Best Satire

Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become "unstuck in time" and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously. The "unstuck" nature of Pilgrim's experience may constitute an early novelistic use of what we now call Post Traumatic Stress Disorder; then again, Pilgrim's aliens may be as "real" as Dresden is real to him. Struggling to find some purpose, order or meaning to his existence and humanity's, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author's best character name), has a child with her and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralmafadorians, Montana Wildhack and the ruins of Dresden do not merge but rather disperse through all planes of existence. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor. Hawke rises to the occasion of performing this sliced-and-diced narrative, which is part sci-fi and partially based on Vonnegut's experience as a American prisoner of war in Dresden, Germany during the firebombing of 1945 that killed thousands of civilians.

Waltz, our protagonist, moves through the book trying to make sense of a life that is rife with disaster; there is a double murder, a fatal dose of radioactivity, a decapitation, the total annihilation of a city by nuclear holocaust and, believe it or not, more. Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made. His books Slaughterhouse-Five (named after Vonnegut's World War II POW experience) and Cat's Cradle are considered among his top works. Vonnegut, sweet cynic and ugly duckling, continues to write gentle swan songs for our uncivil society.”— Playboy “The master at his quirky, provocative best.”— Cosmopolitan “Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . Vonnegut — admired as much for his views and his “Vonnegutisms” as for his publications — wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.

Written contemporaneously with the Cuban missile crisis and countenancing a version of a world in the grasp of magnified human stupidity, the novel is centered on Felix Hoenikker, a chemical scientist reminiscent of Robert Oppenheimer… except that Oppenheimer was destroyed by his conscience and Hoenikker, delighting in the disastrous chemicals he has invented, has no conscience at all. Hoenikker's "Ice 9" has the potential to convert all liquid to inert ice and thus destroy human existence; he is exiled to a remote island where Boskonism has enlisted all of its inhabitants and where religion and technology collaborate, with the help of a large cast of characters, to destroy civilization. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II. The new audio release offers listeners an excellent opportunity to connect—or reconnect—with a classic text whose thematic elements—nuclear terror, the complications of science, American imperialism, global capitalism and the role of religion in public life—are remarkably relevant to our 21st-century landscape. The story line centers on a young writer's quest to research the history of the atomic bomb, which leads to a bizarre political soap opera and apocalyptic showdown on the shores of a seedy banana republic in the Caribbean.

Read by a host of celebrities, from Samuel L. Jackson to Jennifer Garner, this subversively funny bestselling storybook will not actually put your kids to sleep, but it will leave you laughing so hard you won’t care. “If you’ve never heard of [Mansbach’s] books, you must not have an internet connection.” — The ParentNormal “Total genius.” —Jonathan Lethem, author of Motherless Brooklyn , father of two. “ Go the Fuck to Sleep is the secret anthem of tired parents everywhere.” —Bliss Broyard, author of One Drop: My Father’s Hidden Life , mother of two.

This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and her astonishing, “Adventures in Depression,” and “Depression Part Two,” which have been hailed as some of the most insightful meditations on the disease ever written. Pictures. Words. Stories about things that happened to me. Stories about things that happened to other people because of me. Eight billion dollars*. Stories about dogs. The secret to eternal happiness*. An Amazon Best Book of the Month, November 2013: Who among us has not, in moments that sometimes bleed through years, even decades, felt weird, desperate, and absurd--wishing we could turn all the lamest, most shameful episodes in our lives into hilarious illustrated anecdotes? If you just stumbled across Brosh and can't yet grasp the allure of a Web comic illustrated by rudimentary MS Paint figures, believe the hype. Brosh has a genius for allowing us to channel her weird childhood and the fits and starts of her adulthood through the manic eyes, gaping mouths, and stick-like arms in the panels that masterfully advance her stories, and she delivers her relentless commentary with deadpan hilarity. Today, Bill and Melinda Gates co-chair the charitable foundation bearing their names and are working together to give their wealth back to society. But Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things that Happened , by Allie Brosh, is an honest-to-goodness summer read. Brosh has quietly earned a big following even though, as her official bio puts it, she “lives as a recluse in her bedroom in Bend, Oregon.” The adventures she recounts are mostly inside her head, where we hear and see the kind of inner thoughts most of us are too timid to let out in public. Here’s a typical snippet: “To the simple dog, throwing up was like some magical power that she never knew she possessed—the ability to create infinite food. The mental illness she describes is profoundly isolating: “When you have to spend every social interaction consciously manipulating your face into shapes that are only approximately the right ones, alienating people is inevitable.” It must be empowering for those who have struggled with depression to read this book, see themselves, and know they’re far from alone. You explain it again, hoping they’ll try a less hope-centric approach, but re-explaining your total inability to experience joy inevitably sounds kind of negative, like maybe you WANT to be depressed. So the positivity starts coming out in a spray—a giant, desperate happiness sprinkler pointed directly at your face.”. It is no hyperbole to say I love her approach—looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian. The subjects run from light (cakes, dogs) to dark (the author’s own severe depression), and they foreground offbeat feeling and real intellect. Ms. Brosh’s inquisitive mind won me over, too.” (Dwight Garner New York Times). “In a culture that encourages people to carry mental illness as a secret burden . (Elizabeth Gilbert ). “One of the best things I’ve ever read in my life.” (Marc Maron ) "This book made me laugh, cry, and leak. (io9.com ) “ The whole blog is inspired.” (Andrew Sullivan, The Daily Dish (The Atlantic) ). “Anyone seeking an accessible look at someone suffering from depression or some really delightful dog drawings need search no further.” (Time Out New York ). "Both singular and familiar—the popularity of Brosh's blog and her absurd, exuberant voice meant that she started a lot of memes you might have come across— Hyperbole and a Half is a very funny reminder that it's normal to not have your shit together, and to know that it's okay to ask for help."

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times “[An] unforgettable memoir.” — Parade. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The OprahMagazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review). Trevor Noah is the most successful comedian in Africa and is the host of the Emmy and Peabody Award–winning The Daily Show on Comedy Central.

It's a book about what happens when the nation's foremost progressive satirist gets a chance to serve in the United States Senate and, defying the low expectations of the pundit class, actually turns out to be good at it. In this candid personal memoir, the honorable gentleman from Minnesota takes his army of loyal fans along with him from Saturday Night Live to the campaign trail, inside the halls of Congress, and behind the scenes of some of the most dramatic and/or hilarious moments of his new career in politics. "Admirably incautious...Franken has weaponized the gifts that proved so useful for comedy - a sharp eye, a sharper tongue, the ability to tease out the essential absurdity of a given situation and deliver the goods with maximum impact. "In a breezy, funny, biting, and often earnest read, Franken pulls off what many of his congressional colleagues have failed to do: write...an interesting and honest memoir. [Franken] uses self-deprecating humor to poke fun at everyone on either side of the aisle, and he gives readers insight into the daily workings of life in the Senate. "With this book, Franken is both resistance leader and family counselor...A hilarious guide to what happens when a comedian runs for Congress. Senator Franken graduated from Harvard College and received his doctorate in right-wing megalomania studies from Trump University.

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times “[An] unforgettable memoir.” — Parade. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The OprahMagazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review). Trevor Noah is the most successful comedian in Africa and is the host of the Emmy and Peabody Award–winning The Daily Show on Comedy Central.

SILLY JOKES FOR SILLY KIDS is a children's joke book containing HUNDREDS of funny kids' jokes with illustrations. Silly Willy was born in a small town named Gill's Hills.

The #1 New York Times Bestseller A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. In Modern Romance , Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world. The book includes extensive research, data, and insight from leading experts in the field (he co-wrote it with a social scientist)—all sprinkled with Ansari’s signature, and spot-on, voice of a generation. ". USA Today". "With topics like online dating apps to serious social science research, the book is sure to have you laughing if not taking a few notes. "Paste Magazine". The book is an obsessive exploration of what makes hearts flutter and break across the globe, but most importantly, it dissects those ideas through the lens of a right-and-left swiping society. And as a result, Ansari s final product doesn t only feel complete it s hilariously executed, even without his unmistakable high-register voice belting the punchlines. Club ". It s hard to think of another celebrity book that also feels like breaking news Aside from the jokes, the science of "Modern Romance "holds water, and is absolutely fascinating. But when it was this Parks and Recreation star s turn, he channeled the rejection into an extensive (and riotous) investigation of the current state of dating, going as far as recruiting an NYU sociologist to be his collaborator/wingman. Kirkus Reviews". The ever hip and funny comedian and Parks and Recreation star embarks on a surprisingly insightful exploration of the complex realities of dating today . Ansari s eminently readable book is successful, in part, because it not only lays out the history, evolution, and pitfalls of dating, it also offers sound advice on how to actually win today s constantly shifting game of love. Natasha Gilmore, "Publishers Weekly: ". Ansari, a comedian and TV actor, has co-written a book with a legitimate sociologist about what it means to date in the modern era. When technology and instant gratification are changing the landscape of human interactions, dating is weirder than ever, and I'm looking forward to Ansari's sense of humor and cultural criticism on the topic, which he's started to address in his stand-up. Steven Levitt, coauthor of the #1"New York Times"bestselling"Freakonomics". Always-hilarious Aziz Ansari proves you can be smart and funny at the same time.Not only did I laugh my ass off, I really learned stuff. "Modern Romance"is just like Aziz Ansari himself charming, thoughtful, reasonable, and able to distill the madness of the world into something both sane and wildly funny.