Best Satire Fiction

Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become "unstuck in time" and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously. The "unstuck" nature of Pilgrim's experience may constitute an early novelistic use of what we now call Post Traumatic Stress Disorder; then again, Pilgrim's aliens may be as "real" as Dresden is real to him. Struggling to find some purpose, order or meaning to his existence and humanity's, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author's best character name), has a child with her and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralmafadorians, Montana Wildhack and the ruins of Dresden do not merge but rather disperse through all planes of existence. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor. Hawke rises to the occasion of performing this sliced-and-diced narrative, which is part sci-fi and partially based on Vonnegut's experience as a American prisoner of war in Dresden, Germany during the firebombing of 1945 that killed thousands of civilians.

Waltz, our protagonist, moves through the book trying to make sense of a life that is rife with disaster; there is a double murder, a fatal dose of radioactivity, a decapitation, the total annihilation of a city by nuclear holocaust and, believe it or not, more. Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made. His books Slaughterhouse-Five (named after Vonnegut's World War II POW experience) and Cat's Cradle are considered among his top works. Vonnegut, sweet cynic and ugly duckling, continues to write gentle swan songs for our uncivil society.”— Playboy “The master at his quirky, provocative best.”— Cosmopolitan “Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . Vonnegut — admired as much for his views and his “Vonnegutisms” as for his publications — wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.

A modern Christmas classic, Skipping Christmas is a charming and hilarious look at the mayhem and madness that have become ingrained in our holiday tradition. John Grisham turns a satirical eye on the overblown ritual of the festive holiday season, and the result is Skipping Christmas , a modest but funny novel about the tyranny of December 25. But things start to turn nasty when horrified neighbors get wind of the Krank's subversive scheme and besiege the couple with questions about their decision. Fed up with the commercial aspects of Christmas, particularly all the money spent, and alone for the holiday for the first time in decades (their daughter has just joined the Peace Corps), grumpy Luther Krank and his sweeter wife, Nora, decide to skip Christmas this year to forgo the gifts, the tree, the decorations, the cards, the parties and to spend the dollars saved on a 10-day Caribbean cruise. He does a smartly entertaining job of satirizing the usual Christmas frenzy, as Luther and Nora resist entreaties from various charities as well as increasing pressure from their neighbors (all sharply drawn, recognizable members of the generic all-American burb, the book's setting) to do up their house in the traditional way, including installing the giant Frosty that this year adorns the roof of every home on the block except theirs. The misanthropy in this short novel makes a good antidote to the more cloying Christmas tales, and the book is fun to read.

Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become "unstuck in time" and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously. The "unstuck" nature of Pilgrim's experience may constitute an early novelistic use of what we now call Post Traumatic Stress Disorder; then again, Pilgrim's aliens may be as "real" as Dresden is real to him. Struggling to find some purpose, order or meaning to his existence and humanity's, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author's best character name), has a child with her and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralmafadorians, Montana Wildhack and the ruins of Dresden do not merge but rather disperse through all planes of existence. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor. Hawke rises to the occasion of performing this sliced-and-diced narrative, which is part sci-fi and partially based on Vonnegut's experience as a American prisoner of war in Dresden, Germany during the firebombing of 1945 that killed thousands of civilians.

Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption. Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong. Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade “One of the year’s best books . “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power.” —Paula McLain, New York Times bestselling author of Circling the Sun. A poignant, engrossing tale about sibling love and the toll of secrets.” — People “ Before We Were Yours is sure to be one of the most compelling books you pick up this year. [Lisa] Wingate is a master-storyteller, and you’ll find yourself pulled along as she reveals the wake of terror and heartache that is Georgia Tann’s legacy.” — Parade. It is almost a cliché to say a book is ‘lovingly written’ but that phrase applies clearly to Lisa Wingate’s latest novel, Before We Were Yours . This story about children taken from their parents through kidnapping or subterfuge and then placed for adoption, for a price, clearly pours out of Wingate’s heart. “This story is heartfelt and genuine, especially as Wingate explores the idea of home and family from a youngster’s point of view.” — Historical Novels Review. “Lisa Wingate takes an almost unthinkable chapter in our nation’s history and weaves a tale of enduring power. But the real feat of this stirring novel is how deeply Wingate plunges us into the heart and mind of twelve-year-old river gypsy Rill Foss. Rill’s utterly singular voice will stay with you long after the last page is turned, as will Wingate’s courage to follow her anywhere. I’m still basking in the afterglow, in shock at the true-crime elements, in awe at the journey of these characters who seem to have immortal souls.” —Jamie Ford, New York Times bestselling author of Hotel on the Corner of Bitter and Sweet.

WINNER OF THE PULITZER PRIZE From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” ( Los Angeles Times ). Yes, there is fear and fighting and disappearance and death, but the author’s focus is on the interior lives of his two characters. Never mind that their paths don’t cross until very late in the novel, this is not a book you read for plot (although there is a wonderful, mysterious subplot about a stolen gem). It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author’s many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans.

People say Beartown is finished. In this story of a small forest town, Fredrik Backman has found the entire world. Beartown has so much going on within its enjoyably readable pages that putting it in a literary box is all but impossible—and indeed that is one of the many reasons readers will pass this book amongst one another with a confident “I think you’ll like this.” As the town’s finances decline, small, scrappy Beartown hunkers deeper into itself, proud only of its white-hot junior hockey team led by a coach whose hard-driving mantra is, simply, “Win.” Seizing the upcoming hockey championship could lure a new hockey academy their way and jumpstart the local economy. —Adrian Liang, The Amazon Book Review PRAISE FOR BEARTOWN “Backman is a masterful writer, his characters familiar yet distinct, flawed yet heroic. “[It's] Backman’s rich characters that steal the show, and his deft handling of tragedy and its effects on an insular town. While the story is dark at times, love, sacrifice, and the bonds of friendship and family shine through ultimately offering hope and even redemption.” (Publishers Weekly). "Another solid offering from best-selling Swedish author Backman, with many parallels for American readers and small towns everywhere." (Library Journal). "The sentimentally savvy Backman (A Man Called Ove, 2014) takes a sobering and solemn look at the ways alienation and acceptance, ethics and emotions nearly destroy a small town and young people." (The New York Times Book Review). "Backman is the Dickens of our age, and though you'll cry, your heart is safe in his hands."

With her beautiful face, full hips and round backside, nothing stands in the way of her confidence. He often wonders if Pita is good enough to settle down with or should he forgive the woman who caused him heartache and pain. Tyshae Owens, is a beautiful and smart nail technician at Luxury Tea. The saying is true, “what glitters isn’t gold.” Will she stay or will she move on to someone who can offer her the love she deserves?

An orphan leaves Dark Ages London, taking a dangerous journey and posing as a Jew to study medicine in Persia, in “an adventurous and inspiring tale” ( Library Journal ). When nine-year-old Rob Cole felt the life force slipping from his mother's hand he could not foresee that this terrifying awareness of impending death was a gift that would lead him from the familiar life of 11th-century London to small villages throughout England and finally to the medical school at Ispahan. Though apprenticed to an itinerant barber surgeon, it is the dazzling surgery of a Jewish physician trained by the legendary Persian physician Avicenna that inspires him to accept his gift and to commit his life to healing by studying at Avicenna's school.

Not only do they find they have a lot in common, but there’s even a spark of romance in the air. But the two are in for more twists and turns along the way as they rescue a lost puppy, run into petty thieves, and even get caught up in a case of mistaken identity. full of fun, laughter, and love.” — Romance Reviews Today “This Christmas romance from [Debbie] Macomber is both sweet and sincere.” — Library Journal “There’s just the right amount of holiday cheer. This road-trip romance is full of high jinks and the kooky characters Macomber does so well.” — RT Book Reviews “Macomber’s name is almost as closely linked to Christmas reading as that of Charles Dickens.” —The Romance Dish , on Mr. This road-trip romance is full of high jinks and the kooky characters Macomber does so well.” — RT Book Reviews “Macomber’s name is almost as closely linked to Christmas reading as that of Charles Dickens.” —The Romance Dish , on Mr. Miracle Debbie Macomber , the author of Silver Linings, Last One Home, Love Letters, Mr. In 2013, Hallmark Channel began production on the original series Debbie Macomber’s Cedar Cove, based on Macomber’s Cedar Cove books.

– Paula Hawkins. From the bestselling author of Everything I Never Told You , a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives. In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town--and puts Mia and Elena on opposing sides. “Witnessing these two families as they commingle and clash is an utterly engrossing, often heartbreaking, deeply empathetic experience…It’s this vast and complex network of moral affiliations—and the nuanced omniscient voice that Ng employs to navigate it—that make this novel even more ambitious and accomplished than her debut…Our trusty narrator is as powerful and persuasive and delightfully clever as the narrator in a Victorian novel…It is a thrillingly democratic use of omniscience, and, for a novel about class, race, family and the dangers of the status quo, brilliantly apt…The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America]. She toggles between multiple points of view, creating a narrative both broad in scope and fine in detail, all while keeping the story moving at a thriller’s pace.” — LA Times “Riveting…unearthing the ways that race, class, motherhood and belonging intersect to shape each individual…Perhaps Ng's most impressive feat is inviting the reader's forgiveness for Mrs. Richardson –– a woman whose own mission for perfection, and strict adherence to rules ultimately become the catalyst for the maelstrom that ensues.” —Chicago Tribune. “Like Sue Monk Kidd or Madeleine Thien, Celeste Ng has a carpenter’s sure touch in constructing nested, interconnected plots…There are few novelists writing today who are as wise, compassionate and unsparing as Ng, about the choices you make, the ones you don’t, and the price you might pay for missed lives.” — Financial Times. “Like Everything I Never Told You , Ng’s excellent debut, the book plots its way into a smart, accessible conversation about race and class. “Ng writes with the wisdom of a hundred lives lived, churning out complex characters mostly sympathetic, sometimes loathsome, but all startlingly human.” — HarpersBazaar.com. “Fans of novelist Celeste Ng’s debut, Everything I Never Told You , and devotees of her resistance-ready Twitter feed can rejoice…The story drifts effortlessly between characters; each is full and memorable as they coax the novel to its fiery climax. “Couldn’t be more timely… Little Fires Everywhere might just be the signpost that we need, pointing a way forward with the gentle suggestion that sometimes doing the right thing means breaking some rules.” – Paste “Compelling… Little Fires Everywhere invests all of its emotional energies in the relationship between mothers and their children…in Ng’s precisely rendered perfect suburb.” – Vox. “Ng’s taut class drama is calibrated for fireworks.” – New York Magazine , Books to Read This Fall “Written with deep empathy and vivid characters who feel true to life, Little Fires Everywhere is a captivating, insightful examination of motherhood, identity, family, privilege, perfectionism, obsession, and the secrets about ourselves we try to hide.” – Buzzfeed. “There are few modern writers as brilliant at capturing the complexities of a family as Celeste Ng…The book is smart, nuanced, and exhilarating—but more than anything, Little Fires Everywhere is a gorgeous exploration of motherhood in its many forms, and the many different paths that women travel to get there.” — Shondaland.com. “Ng’s uncanny ability to embody multiple viewpoints makes for a powerful, revelatory novel.” – BBC.com, Ten Books to Read in September. “Ng has one-upped herself with her tremendous follow-up novel… a finely wrought meditation on the nature of motherhood, the dangers of privilege and a cautionary tale about how even the tiniest of secrets can rip families apart… Ng is a master at pushing us to look at our personal and societal flaws in the face and see them with new eyes… If “Little Fires Everywhere” doesn’t give you pause and help you think differently about humanity and this country’s current state of affairs, start over from the beginning and read the book again.” --San Francisco Chronicle. “Ng’s talent for depth of story and character development shines and will stay with you long after you’ve finished the book.” — Richmond Times-Dispatch “Immersive and thought-provoking…Hang on and prepare to be mesmerized as you meet two families in idyllic Shaker Heights, Ohio.” — The Missourian. “A multilayered, tightly focused and expertly plotted narrative…A deeply impressive novel with the power to provoke and entrance.” — Minneapolis Star Tribune “One of the best novels of the fall is an emotional tale about motherhood, class and so much more… Everything I Never Told You , was good, but this is better.” —AARP.org “Mesmerizing…The result is a deftly woven plot that examines a multitude of issues, including class, wealth, artistic vision, abortion, race, prejudice and cultural privilege.” —BookPage “Ng’s best-selling first novel Everything I Never Told You proved her deft hand at crafting family dramas with the deep-rooted tension of a thriller, a skill she puts to pitch-perfect effect in her latest entry…that is equal parts simmering and soulful.” —HarpersBazaar.com “A quiet but powerful look at family, secrets, and running from the past. “Ng’s stunning second novel is a multilayered examination of how identities are forged and maintained, how families are formed and friendships tested, and how the notion of motherhood is far more fluid than bloodlines would suggest…[A] tour de force.”— Booklist (starred review). “This incandescent portrait of suburbia and family, creativity, and consumerism burns bright…. As in Everything I Never Told You , Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. -- Peter Ho Davies, author of The Fortunes "As if it wasn't totally obvious from her stunning first novel, Little Fires Everywhere showcases what makes Celeste Ng such a masterful writer. Celeste Ng is a powerful and poignant writer whose attention to detail is pitch-perfect. An Amazon Best Book of September 2017: With her first two novels, Celeste Ng has established herself as a writer of rare sensitivity and talent. Ng is a master of family and societal dynamics, shifting perspectives, and the secrets that we try to protect—and readers who loved her debut will recognize the author in this second novel, even as she continues to stretch herself as a writer.

The count’s refinement and genteel nature are exactly what we’re longing for.” — Ann Patchett “How delightful that in an era as crude as ours this finely composed novel stretches out with old-World elegance.” —The Washington Post He can’t leave his hotel. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. [ A Gentleman in Moscow ] is laced with sparkling threads (they will tie up) and tokens (they will matter): special keys, secret compartments, gold coins, vials of coveted liquid, old-fashioned pistols, duels and scars, hidden assignations (discreet and smoky), stolen passports, a ruby necklace, mysterious letters on elegant hotel stationery . Alexander Rostov is a character for the ages--like Kay Thompson’s Eloise and Wes Anderson’s M. Gustav, he is unflinchingly (and hilariously for readers) devoted to his station, even when forced to wait tables, play hide and seek with a young girl, or confront communism. In the end, Towles’s greatest narrative effect is not the moments of wonder and synchronicity but the generous transformation of these peripheral workers, over the course of decades, into confidants, equals and, finally, friends. With them around, a life sentence in these gilded halls might make Rostov the luckiest man in Russia.” — The New York Times Book Review “This is an old fashioned sort of romance, filled with delicious detail. In his second elegant period piece, Towles continues to explore the question of how a person can lead an authentic life in a time when mere survival is a feat in itself . Towles’s tale, as lavishly filigreed as a Fabergé egg, gleams with nostalgia for the golden age of Tolstoy and Turgenev.” — O, The Oprah Magazine “‘The Grand Budapest Hotel’ and ‘Eloise’ meets all the Bond villains.” —TheSkimm. an imaginative and unforgettable historical portrait.” — Booklist “House arrest has never been so charming as in Towles’s second novel, an engaging 30-year saga set almost entirely inside the Metropol, Moscow’s most luxurious hotel. “An irresistible and astonishingly assured debut about working class-women and world-weary WASPs in 1930s New York…in the crisp, noirish prose of the era, Towles portrays complex relationships in a city that is at once melting pot and elitist enclave – and a thoroughly modern heroine who fearlessly claims her place in it.” — O, the Oprah Magazine “With this snappy period piece, Towles resurrects the cinematic black-and-white Manhattan of the golden age…[his] characters are youthful Americans in tricky times, trying to create authentic lives.” — The New York Times Book Review “This very good first novel about striving and surviving in Depression-era Manhattan deserves attention…The great strength of Rules of Civility is in the sharp, sure-handed evocation of Manhattan in the late ‘30s.” — Wall Street Journal “Put on some Billie Holiday, pour a dry martini and immerse yourself in the eventful life of Katey Kontent…[Towles] clearly knows the privileged world he’s writing about, as well as the vivid, sometimes reckless characters who inhabit it.” — People “[A] wonderful debut novel…Towles [plays] with some of the great themes of love and class, luck and fated encounters that animated Wharton’s novels.” — The Chicago Tribune “Glittering…filled with snappy dialogue, sharp observations and an array of terrifically drawn characters…Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.” —NPR.org.

Jillian Guthrie, a troubled young journalist, stumbles onto a tantalizing mystery: the same man, unaged, stands alongside Ulysses S. Grant, Theodore Roosevelt, and Gandhi in three different photographs spanning eighty-five years of history. Creator of the landmark original miniseries V , he also produced The Six Million Dollar Man and created iconic Emmy-winning shows such as The Bionic Woman , The Incredible Hulk , and Alien Nation . He has presented his unique graduate-level seminar, The Filmmaking Experience , at UCLA, USC, NYU, Loyola, New York Film Academy, the National Film and Television School (UK), Moscow State University (Russia), and many others.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share. “Sprawling, stirring, like the richest of stories, and played out on a canvas of heroism and tragedy, Beneath a Scarlet Sky is like one of those iconic World War II black and white photos: a face of hope and tears, the story of a small life that ended up mattering in a big way.” —Andrew Gross, New York Times bestselling author of The One Man. “Action, adventure, love, war, and an epic hero—all set against the backdrop of one of history's darkest moments—Mark Sullivan's Beneath a Scarlet Sky has everything one can ask for in an exceptional World War II novel.” —Tess Gerritsen, New York Times bestselling author of Playing with Fire. Mark has received numerous awards for his writing, including the WHSmith Fresh Talent Award, and his works have been named a New York Times Notable Book and a Los Angeles Times Best Book of the Year.

NOW THE ACCLAIMED HBO SERIES GAME OF THRONES From a master of contemporary fantasy comes the first novel of a landmark series unlike any you’ve ever read before. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the frozen land they were born to. Readers of epic fantasy series are: (1) patient--they are left in suspense between each volume, (2) persistent--they reread or at least review the previous book(s) when a new installment comes out, (3) strong--these 700-page doorstoppers are heavy , and (4) mentally agile--they follow a host of characters through a myriad of subplots. Martin rewards readers with a vividly real world, well-drawn characters, complex but coherent plotting, and beautifully constructed prose, which Locus called "well above the norms of the genre." The story of these two families and their struggle to control the Iron Throne dominates the foreground; in the background is a huge, ancient wall marking the northern border, beyond which barbarians, ice vampires, and direwolves menace the south as years-long winter advances. Although the romance of chivalry is central to the culture of the Seven Kingdoms, and tournaments, derring-do and handsome knights abound, these trappings merely give cover to dangerous men and women who will stop at nothing to achieve their goals.

King Severn Argentine’s fearsome reputation precedes him: usurper of the throne, killer of rightful heirs, ruthless punisher of traitors. Richard III is near-obligatory context for reading about King Severn Argentine; readers less fond of the Bard can refer to Kylo Ren instead. This is the first title in Wheeler’s projected Kingfountain series, about Owen Kiskaddon, initially the eight-year-old son of a traitorous duke being held hostage at the royal court of Ceredigion.

Now, with the opportunity to spy for the Allies inside the German High Command, Pino endures the horrors of the war and the Nazi occupation by fighting in secret, his courage bolstered by his love for Anna and for the life he dreams they will one day share.

I can't help but feel like Little Red Riding Hood. Dream The women in this small town can't stop gossiping. But the skeletons in my closet won't stay locked away for long. She woke up the beast I had locked away. 60,000+ words in this full length standalone nanny romance. Bonus content included after the main story, including a new Bad Boy MC Romance. I loved it!" "Big Daddy will capture most readers' hearts!" "This is one heart touching story.