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Best Religious Buildings Architecture

Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture
On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore--already under construction for more than a century--was announced: "Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September." He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction--all the while defying those who said the dome would surely collapse and his own personal obstacles that at times threatened to overwhelm him. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. Walker was the hardcover publisher of Dava Sobel's sleeper smash, Longitude, and Mark Kurlansky's steady-seller Cod: A Biography of the Fish that Changed the World. British novelist King (previously unpublished in the U.S.) compiles an elementary introduction to the story of how and why Renaissance Italian architect Filippo Brunelleschi (1377-1446) designed and oversaw the construction of the enormous dome of Florence's Santa Maria del Fiore cathedralAdesigning its curves so that they needed no supporting framework during construction: a major Renaissance architectural innovation.
Reviews
"There is much to recommend about King's discussion of the construction of the done over the Florentine basilica: his detail of early renaissance Florence is first-rate, the competition between Brunellesci and Ghiberti (not just over the dome, but thoughout their professional lives), the vibrant cross-section of brilliant, talented artists that was Florence in the 15th century all make for engaging reading."
"I had the opportunity to attend a talk by Mr. Ross a couple weeks ago and it was so interesting that I purchased this book a couple days later."
"The prize was designing what would become the signature architectural landmark of Florence, Italy--the octagonal Dome of Santa Maria del Fiore. To put it into perspective, the dome would rise from an opening 18 stories above the street, and top out at the equivalent of a 38-story building. Filippo Brunelleschi won the contest by challenging the other competing architects to make an egg stand on its end. The inner dome was built first and like the frame of an automobile contained a series of horizontal and vertical supports that held everything together. The horizontal supports consisted of a series of sandstone and wood beams and iron chains that circled the dome like the hoops of a barrel, to keep the structure from spreading outward. Couple with the circular horizontal supports, the entire structure was a lattice work of cross members embedded within the brick-and-mortar walls. Brunelleschi did not have this luxury, as there were not enough trees in all of Tuscany to build the necessary scaffolding to reach the heights that were presented. With no visible means of support (and not understanding the law of compression), they believed the entire structure would collapse from its own weight and they would fall to their death. The reversible gear allowed loads to ascend and descend without the need of turning around the oxen team each time the direction was changed. Brunelleschi created a unique external covering system that consisted of tiles designed specially for easy assembly and maintenance. They are not well drawn, and in some cases not clear, such as the brick herringbone pattern used to build the dome: the illustration is small and difficult to figure out."
"This book was Amazing, especially for Engineers!"
"My main critique is that, while the prose was lucid and explanatory, I would have appreciated more photographs and -- especially -- diagrams and schematics depicting the architectural innovations employed (as well as rejected) in the building of the Santa Maria del Fiore's magnificent dome."
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The Earth, the Temple, and the Gods: Greek Sacred Architecture
Vincent Scully, one of America's most brilliant and articulate scholars, understands the temples as physical embodiment of the gods in landscapes that had for the Greeks divine attributes and sacred connotations. The National Endowment for the Humanities chose Scully to deliver its prestigious Jefferson Lecture, and the National Building Museum has established the Vincent Scully Prize in Scully's honor.
Reviews
"Scully's thesis -- that temple placement reflects the attributes of each god -- opened new ways for our analyzing the architecture we love so much."
"Some parts may require the reader to have a bit of prior knowledge of Ancient Greece and architecture."
"This book explains and illustrates the quick evolution of Greek temples in ancient times, explaining, in particular, how the muscular, almost squat early Doric columns evolved into tall, elegant ones."
"Very good greek architecture source of knowledge."
"I bought this for my 13 year old daughter who loves Greek mythology."
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The Church: Unlocking the Secrets to the Places Catholics Call Home
From the bestselling authors of The Mass , an insightful and practical guide that explores the architectural and spiritual components of the Catholic Church. A couple years ago, my co-author, Mike Aquilina, and I wrote a book titled The Mass , and it guided readers through the Catholic Church's principal act of worship, explaining the meaning of all the parts and prayers, vessels and vestments. You'll notice furnishings you won't find in other buildings, and they have unusual names: the ambry, the ambo, the tabernacle. While we are respectful of the divine mysteries, we do try to de-mystify the terminology and give clear simple explanations for the things people encounter in a Catholic church. We examine all the parts of a church that way, from the front door to the bell tower, from the choir loft to the holy-water font. The architecture styles of churches reflect the history, cultural background, ethnic traditions and artistic creativity of people all over the world. But they do have common elements, and there are deep doctrinal and theological reasons for the identical nature of the basics of every Catholic church. Our book focuses on what churches have in common, but we address the differences as well, because part of the beauty of the Catholic faith is its rich diversity. The Cathedral of Saint Matthew the Apostle in Washington presents a magnificent array of marble and mosaic. A young college student said to me just some months ago, “I come here not only to pray but to be enveloped in beauty that I don’t find anywhere else.”. They're signs of God's abundant love and mercy: the confessional booth, the oils of anointing, the tabernacle of Jesus' abiding presence. In our book we trace the developments that got us from there to here: the tabernacle and temple of ancient Israel, the house churches of early Christianity, the haunting cathedrals of the middle ages. Readers of our book will meet some fascinating characters, like the fourth-century historian Eusebius of Caesarea and the medieval bishop William Durand. The architect who designed Big Ben, London's clock tower, was a convert to the Catholic faith who studied and wrote about the meaning of all the elements of a church. I hope it finds a prominent place in RCIA presentations, in religious education programs, on family bookshelves." This book trains our eyes to see the domes and spires, tabernacles and votive candles, pews and altars as they really are . This lovely little book by Cardinal Wuerl and Mike Aquilina is truly a mine of information, devotion, and inspiration for all." "This new book by my esteemed father in the faith, Archbishop Donald Cardinal Wuerl, and my friend, Mike Aquilina, is a wonderful treatment of the Great Amen of the Fathers of the Church and the assent of the Gathered Community of Faith within our houses of worship. Far from being a cold treatment about church architecture, this gem is a crescendo of love as a sacred song of faith rising up to the Father in the Spirit through Christ." Cardinal Donald Wuerl and Mike Aquilina, gleaning from their combined perspectives of behind the altar and from within the pews, offer the reader an extraordinarily unique panoramic view of the Catholic Church.
Reviews
"Other references, such as the writings of Church scholars, saints, etc., are also very helpful in bulking up the reader's understanding of the church symbols, decor, structure, icons and so much more. I would recommend this book to all Catholics and those who are interested in the real meaning behind all of those traditional arguments concerning the "trappings" of Catholic worship--especially the church building itself."
"Being a late convert to the Catholic Church (at 72 years of age), I did not know anything about the church building except that it has pews and there is an altar. From reading this book, I even know the name of the tinkling mass bells (sacring bells) and why the Church still uses them."
"Get all three books, excellent quick reads."
"All church planners and architects should read."
"Vert thorough, leaves no doubt about why things are the way they are, and done the way they are done."
"My husband ordered these copies at a great price and even bought a couple of extra in case someone in his parish needed one."
"I found Cardinal Wuerl and Mike's book informative."
"Thinking there wasn't anything I didn't know: found out I learned a lot more."
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Best Specific Architecture Building Styles

Sustainable Construction: Green Building Design and Delivery
Focusing on green building as it applies to larger commercial, institutional buildings, Sustainable Construction provides a complete introduction to the design and construction of high-performance green buildings. "Kilbert set out to provide a book for professors to use within their environmental departments; however, what he ends up with is a wonderful overview of the green building movement…" ( AIA , March 2007) The definitive guide to the green building process. Focusing on green building as it applies to larger commercial, institutional buildings, Sustainable Construction provides a complete introduction to the design and construction of high-performance green buildings.
Reviews
"This book does not provide technical coverage of the systems discussed or construction in general, and should only be utilized by practitioners or students who already have such a background, but goes through many major areas in which sustainability can be in-built into buildings."
"It's not too heavy handed on the environment angle but it brings up interesting thought provoking points."
"Bought it as a text book and ended up not needing it."
"Book arrived as promised (well within shipping time frame) and in perfect condition as described."
"Excellent information for experienced or newcomers to the construction industry."
"Even though after readin, I still don't understand this stuff, there are some interesting parts in here."
"Good book, very easy to read for a textbook."
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