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Best Video Reference

The Hollywood Book Of Scandals: The Shocking, Often Disgraceful Deeds and Affairs of More than 100 American Movie and TV Idols (Encore Film Book Classics 10)
You’ll get the deep dish on: * The William Desmond Taylor murder case. * Wallace Reid’s drug-filled finale. * Jean Harlow and Paul Bern’s deadly marriage. * Errol Flynn’s statutory rape trial. * Loretta Young and Clark Gable’s secret love child. * Liz Taylor’s seduction of crooner Eddie Fisher. * Judy Garland’s pathetic public meltdown. * Marilyn Monroe’s sad fate. * Bob Crane’s baffling ghastly murder. * The X-rated Rob Lowe sex video. * The sensational fallout of Woody Allen’s union with Mia Farrow. * The killing of rapper Tupac Shakur. `* O.J. JAMES ROBERT PARISH, a former entertainment reporter, publicist, and book series editor, is the author of many published major biographies and reference books on the entertainment industry including Whitney Houston: We Will Always Love You; The Hollywood Book of Extravagance; It’s Good to Be the King: The Seriously Funny Life of Mel Brooks; The Hollywood Book of Breakups; Fiascos: Hollywood’s Iconic Flops; The Hollywood Book of Love; Jet Li; The Encyclopedia of Ethnic Groups in Hollywood; The Hollywood Book of Death; Gus Van Sant; Whoopi Goldberg; Rosie O’Donnell’s Story; The Unofficial “Murder, She Wrote” Casebook; Today’s Black Hollywood; Let’s Talk! Silent film star Wallace Reid's tragic death from drug addiction Errol Flynn's statutory rape trial Loretta Young and Clark Gable's secret love child Liz Taylor's seduction of crooner Eddie Fisher Judy Garland's pathetic public meltdown Bob Crane's baffling death The X-rated Rob Lowe sex video The killing of rapper Tupac Shakur Winona Ryder's infamous shoplifting spree and trial The Robert Blake murder trial. JAMES ROBERT PARISH, a former entertainment reporter, publicist, and book series editor, is the author of many published major biographies and reference books on the entertainment industry including Whitney Houston: We Will Always Love You; The Hollywood Book of Extravagance; It’s Good to Be the King: The Seriously Funny Life of Mel Brooks; The Hollywood Book of Breakups; Fiascos: Hollywood’s Iconic Flops; The Hollywood Book of Love; Jet Li; The Encyclopedia of Ethnic Groups in Hollywood; The Hollywood Book of Death; Gus Van Sant; Whoopi Goldberg; Rosie O’Donnell’s Story; The Unofficial “Murder, She Wrote” Casebook; Today’s Black Hollywood; Let’s Talk!
Reviews
"My mother loves these Hollywood scandal type books and she read this one in an afternoon."
"Good behind the scenes stories... lots of information regarding each story."
"Another great addition to my collection of Hollywood stories about the rich and snotty folks who never can get enough of anything, especially their own egos."
"If you love gossip, scandals, Hollywood, or history this is a must read."
"I love to learn anything I can about celebrities and this is one of those books that I learn quite a bit about old Hollywood; I can't wait to buy all the other books this author has!"
"Really a great add to my collection."
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We Don't Need Roads: The Making of the Back to the Future Trilogy
– Bob Gale, co-creator, co-producer, and co-writer of the Back to the Future trilogy. A behind-the-scenes look at the making of the iconic Back to the Future trilogy Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don’t Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. Geekily enthusiastic and chock full of never-before-heard tales of what went on both on and off the screen, We Don't Need Roads is a book worthy of the beloved trilogy itself." - Bob Gale, co-creator, co-producer, and co-writer of the Back to the Future trilogy. "The most enlightening and informative book I've read since Grays Sports Almanac. -Ernest Cline, DeLorean owner/Author of Ready Player One"We Don't Need Roads is the truly fascinating story of how one of America's greatest movie franchises came to be. Deeply researched and engagingly written, Caseen Gaines' We Don't Need Roads is the book Back to the Future fans have been craving for decades. Geekily enthusiastic and chock full of never-before-heard tales of what went on both on and off the screen, We Don't Need Roads is a book worthy of the beloved trilogy itself." With over five hundred hours of interviews with key cast and crew members, Caseen Gaines’ book is a delightful way to travel back to the future and relive those wonderful times with Marty McFly, his family, friends, and enemies – not to mention the inimitable Doc Brown. Strap into your DeLorean and get ready for the ride of your life!” - Marc Scott Zicree, author of The Twilight Zone Companion. Not only does Caseen Gaines offer up a meticulously crafted and entertaining account of one of the most beloved time-traveling franchises in movie history, but he uses his access to take an incisive look behind-the-scenes of Hollywood filmmaking.
Reviews
"As one of the editors of the "Back To The Future" trilogy I was interviewed about my experiences for the book. I rambled on for quite a time with Mr Gaines after which I was very curious, and a bit skeptical, about how he would weave together the remembrances of some 50 other participants into an interesting book."
"Did I read some stories I read before?"
"It reminded me of the book that led to my career choice in Advertising: "Thirty Seconds" by Michael Arlen - all about the development of the old "Reach out and touch someone" ad campaign."
"The fact that Gaines (Author) was able to get insight from everyone in the films history (or close to it) is amazing in itself and a testament to the impact that film has that everyone involved was willing to participate! The book delves deep into the creative process of the original and fills us in (FINALLY) as to why Eric Stoltz was removed from the role of Marty."
"So many details went into the storyline, the "science," the visuals, the acting, the music...Gaines picked the perfect details to share and explain in the book to make me appreciate the films from many different perspectives. If you remember the films coming out, if you grew up with the films, or you are just discovering "Back to the Future," this is a great read."
"Dive into the details of filming and life on the set, as well as some of the decisions made along the way."
"Every story, every comment, every voice made me feel like I was there, the insights to the behind the scenes was exactly what a film nerd like me needs to know."
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Movie Trivia Madness: Interesting Facts and Movie Trivia (Best Trivia Books Book 1)
Well we dug deep to uncover only the most interesting facts and movie trivia for you to enjoy. We discovered the sometimes bizarre ways that they prepare for their roles, and the stories from the set you almost can't believe to be true. And we made sure to include some fun trivia questions for you to test your movie knowledge with.
Reviews
"Interesting movie facts perfect for anyone interested in movies."
"As with Bill O'Neill's other books on trivia, this book was an interesting read to find out about actors, directors and movies."
"Easy to read and burn some time."
"Bill O’Neill and Steve Murray try to tap into that built-in audience with “Movie Trivia Madness,” a compendium of several hundred generally little known facts about the films, stars, and directors we love. Depending on a reader’s level of familiarity and interest in the movie industry, some of this material may be old hat, but I consider myself rather well-versed, and I learned a number of things from reading the book. For example, I didn’t know that Tom Hardy now sports a particular tattoo thanks to a bet he lost to Leonardo DiCaprio during the filming of “The Revenant.”. “Movie Trivia Madness” is not, of course, a reference book, so the authors aren’t strict in their categorization of particular bits of information. I didn’t try to verify the authors’ assertions in most cases, but a few obvious mistakes caught my eye, such as stating that Vince Vaughn appeared in the original “Jurassic Park” (it was the sequel), or that “How I Met Your Mother” was a movie, not a TV show. Failing to include details like that leave readers wondering who the actors being discussed were and makes “Movie Trivia Madness” seem sloppily put together."
"They have gathered fascinating facts about movies and movie stars and movie characters and have arranged these into Sections on THE MOVIE STARS (Leonardo Di Caprio, Bill Murray, Heath Ledger, Arnold Schwarzenegger, Jenifer Lawrence, Nicole Kidman etc), MOVIES as movies (Fight Club, Die Hard, Pirates of the Caribbean, Indiana Jones, 300, etc), SCIENCE FICTION/FANTASY (Wizard of Oz, E.T., Harry Potter, Avatar, Planet of the Apes, etc), DIRECTOR’S CUT (find out who falls into the categories of legends, visionaries, perfectionists, rebels, American Icon, etc), ANYTHING FOR A LAUGH (Austin Powers, The Hangover, The Big Lebowski, Fear and Loathing in Las Vegas, Clerks, etc), DRAMATIC TURNS ( Gangs of New York, The Deer Hunter, Eyes Wide Shut, Boyhood, etc) and BITS AND BITES (odd diets, before they were famous, strange inspiration, danger on the set, and much much more). An example of their style – STRANGE DIETS: There are many vegetarians and vegans running around Hollywood, from Natalie Portman to Woody Harrelson. Leonardo DiCaprio is a vegetarian but he gave that up for a moment on the set of ‘The Revenant.’ Concerned that the jelly bison liver that the props department had made didn’t look genuine enough, DiCaprio opted on eating the real thing instead."
"People who like movies will thrill with this book."
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Best Video Guides & Reviews

The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems
Now bestselling author Syd Field, who works on over 1,000 screenplays a year, tells you step-by-step how to identify and fix common screenwriting problems, providing the professional secrets that make movies brilliant-secrets that can make your screenplay one headed for success...or even Cannes. Learn how to: •Understand what makes great stories work. •Make your screenplay work in the first ten pages, using Thelma & Louise and Dances With Wolves as models. •Use a "dream assignment" to let your creative self break free overnight. •Make action build character, the way Quentin Tarantino does. •Recover when you hit the "wall"-and overcome writer's block forever. Whatever your problem, screenwriting guru Syd Field can help; he's written four previous books on screenwriting, teaches worldwide, and is "involved in the reading and writing of about a thousand screenplays a year." His fixes generally involve getting to know your characters or story better, through the use of automatic writing, biographical sketches, and the like. For examples of spectacular screenwriting, he offers excerpts from the screenplays for Thelma and Louise , The Shawshank Redemption , Pulp Fiction , Apollo 13 , and Silence of the Lambs . And you'll thank him for persuading you that, yes, "a problem is an opportunity, a challenge that will allow you to ultimately improve your craft."
Reviews
"An excellent guide, but you should read his book Screenplay – The Foundations of Screenwriting first in order to better understand his terminology."
"Fully appreciate the clear guidance through the maze of hidden screenwriting problems."
"This is helping me so much to get past the hiccups in my screenwriting."
"This is one of the best books I've read on the art of diagnosing and editing screenplay problems."
"everything that i had hoped for."
"I run into problems with scenes that don't fit and the book easily explains what to do."
"Bought it new and it arrived in great condition!"
"Good information."
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Best Video Direction & Production

Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
From one of the co-founders of Pixar Animation Studios—the Academy Award–winning studio behind Coco, Inside Out, and Toy Story —comes an incisive book about creativity in business and leadership for readers of Daniel Pink, Tom Peters, and Chip and Dan Heath. NEW YORK TIMES BESTSELLER | NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Huffington Post • Financial Times • Success • Inc. • Library Journal “[ Creativity, Inc. ]. just might be the most thoughtful management book ever.”— Fast Company Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and “Braintrust” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, “an expression of the ideas that I believe make the best in us possible.”. Praise for Creativity, Inc. “Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success.” —Jim Collins, co-author of Built to Last and author of Good to Great “Too often, we seek to keep the status quo working. “Just might be the best business book ever written.” — Forbes “Achieving enormous success while holding fast to the highest artistic standards is a nice trick—and Pixar, with its creative leadership and persistent commitment to innovation, has pulled it off. Any reader of Creativity, Inc., Catmull’s new book on the art of running creative companies, will have to agree. Catmull, president of both Pixar and Walt Disney Animation, has written what just might be the most thoughtful management book ever.” — Fast Company “It’s one thing to be creative; it’s entirely another—and much more rare—to build a great and creative culture. Over more than thirty years, Ed Catmull has developed methods to root out and destroy the barriers to creativity, to marry creativity to the pursuit of excellence, and, most impressive, to sustain a culture of disciplined creativity during setbacks and success. Catmull’s book is quickly becoming the latest bible for the show business crowd.” —The New York Times “The most practical and deep book ever written by a practitioner on the topic of innovation.” —Prof. [Catmull] uses Pixar’s triumphs and near-disasters to outline a system for managing people in creative businesses—one in which candid criticism is delivered sensitively, while individuality and autonomy are not strangled by a robotic corporate culture.” — Financial Times “A wonderful new book . An immensely readable and rewarding book that will challenge and inspire readers to make their workplaces hotbeds of creativity.” — Kirkus Reviews (starred review) “Punctuated with surprising tales of how the company’s films were developed and the company’s financial struggles, Catmull shares insights about harnessing talent, creating teams, protecting the creative process, candid communications, organizational structures, alignment, and the importance of storytelling. [ Creativity, Inc. ] will delight and inspire creative individuals and their managers, as well as anyone who wants to work ‘in an environment that fosters creativity and problem solving.’” — Publishers Weekly (starred review) “For anyone managing anything, and particularly those trying to manage creative teams, Catmull is like a kind, smart godfather guiding us toward managing wisely, without losing our souls, and in a way that works toward greatness. What Ed Catmull shares instead is his astute experience that creativity isn’t strictly a well of ideas, but an alchemy of people. In Creativity, Inc. Ed reveals, with commonsense specificity and honesty, examples of how not to get in your own way and how to realize a creative coalescence of art, business, and innovation.” —George Lucas “This is the best book ever written on what it takes to build a creative organization. Ed Catmull is co-founder of Pixar Animation Studios and president of Pixar Animation and Disney Animation.
Reviews
"Managers, as well as anyone who wants to better understand how companies work and what elements are necessary to make and keep them successful, will appreciate Catmull’s insight on leadership, nurturing creative environment, and protecting it from invisible threats. After reading the book, I constantly find myself quoting the concepts and examples described there when talking to my husband or friends about their jobs or my own and discussing what works, what doesn’t, and why."
"Ed shared several amusing experiences creating these magnificent movies to illustrate management concepts."
"Mr. Catmull presents an impressive analysis of how corporate culture can negatively impact creativity, even when corporate leaders proclaim their support for creativity and truly believe they are doing everything they can to foster and support it."
"Whether you're just a Pixar fan, or you're looking for ways to improve your company, you can't go wrong with this book."
"It tells of how the company was formed and the various challenges and changes along the way as well as how the people in charge are constantly attempting to maintain Pixar as a separate entity from Disney after being purchased by the latter while fixing Disney's animation studios and making Disney a world class entity itself."
"The book is definitely about creativity and the creative process, but it's equally about business and management."
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Best Technical Video

Amusing Ourselves to Death: Public Discourse in the Age of Show Business
Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. “I can’t think of a more prophetic, more thoughtful, more necessary – and yes, more entertaining – book about media culture.” –Victor Navasky, National Book Award-winning author of The Art of Controversy “All I can say about Neil Postman’s brilliant Amusing Ourselves to Death is: Guilty As Charged.” –Matt Groening, Creator of The Simpsons “As a fervent evangelist of the age of Hollywood, I publicly opposed Neil Postman’s dark picture of our media-saturated future.
Reviews
""Amusing Ourselves to Death" is an amazingly written and well-argued book. Today, Barack Obama and Mitt Romney have bite-sized debates where one side speaks for 1 minute and the other side gets a 30-second rebuttal. Clearly, the people then were different from the people now in terms of mainstream intelligence. The reason, Postman argues, is that the people in Dickens' era were children of "The Age of Typography," and the people today (us) are the children of "The Age of Show Business," or "The Age of Television." This book was written in 1985, but don't be fooled; it still wields enormous relevance today -- The chapter titled, "Peek-a-Boo-World" as well as the "Information-to-action-ratio" theory outlined in it are particularly pertinent regarding the modern-day use of the internet, especially with portable laptops, tablets, and cellphones."
"The book comes in 2 parts."
"Postman brought many things to light that I had not even thought about."
"Very informative in content, even for an older book."
"The type of media itself profoundly changes us apart from the content of the media."
"But while they were sci fi dystopias imposed from the top-down to control society, Postman predicted we, the people, are racing toward our own destruction in pursuit of pleasure and leisure."
"The typographic vs telegraphic mind, questioning what is television, continuity/discontinuity, context/decontextualization, hell even acculturation and cultural imperialism are hinted here."
"This book will open your mind to facts about itself and the effects of an entertainment culture that you never even considered."
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