Best Television

The dishiest read of the year.” – Janet Maslin, “Ten Favorite Books of the Year,” New York Times. “Here’s Johnny!” Probably everyone in America knows the phrase, whether they watched every episode of The Tonight Show or none because they had to go to bed early on school nights. Bushkin explains why Carson, a voracious (and very talented) womanizer, felt he always had to be married; why he couldn’t visit his son in the hospital and wouldn’t attend his mother’s funeral; and much more. Featured Photos of Johnny Carson Frank Sinatra and Johnny Carson during rehearsals for the 1981 Reagan Inaugural Gala. Carson, Bushkin says, “was endlessly witty and enormously fun to be around,” but he also could be “the nastiest son of a bitch on earth.” The text provides multiple examples of both sides of Carson’s Mr. Hyde personality, but, of course, it is the petulant, boozing, womanizing Johnny that will draw the most attention: throwing tantrums over perceived slights at Ronald Reagan’s inauguration, at having to wait for a suite at Caesar’s Palace in Las Vegas, at Joan Rivers’ decision to launch a competing late-night show without first informing Carson, and, above all, at his mother’s refusal to acknowledge both Carson’s success and his lavish gifts to her (his mother’s coldness, Bushkin and many others believe, was at the root of Carson’s own iciness in personal relationships).

"A truth-riot of a book!" She has been hailed by Bono and Shonda Rhimes for her singular voice and stinging political commentary...You may not have heard her name yet. But you probably will, because Luvvie Ajayi, a Nigerian-born "professional shade thrower," as she calls herself, is offering incisive, hilarious commentary on polarizing issues (race and gender in particular), and she has found her audience. "This truth-riot of a book gives us everything from hilarious lectures on the bad behavior all around us to razor sharp essays on media and culture. ―Shonda Rhimes, New York Times bestselling author of Year of Yes and executive producer of Scandal and Grey's Anatomy. "I don't know how Luvvie Ajayi got so smart so young about so many things, from feminism to social media, from the pervasiveness of rape culture to the excellence of Red Lobster's Cheddar Bay Biscuits. "You will love Luvvie Ajayi's I'm Judging You , and you will argue with it, laugh hysterically at it, shout "AW HELL YES" at it, and carry parts of it in your heart to dissect or inspire...Perfect for starting important and meaty discussions about all of the topics your mama told you never to bring up at polite dinner parties...religion, race, relationships, reality tv. "A smart, vividly humorous handbook...Overall, [Ajayi's] “do-better” calls for us to reclaim common sense, compassion, and critical thinking, in both personal and online interactions. ―Booklist, starred review "By exposing the uncool, unwashed underbelly of American society, Ajayi's essays force readers to reconsider their stances on a variety of issues, including social media and the public airing of everything, celebrities, sex tapes, the various types of friendships one might have, feminism, religion. ―Mallory Ortberg, bestselling author of Texts from Jane Eyre " I'm Judging You is a brilliant, laugh-out-loud manual for the generation that can configure a wireless router but still hasn't realized social media is not the place for child support issues. Luvvie Ajayi is an award-winning writer, pop culture critic, and professional troublemaker who thrives at the intersection of comedy, technology and activism. She is also a digital strategist, noted speaker and Executive Director of The Red Pump Project, a national HIV/AIDS organization.

The official companion to the Emmy-winning Netflix drama chronicling the reign of Queen Elizabeth II, and starring Claire Foy and John Lithgow, The Crown by Peter Morgan, featuring additional historical background and beautifully reproduced archival photos and show stills Elizabeth Mountbatten never expected her father to die so suddenly, so young, leaving her with a throne to fill and a global institution to govern. — New York Post “If you love the drama series starring Claire Foy as Queen Elizabeth II and John Lithgow as Winston Churchill, you’ll dig The Crown: The Official Companion.

A complete catalogue of motion picture techniques for filmmakers. Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven Katz's book gives a great breakdown of the fundamentals of film directing.

It was only a matter of time before Diana Gabaldon’s bestselling Outlander saga made the leap from book to hit TV series, and the millions of readers captivated by the epic romance of Claire Beauchamp Randall and Jamie Fraser have eagerly followed.

This touching and hilarious memoir is 100 percent Carol Burnett -- funny, irreverent, and irresistible. In her second book, comedy legend Burnett looks back fondly on her long and successful career in short, easily digestible chapters that part the curtain on her private life. She also dishes about her famous costars and friends, including Jimmy Stewart, Lucille Ball, Cary Grant, Julie Andrews, and, of course, Carol Burnett Show regulars Harvey Korman, Tim Conway, Vicki Lawrence, and Lyle Waggoner. Fans of both the show and the actress will enjoy this mostly lighthearted though sometimes poignant look back at Burnett’s career. --Kathleen Hughes "These short memories, of the people Burnett met and interviewed over the years, on- and off-camera, bring it back — the golden age of variety shows....Burnett has a writer's eye for the moment, the detail, the slip that reveals character. — Los Angeles Times "Carol was a huge star on television because she was funny, daring, and always genuine.

It was only a matter of time before Diana Gabaldon’s bestselling Outlander saga made the leap from book to hit TV series, and the millions of readers captivated by the epic romance of Claire Beauchamp Randall and Jamie Fraser have eagerly followed.

The Hollywood Standard describes in clear, vivid prose and hundreds of examples how to format every element of a screenplay or television script. The book's strength lies in its ability to combine important specifics (e.g., the proper use of punctuation) with broader aspects of scriptwriting (e.g., how to describe what's being seen and heard within a shot or sequence). Riley, who's also written screenplays for Touchstone Pictures, Paramount and Mandalay, supplies what may be the first accurate, complete and practical guide to standard script formats, a reference that writers of film would do well to keep handy as they work.

From one of the co-founders of Pixar Animation Studios—the Academy Award–winning studio behind Coco, Inside Out, and Toy Story —comes an incisive book about creativity in business and leadership for readers of Daniel Pink, Tom Peters, and Chip and Dan Heath. NEW YORK TIMES BESTSELLER | NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Huffington Post • Financial Times • Success • Inc. • Library Journal “[ Creativity, Inc. ]. just might be the most thoughtful management book ever.”— Fast Company Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and “Braintrust” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, “an expression of the ideas that I believe make the best in us possible.”. Praise for Creativity, Inc. “Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success.” —Jim Collins, co-author of Built to Last and author of Good to Great “Too often, we seek to keep the status quo working. “Just might be the best business book ever written.” — Forbes “Achieving enormous success while holding fast to the highest artistic standards is a nice trick—and Pixar, with its creative leadership and persistent commitment to innovation, has pulled it off. Any reader of Creativity, Inc., Catmull’s new book on the art of running creative companies, will have to agree. Catmull, president of both Pixar and Walt Disney Animation, has written what just might be the most thoughtful management book ever.” — Fast Company “It’s one thing to be creative; it’s entirely another—and much more rare—to build a great and creative culture. Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success. Catmull’s book is quickly becoming the latest bible for the show business crowd.” —The New York Times “The most practical and deep book ever written by a practitioner on the topic of innovation.” —Prof. [Catmull] uses Pixar’s triumphs and near-disasters to outline a system for managing people in creative businesses—one in which candid criticism is delivered sensitively, while individuality and autonomy are not strangled by a robotic corporate culture.” — Financial Times “A wonderful new book . An immensely readable and rewarding book that will challenge and inspire readers to make their workplaces hotbeds of creativity.” — Kirkus Reviews (starred review) “Punctuated with surprising tales of how the company’s films were developed and the company’s financial struggles, Catmull shares insights about harnessing talent, creating teams, protecting the creative process, candid communications, organizational structures, alignment, and the importance of storytelling. [ Creativity, Inc. ] will delight and inspire creative individuals and their managers, as well as anyone who wants to work ‘in an environment that fosters creativity and problem solving.’” — Publishers Weekly (starred review) “For anyone managing anything, and particularly those trying to manage creative teams, Catmull is like a kind, smart godfather guiding us toward managing wisely, without losing our souls, and in a way that works toward greatness. What Ed Catmull shares instead is his astute experience that creativity isn’t strictly a well of ideas, but an alchemy of people. In Creativity, Inc. Ed reveals, with commonsense specificity and honesty, examples of how not to get in your own way and how to realize a creative coalescence of art, business, and innovation.” —George Lucas “This is the best book ever written on what it takes to build a creative organization. Ed Catmull is co-founder of Pixar Animation Studios and president of Pixar Animation and Disney Animation.

Beginning with his journey from the small town of Moncks Corner, South Carolina to his headline grabbing interviews with celebrities like Justin Bieber, Jay-Z, Nicki Minaj, Kanye West, and Hillary Clinton, he shares how he turned his troubled early life around by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. “After meeting this young man I was impressed by his real desire to be relevant and his genuine yearning to leave meaningful footprints in the sand, this book is just that: a young man passing on relevant knowledge and experiences to help others better their position in life. And stop asking questions about my butt.” --Lena Dunham. “Charlamagne is a great friend.....after you threaten to punch him in the face a few times.” --La La Anthony. “South Carolina has produced some really beautiful, talented, smart, upstanding citizens…..and Charlamagne!” --Stephen Colbert. “Charlamagne is a f*cking asshole, but he's my favorite one."

Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love. Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times. “[An] unforgettable memoir.” — Parade “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.” —Michiko Kakutani, The New York Times “[An] unforgettable memoir.” — Parade. “You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.” — O: The OprahMagazine “What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. “This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.” —Refinery29. told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. “A gifted storyteller, able to deftly lace his poignant tales with amusing irony.” — Entertainment Weekly. Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.” — Newsday. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’” — Publishers Weekly (starred review). Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.” — Booklist (starred review). Trevor Noah is the most successful comedian in Africa and is the host of the Emmy and Peabody Award–winning The Daily Show on Comedy Central.

Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. John Seabrook combines a love of music and an appreciation for personalities to take us on a starry journey from Stockholm and London to New York and Orlando showing how creativity gets discovered, polished, and packaged. -- Walter Isaacson, author of 'The Innovators' and 'Steve Jobs'. "In The Song Machine, John Seabrook tells of a cutthroat and fascinating industry, where readers discover the gifted musical maestros who orchestrate hit after hit but rarely get their name in print. John Seabrook has a marvelous ear for language - and perfect pitch when it comes to music journalism."

Now a major motion picture, written and directed by Aaron Sorkin and starring Jessica Chastain, Idris Elba, Kevin Costner, and Michael Cera—the true story of "Hollywood’s poker princess" who gambled everything, won big, then lost it all. When Molly Bloom was a little girl growing up in a small Colorado town, she watched her brothers win medals, ace tests, and receive high praise from everyone they met. Her clients ranged from iconic stars like Leonardo DiCaprio and Ben Affleck to politicians and financial titans so powerful they moved markets and changed the course of history. With rich detail, Molly describes a world that until now has been shrouded in glamour, privilege, and secrecy, one where she fearlessly took on the Russian and Italian mobs—until she met the one adversary she could not outsmart, even though she had justice on her side: the United States government.