir of 2016. A TIME and Entertainment Weekly Best Book of 2016 An illuminating debut memoir of a woman in science; a moving portrait of a longtime friendship; and a stunningly fresh look at plants that will forever change how you see the natural world. Acclaimed scientist Hope Jahren has built three laboratories in which she’s studied trees, flowers, seeds, and soil. Somehow she knows me: “the average person [who] cannot imagine himself staring at dirt for longer than the twenty seconds needed to pick up whatever object he just dropped.” And she doesn’t judge. Like life, for instance, and friendship and passion and love, for ideas, for work and for all living beings, including--shocker!--people. A tenured professor at the University of Hawaii, Jahren has built a career and a reputation in science by unearthing secrets hidden in fossilized plant life. Her work has resulted in at least 70 studies in dozens of journals, but it’s also given her a platform to talk about something else: widespread sexual harassment and discrimination in science. On her blog, in op-eds and in her new memoir, Lab Girl, Jahren wields her influence to call out a culture that has caused women to flee the field she so loves. I was drawn in from the start by the clarity and beauty of Jahren’s prose, whether she was examining the inner world of a seed, the ecosystem around the trunk of a tree, or recounting her own inspiring journey. They emerge from her memoir as much more than a bundle of biological processes, but beings with strange, secret lives, supported by astonishingly elegant machinery . In these pages you’ll find a renewed interest in the natural world, and notice things that have been hidden in plain sight. She writes: ‘Love and learning are similar, in that they can never be wasted.’ And neither is time spent reading this book.” —Lucie Green, The Guardian (UK). In [this] behind-the-scenes tour of science, we join her for misadventures and triumphs as she sets up three labs and conducts research in the Canadian Arctic, Ireland, Hawaii, and across the continental United States. Jahren spends the book teaching us that if we just look closely enough, we can see the opal lattice on a hackberry seed, the depths of loyalty in our closest friends, the wonder in a single leaf, and what we ourselves are supposed to become . She’s the type of scientist who cheerfully spends three seasons drilling through Arctic turf; between sessions of hard graft, her lab group takes road trips to see bizarre attractions, or attempts elaborate campfire cuisine. Lab Girl is the acutely personal account of the drive that propels people to the frontier of an academic discipline. Her eloquent rhapsodies about peerless soil samples, willow trees, and the tenacity of a cactus prompt a deeply inquisitive spirit in readers . Peppered with literary references to Genet, Beckett, Dickens and Thoreau, Jahren’s honest prose is insightful, eloquent, and funny, and she has a gift for explaining hard science in the most bewitching way . In the end, it’s easy to see the book as a love note—not just to plants, to science, and to the sweetness of discovery, but also to friendship and loyalty, to journeys big and small, to belonging and becoming.” —Kathleen Yale, Orion. “Jahren writes with such flair that a reviewer is tempted to just move out of the way and quote her; from the prologue on, a reader itches to call out fun facts to innocents nearby. Deft and flecked with humor, Lab Girl is also a hybrid—a scientist’s memoir of a quirky, gritty, fascinating life, punctuated by mesmerizing dispatches on botany . Snow’s two cultures [the sciences and the humanities] gives the book a bright spark, like playing tennis with an intriguing, ambidextrous friend. Her lab partner Bill, a sort of fraternal twin, carries the weight of emotional confederacy in the book . Like Robert Sapolsky’s A Primate’s Memoir or Helen Macdonald’s H is for Hawk , Lab Girl delivers the zing of a beautiful mind in nature.” —Karen R. Long, Seattle Times * “Sublime, entertaining . With good humor, plenty of science, scattered literary allusions and the occasional sarcastic zinger, Lab Girl is a memoir of a plant research scientist [that] illuminates both the science of the plant world and the ebb and flow of her personal life—her struggles to find professional success, love and family. Jahren emerges as a smart, practical, good-hearted woman who loves her work and also finds joy in her husband, young son and best friend, Bill.”—Bruce Jacobs, Shelf Awareness (starred). A pronounced oddball, a seeker of knowledge, and a trader of sardonic wisecracks, Bill is Jahren’s unfailing, unfussy sidekick; [he’s] never happier than when on the job, savoring the complexities of soil layers or scavenging secondhand equipment for the laboratories the two of them have built together . Jahren captures the ramshackle poetry of this friendship, whose loyalty is so deep and abiding that it forges a great love story, in spite of the utter absence of erotic interest in either party. Winning.” —Laura Miller, Slate “As a young girl growing up in Minnesota, Jahren spent her formative years in the labs of her father, a science teacher at the local community college. It is this literary upbringing fueled by science that heralds Jahren’s memoir as the beginning of a career along the lines of Annie Dillard or Diane Ackerman. In Lab Girl, she constructs her own life story— her struggling years as an undergraduate, the persistent sexist attitude of the scientific community, the constant lack of funds, her growing awareness of her bipolar disorder—with the attention to detail and respect for organic growth that has earned her increased recognition and funding in the later years of her career. Jahren, a geochemist, botanist and geobiologist, has spent the better part of the past two decades studying the secret lives of plants. It is full of pleasing turns of phrase, references to literary figures like Genet and Dickens, and a running botany allusion that punctuates the book’s biographical story. Most of all, it’s deeply personal, following Jahren’s battle with manic depression; a harrowing pregnancy; her unending struggle to secure funding in a quickly drying financial desert; and the loving platonic relationship she shares with her protégé and lab manager, Bill. Jahren’s work has taken her around the world, from the ancient forests of Norway and Denmark to the remote and treeless Arctic, and most recently to the lush gardens of Hawaii. Jahren’s aim is to make the reader appreciate the fascinations of studying flora, to infect us with the same enthusiasm that has driven her ever since she was a child hanging around in her father’s lab, falling hard for the sensuous allures of the slide rule. Jahren’s literary bent renders dense material digestible and lyrical, in fables that parallel personal history. Vladimir Nabokov once observed that ‘a writer should have the precision of a poet and the imagination of a scientist.’ The geobiologist Hope Jahren possesses both in spades. Her new memoir is at once a thrilling account of her discovery of her vocation and a gifted teacher’s road map to the secret lives of plants—a book that, at its best, does for botany what Oliver Sacks’s essays did for neurology, what Stephen Jay Gould’s writings did for paleontology . She communicates the electric excitement of discovering something new—something no one ever knew or definitively proved before—and the grunt work involved in conducting studies and experiments: the days and weeks and months of watching and waiting and gathering data, the all-nighters, the repetitions, the detours, both serendipitous and unfruitful . Born and raised in a rural Minnesota town built around a meat-processing plant and defined mostly by its brutal winters and Scandinavian restraint, Jahren assumed that the grim endurance of her Norwegian-immigrant ancestors was her legacy. She did turn out to be tenacious, though not exactly in the way she had pictured: Long hours spent entertaining herself as a child in her physics-teacher father’s work space piqued Jahren’s interest in science, and her housewife mother’s unhappiness propelled her to pursue higher education all the way to a UC Berkeley Ph.D. Today, she’s an internationally renowned geobiologist with three Fulbrights, her own world-class laboratory, and a Wikipedia page longer and starrier than most U.S. senators’. But even more than that, it’s a fascinating portrait of her engagement with the natural world: she investigates everything from the secret life of cacti to the tiny miracles encoded in an acorn seed, studding her observations with memorable sentences . Jahren’s singular gift is her ability to convey the everyday wonder of her work: exploring the strange, beautiful universe of living things that endure and evolve and bloom all around us, if we bother to look. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘There I transformed from a girl into a scientist, just like Peter Parker becoming Spider-Man, only kind of backward,’ she writes.” —Jennifer Maloney, The Wall Street Journal, “The Hottest Spring Nonfiction Books”. “Jahren, a professor of geobiology, recounts her unfolding journey to discover ‘what it’s like to be a plant’ in this darkly humorous, emotionally raw, and exquisitely crafted memoir. Jahren, who ‘loves [her] calling to excess,’ describes the joy of working alone at night, the ‘multidimensional glory’ of a manic episode, scavenging jury-rigged equipment from a retiring colleague, or spontaneously road-tripping with students. For Jahren, a life in science yields the gratification of asking, knowing, and telling; for the reader, the joy is in hearing about the process as much as the results.” — Publishers Weekly (starred review). The author’s father was a science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist. “Hope Jahren’s Lab Girl burns with her love of science, teaching us the way great teachers can. In Lab Girl , pioneering geobiologist Jahren limns her journey [from] insecure young scientist [to] medals and professional and personal fulfillment. But her prose reaches another dimension when she describes her remarkable relationship with a lab guy, an undergraduate loner named Bill. The research partners dig holes, gather soil samples, battle personal demons, and keep each other grounded. She’s an acute observer, prickly—and funny as hell.” —Elizabeth Royte, ELLE “Attentive to subtle signs of growth and change, geobiologist Jahren turns her gaze not only outward but also inward and finds wonder even in minutiae: the flourishing of a seed, an emotional efflorescence in her own psyche. ‘Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life.’” —Dawn Raffel, More. It’s not surprising that today we relegate those who speak the language of biology, chemistry or physics to a kind of rarified ghetto. The best moments describe observation in nature, which lead to a question, which in turn formulates a hypothesis, generates an experiment and, with luck, yields the ecstasy of discovery. What Lab Girl offers, beyond the pleasure of reading it, is the insight that science is built of small contributions, not masterstrokes like e=mc2.

The AT offers an astonishing landscape of silent forests and sparkling lakes — and to a writer with the comic genius of Bill Bryson, it also provides endless opportunities to witness the majestic silliness of his fellow human beings. When this American transplant to Britain decided to return home, he made a farewell walking tour of the British countryside and produced Notes from a Small Island . Accompanied only by his old college buddy Stephen Katz, Bryson starts out one March morning in north Georgia, intending to walk the entire 2,100 miles to trail's end atop Maine's Mount Katahdin. As Bryson and Katz haul their out-of-shape, middle-aged butts over hill and dale, the reader is treated to both a very funny personal memoir and a delightful chronicle of the trail, the people who created it, and the places it passes through. Awed by merely the camping section of his local sporting goods store, he nevertheless plunges into the wilderness and emerges with a consistently comical account of a neophyte woodsman learning hard lessons about self-reliance.

Wine Folly: The Essential Guide to Wine will help you make sense of it all in a unique infographic wine book. Designed by the creators of WineFolly.com, which has won Wine Blogger of the Year from the International Wine & Spirits Competition, this book combines sleek, modern information design with data visualization and gives readers pragmatic answers to all their wine questions, including: “A magically vivid wine guide for our information age—cuts through the complexity of wine like a Champagne saber.”-- Mark Oldman , renowned wine expert and author of Oldman’s Guide to Outsmarting Wine. – Geoff Kruth , MS, President Guildsomm.com. "With clever graphics, Madeline has created a wine navigator that effortlessly guides new wine lovers to a better understanding of the taste, origins and geography of wine." Court of Masters, Certified Sommelier (Level 2) 40 Under 40, Wine Enthusiast Magazine, 2015-2016 Wine Blogger of the Year, International Wine and Spirits Competition, 2013-14 Top Wine Writer, Quora, 2012.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492. but by boat along the Pacific coast 10 or even 20 thousand years earlier; the Americas were a far more urban, more populated, and more technologically advanced region than generally assumed; and the Indians, rather than living in static harmony with nature, radically engineered the landscape across the continents, to the point that even "timeless" natural features like the Amazon rainforest can be seen as products of human intervention. And those who came later and found an emptied landscape that seemed ripe for the taking, Mann argues convincingly, encountered not the natural and unchanging state of the native American, but the evidence of a sudden calamity: the ravages of what was likely the greatest epidemic in human history, the smallpox and other diseases introduced inadvertently by Europeans to a population without immunity, which swept through the Americas faster than the explorers who brought it, and left behind for their discovery a land that held only a shadow of the thriving cultures that it had sustained for centuries before. Groups likely traveled across the Pacific in boats.Wheat and barley grown from wild ancestors in Sumer.60005000In what many scientists regard as humankind's first and greatest feat of genetic engineering, Indians in southern Mexico systematically breed maize (corn) from dissimilar ancestor species.First cities established in Sumer.40003000The Americas' first urban complex, in coastal Peru, of at least 30 closely packed cities, each centered around large pyramid-like structuresGreat Pyramid at Giza265032First clear evidence of Olmec use of zero--an invention, widely described as the most important mathematical discovery ever made, which did not occur in Eurasia until about 600 A.D., in India (zero was not introduced to Europe until the 1200s and not widely used until the 1700s)800-840 A.D.Sudden collapse of most central Maya cities in the face of severe drought and lengthy warVikings briefly establish first European settlements in North America.1000Reconstruction of Cahokia, c. 1250 A.D.*Abrupt rise of Cahokia, near modern St. Louis, the largest city north of the Rio Grande. Population estimates vary from at least 15,000 to 100,000.Black Death devastates Europe.1347-13511398Birth of Tlacaélel, the brilliant Mexican strategist behind the Triple Alliance (also known as the Aztec empire), which within decades controls central Mexico, then the most densely settled place on Earth.The Encounter: Columbus sails from Europe to the Caribbean.1492The Encounter: Columbus sails from Europe to the Caribbean.Syphilis apparently brought to Europe by Columbus's returning crew.1493Ferdinand Magellan departs from Spain on around-the-world voyage.1519Sixteenth-century Mexica drawing of the effects of smallpox**Cortes driven from Tenochtitlán, capital of the Triple Alliance, and then gains victory as smallpox, a European disease never before seen in the Americas, kills at least one of three in the empire.1525-1533The smallpox epidemic sweeps into Peru, killing as much as half the population of the Inka empire and opening the door to conquest by Spanish forces led by Pizarro.1617Huge areas of New England nearly depopulated by epidemic brought by shipwrecked French sailors.English Pilgrims arrive at Patuxet, an Indian village emptied by disease, and survive on stored Indian food, renaming the village Plymouth.1620*Courtesy Cahokia Mounds State Historic Site, Collinsville, Ill., painting by Michael Hampshire.

In The Drunken Botanist , Amy Stewart explores the dizzying array of herbs, flowers, trees, fruits, and fungi that humans have, through ingenuity, inspiration, and sheer desperation, contrived to transform into alcohol over the centuries. An Amazon Best Book of the Month, March 2013 : Peppered with fascinating facts and well-chosen anecdotes, Amy Stewart’s brisk tour of the origin of spirits acquaints the curious cocktail fan with every conceivable ingredient. Starting with the classics (from agave to wheat), she touches on obscure sources--including a tree that dates to the dinosaur age--before delving into the herbs, spices, flowers, trees, fruits, and nuts that give the world’s greatest drinks distinctive flavors. Along the way, you’ll enjoy sidebars on bugs in booze and inspired drink recipes with backstories that make lively cocktail party conversation. ( Forbes ). “Lest you think this is for the imbibers only, a teetotaler foodie, gardener or naturalist will be just as intoxicated by the dashing wit and detailed lore.” — BookPage.